Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 24 del v našem katalogu avtorja August Becker
Kratek opis
Če poznate eno sliko avtorja August Becker, je to verjetno Stags and Old Oak Near the Wallwitzburg near Dessau (1836). The Jungfrau (1853) in A view of Schloss Waldleiningen (1863) dopolnjujeta tri dela, ki jih ljudje takoj prepoznajo. Naš katalog vsebuje 24 del avtorja August Becker. Spodaj je 24 najbolj znanih del, vsako z letom nastanja, informacijo o tem, kje je zasnovano in kaj ga dela posebnega.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzeji | Mesto | Sloga August Becker | Slike iz tega seznama |
|---|---|---|---|
 Kraljeva zbirka |
London | 23 | The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar |
Izberite desetletje, da si ogledate njegovo najboljše delo.
Na vrhu liste je Stags and Old Oak Near the Wallwitzburg near Dessau (1836). Takoj za njim sta The Jungfrau (1853) in A view of Schloss Waldleiningen (1863).
Starosti 15 let. August Becker se je rodil(a) leta 1821, njegovo/njino delo Stags and Old Oak Near the Wallwitzburg near Dessau pa izvira iz leta 1836.
Stags and Old Oak Near the Wallwitzburg near Dessau, The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar, Glen Gelder, The Valley of the Dee above Braemar, Caenlochan, Loch Avon, Balmoral in Loch Callater. Leto in muzej vsakega dela boste našli v zgornjem seznamu.
V našem katalogu je 24 del umetnika August Becker, datiranih od 1836 do 1877.
Večino njih boste našli v Kraljeva zbirka (London). Na seznamu muzejev zgoraj je naveden celoten pregled.
V obdobju 1860s, bolj kot koli drugič: 16 od 24 del na tej strani izvira iz tega obdobja, med katerimi je A view of Schloss Waldleiningen.
Najstarejše delo tukaj je Stags and Old Oak Near the Wallwitzburg near Dessau (1836); najsodobnejše je The Villa Hohenlohe (1877).
Na tej strani lahko v muzeju Kraljeva zbirka, London vidite 23 dela, vključno s The Jungfrau, A view of Schloss Waldleiningen in The Valley of the Dee near Braemar.
Da. Vsaka slika na tej strani je na voljo kot ročno slikano oljno reprodukcijo ali tiskano kopijo v velikosti, ki vam ustreza. Za naročilo le odprite stran slike.
August Becker did not merely paint scenery; he captured the specific, rugged geography of the nineteenth century. His work belongs to the Düsseldorfer Malerschule, a movement defined by a rigorous approach to landscape that favored structural accuracy over mere sentiment. He moved from the initial guidance of Johann Heinrich Schilbach to the specialized landscape training of Johann Wilhelm Schirmer at the Kunstakademie Düsseldorf. This technical foundation allowed him to transition from local German vistas to the dramatic, vertical compositions of the North.
His ability to translate geological scale onto canvas earned him a place in the most prestigious collections of his era. In 1854, while studying in London, his work caught the attention of the British monarchy. Prince Albert purchased his painting "The Jungfrau" as a gift for Queen Victoria. This was no minor social victory; it established Becker as a painter of international standing, leading to further acquisitions by the Queen and invitations to visit Scotland and the Isle of Wight.
Becker’s career was defined by his movement through significant European landscapes. He did not stay confined to the Rhine valley, instead seeking out the specific light and form of diverse regions. His travels were purposeful, often dictated by the specific demands of his patrons or the availability of new subject matter.
The sheer volume of his work—over 360 paintings—indicates a highly disciplined professional practice. He was a painter of precision, capable of shifting from the intimate details of the Nahe region to the vast, sweeping scales of Norwegian fjords. His later years saw him teaching, including lessons for Princess Antonia, proving his technical authority was recognized by the aristocracy. While much of his work remains in private or royal hands, with about 80 paintings located in England, his presence in the Kunst Archiv Darmstadt ensures his place in the historical record of German landscape painting.
