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Vaš vodnik po 4 najbolj znanih slikah avtorja Cornelia Scheffer
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 4 del v našem katalogu avtorja Cornelia Scheffer
Kratek opis
Najbolj znano delo umetnika Cornelia Scheffer je Self-portrait (1795). Najdete ga v muzeju Dordrechts Museum v mestu Dordrecht. Na seznamu sta še Woman with Two Children on a Country Road (1811) in The Women of Souli (1833). V našem katalogu imamo 4 del avtorja Cornelia Scheffer; ta vodnik izpostavlja 4 najbolj znanih del, vključno z letom nastanka, muzejem in zgodbojo vsake slike.
1769 – 1839, Dordrecht
Največ del: Dordrechts Museum
10 slik umetnika Cornelia Scheffer, ki jih morate najprej poznati
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Ročno slikana oljna reprodukcija od $200 29 × 34 cm
Velikost kot pri originalu $300 60 × 73 cm Naročite v originalni velikosti →
Pridobite ročno naslikano
Preberite njegovo zgodbo
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Ročno slikana oljna reprodukcija od $450 37 × 27 cm
Velikost kot pri originalu $733 112 × 95 cm Naročite v originalni velikosti →
Pridobite svojo
Spoznajte jo
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Ročno slikana oljna reprodukcija od $175 30 × 33 cm
Pridobite ročno naslikano
Preberite njegovo zgodbo
Kje si lahko ogledate slike avtorja Cornelia Scheffer
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Cornelia Scheffer | Slike iz tega seznama |
|---|---|---|---|
 Dordrechts Museum |
Dordrecht | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Dekada za dekado: najbolj znano delo umetnika Cornelia Scheffer iz vsakega obdobja
Delo po desetletjih
Izberite desetletje, da si ogledate njegovo najboljše delo.
Cornelia Scheffer: hitri odgovori o slikah
Katero je najbolj znano sliko umetnika Cornelia Scheffer?Poglejte odgovor
Na vrhu liste je Self-portrait (1795), Dordrechts Museum, Dordrecht. Takoj za njim sta Woman with Two Children on a Country Road (1811) in The Women of Souli (1833).
Koliko je bil Cornelia Scheffer let, ko je ustvaril Self-portrait?Poglejte odgovor
Starosti 26 let. Cornelia Scheffer se je rodil(a) leta 1769, njegovo/njino delo Self-portrait pa izvira iz leta 1795.
Koliko del umetnika Cornelia Scheffer je v vašem katalogu?Poglejte odgovor
V našem katalogu je 4 del umetnika Cornelia Scheffer, datiranih od 1795 do 1833.
V katerih muzejih lahko vidite znana dela umetnika Cornelia Scheffer?Poglejte odgovor
Večino njih boste našli v Dordrechts Museum (Dordrecht). Na seznamu muzejev zgoraj je naveden celoten pregled.
Kateri sta prva in zadnja znana dela umetnika Cornelia Scheffer?Poglejte odgovor
Najstarejše delo tukaj je Self-portrait (1795); najsodobnejše je The Women of Souli (1833).
Katera slavna slika umetnika Cornelia Scheffer se nahaja v muzeju Dordrechts Museum?Poglejte odgovor
Na tej strani lahko v muzeju Dordrechts Museum, Dordrecht vidite 4 dela, vključno s作品ami Self-portrait, Woman with Two Children on a Country Road in The Women of Souli.
Kje lahko naročim reprodukcijo Cornelia Scheffer?Poglejte odgovor
Da. Vsaka slika na tej strani je na voljo kot ročno slikano oljno reprodukcijo ali tiskano kopijo v velikosti, ki vam ustreza. Za naročilo le odprite stran slike.
Zgodba umetnika Cornelia Scheffer
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.