Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 14 del v našem katalogu avtorja Daniel Gran
Kratek opis
Sliko, ki jo Daniel Gran najbolj pozna, predstavlja Allegory of the Dawn (1723). Takoj za tem sledita Mary with Child and Saints, Enthroned on Clouds (1730) in Diana's Admission to Olympus (1732). Od 14 del umetnika Daniel Gran v našem katalogu so teh 14 najbolj znanih. Vsako od njih vključuje leto nastanka, muzej in kratek opis tistega, kar ga izpostavlja.
3 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Daniel Gran | Slike iz tega seznama |
|---|---|---|---|
 Narodni muzej v Varšavi |
Varšava | 2 | Greeting of Venus at Mount Olympus, Bacchus and Ceres |
 Muzej lepih umetnosti |
Budimpešta | 2 | St Elizabeth Distributing Alms, The Day Driving away the Night |
 Narodni muzej v Krakovu |
Krakov | 1 | Apollo with the Muses – Project for a Plafond |
Izberite desetletje, da si ogledate njegovo najboljše delo.
Na vrhu liste je Allegory of the Dawn (1723). Takoj za njim sta Mary with Child and Saints, Enthroned on Clouds (1730) in Diana's Admission to Olympus (1732).
Starosti 29 let. Daniel Gran se je rodil(a) leta 1694, njegovo/njino delo Allegory of the Dawn pa izvira iz leta 1723.
Allegory of the Dawn, Mary with Child and Saints, Enthroned on Clouds, Diana's Admission to Olympus, Apollo with the Muses – Project for a Plafond, Allegory of the Happy Government of Mähren, Allegory of the Morning, Instruction of Mary by Joachim and Anna, The Holy Family, Madonna and Child in unleserlich. Leto in muzej vsakega dela boste našli v zgornjem seznamu.
V našem katalogu je 14 del umetnika Daniel Gran, datiranih od 1723 do 1747.
Večino njih boste našli v Narodni muzej v Varšavi (Varšava), Muzej lepih umetnosti (Budimpešta) in Narodni muzej v Krakovu (Krakov). Na seznamu muzejev zgoraj je naveden celoten pregled.
V obdobju 1730s, bolj kot koli drugič: 4 od 14 del na tej strani izvira iz tega obdobja, med katerimi je Mary with Child and Saints, Enthroned on Clouds.
Najstarejše delo tukaj je Allegory of the Dawn (1723); najsodobnejše je Allegory of the Morning (1747).
Na tej strani lahko v muzeju Narodni muzej v Varšavi, Varšava vidite 2 dela, vključno s作品ami Greeting of Venus at Mount Olympus in Bacchus and Ceres.
Da. Vsaka slika na tej strani je na voljo kot ročno slikano oljno reprodukcijo ali tiskano kopijo v velikosti, ki vam ustreza. Za naročilo le odprite stran slike.
Daniel Gran (1694-1757) was a prominent Austrian Baroque painter who played a crucial role in the transition towards Classicism. His career spanned a period of significant artistic change, and he is remembered for his masterful frescoes, religious scenes, and illusionistic style.
Born in Vienna, Italy in 1694, Daniel Gran came from a family that valued its noble lineage. Successfully asserting his claim to this title was important during his time, as improper use of such distinctions could have severe social consequences. Details regarding his early artistic training remain somewhat scarce, but it is known he developed considerable skill and ambition.
Gran’s initial work firmly rooted in the Baroque tradition, characterized by dramatic compositions, rich colors, and a sense of movement. However, towards the end of his career, his paintings began to exhibit a shift away from purely Baroque aesthetics – particularly in terms of figural dimensions and illusionism. This evolution suggests an increasing interest in the emerging principles of Classicism, emphasizing clarity, balance, and restraint.
While specific influences are not extensively documented, it’s reasonable to assume Gran was impacted by contemporary Italian and Austrian Baroque masters. His later stylistic changes suggest a growing awareness of early Classical art and its emphasis on form and proportion.
Daniel Gran’s significance lies in his role as a bridge between the Baroque and Classical periods. He wasn't merely an imitator of earlier styles but actively contributed to the evolving artistic landscape of 18th-century Austria. His work demonstrates a conscious effort to move beyond the exuberance of the High Baroque towards a more restrained and balanced aesthetic.
Gran’s influence can be seen in the subsequent development of Austrian painting, paving the way for later Classicist artists. In 1894, Vienna honored his legacy by naming the Grangasse street in Rudolfsheim-Fünfhaus (the 15th district) after him. His self-portrait remains a treasured piece within the monastery of Herzogenburg.
Gran’s frescoes continue to captivate viewers with their beauty, technical skill, and historical importance, solidifying his place as a notable figure in Austrian art history.
