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Head

Ime in priimek Razred Datum

William Turnbull, Head (1955), Arts Council Collection. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik
William Turnbull artsdot.com/sl/artists/william-turnbull/
Datumi rojstva in smrti umetnika
1922 – 2012
Naslikano
1955
Prvotna velikost
22 x 22 cm
Na lokaciji
Arts Council Collection artsdot.com/sl/museums/arts-council-collection-london_sl/

V kontekstu

Head — William Turnbull

Kakšna je velikost?

Originalne dimenzije so 22 × 22 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Osenčeno: življenjsko obdobje William Turnbull (1922–2012) ▲ to delo, 1955

Primerjajte z

  • 20 1963 artsdot.com/sl/art/william-turnbull-20-1963-AS7CSV-en/
  • Sextet artsdot.com/sl/art/william-turnbull-sextet-AQZCCL-en/
  • Head, 1950 artsdot.com/sl/art/william-turnbull-head-ARD6A3-en/

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/william-turnbull-head-D4JUNK-en/

Barve

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    Glavna barva

    Gray #7e6d73

    Shranjena paleta

    • #7E6D73
    • #EEEFEC
    • #C8C4C1
    • #4D3740
    Paleta barv
    Neutrals Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Gray
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    O tem umetniškem delu

    Head — William Turnbull

    William Turnbull often worked in series, and during the 1950s the head became a persistent motif in his sculptures and paintings. Unlike Brancusi

    Umetnik in muzej

    Umetnik

    William Turnbull

    Rojen v Dundee, United Kingdom

    Early Life and Influences

    William Turnbull (1922-2012) was a Scottish artist whose career spanned sculpture, painting, and printmaking. Born in Dundee to John and Anne Turnbull, his early fascination with art manifested through copying illustrations from magazines. His formal education was interrupted by the Great Depression when he left school at 15 to find work, initially as a laborer and later painting film posters. Attending evening drawing classes at Dundee University under James McIntosh Patrick and Fred Mould proved formative, exposing him to landscape painting and illustration techniques. These early experiences laid the groundwork for his future artistic endeavors.

    World War II and Artistic Development

    Turnbull's life took a significant turn during World War II when he enlisted in the Royal Air Force (RAF) in 1941. Serving as a pilot in Canada, India, and Sri Lanka broadened his perspective and exposed him to diverse cultures. After the war, he briefly studied at the Slade School of Fine Art in London but found its approach restrictive. Disillusioned with the Slade's neo-romanticism, he relocated to Paris in 1948, a pivotal move that shaped his artistic trajectory. In Paris, he encountered influential artists and movements, including Cézanne and Monet, which deeply influenced his aesthetic sensibilities.

    Key Artistic Periods and Styles

    Turnbull’s career can be broadly divided into several distinct periods. His early sculpture (1950s) featured totemic columns and forms often inspired by ancient art and rock formations. The 1950s also saw him associated with the Independent Group, a forum for discussion and debate that contributed to the emergence of Pop Art. In the 1960s, he experimented with steel, Perspex, and fibreglass, creating modular sculptures influenced by American Colour Field Painting. A significant shift occurred in the 1970s when he returned to more molded forms and stylized bronze figurines, reflecting a renewed focus on surface patterns and color. Throughout his career, Turnbull demonstrated a remarkable versatility, seamlessly transitioning between different materials and styles while maintaining a distinctive artistic voice.

    Major Achievements and Historical Significance

    William Turnbull’s contributions to British art are considerable. His inclusion in the 1952 Venice Biennale's New Aspects of British Sculpture exhibition established his international reputation. A major retrospective at the Tate Gallery in 1973 provided a comprehensive overview of his work, prompting him to re-evaluate his artistic direction. Turnbull’s ability to synthesize diverse influences—from ancient art and European modernism to American Color Field Painting—created a unique body of work that defied easy categorization. His role within the Independent Group positioned him as an early innovator in the development of Pop Art, while his sculptures and paintings continue to be celebrated for their formal elegance and intellectual depth. He is remembered as a significant figure in post-war British art, known for his independent spirit and unwavering commitment to artistic exploration.

    Muzej

    Arts Council Collection

    Na razstavi v London, Združeno kraljestvo

    Živo dediščino: Pulz britanske ustvarjalnosti

    Obisk

    Arts Council Collection

    je kot vstop v živopisen, dišeč narativ britanske umetniške evolucije. Za razliko od tradicionalnih instituciji, ki vrhunska dela zaprejo v tihe, statične dvorane muzejev podobnih trdjavam, ta zbirka deluje kot "muzej brez zidov". Ustanovljena leta 19446 med transformativnimi sencami povojnega oskodnosti, ni bila zamisljena le kot skladišče za estetsko razmišljanje, temveč kot aktiven kanal kulturne vitalnosti. Njena bit je v gibanju; gre za premišljeno cirkulacijo navdihov, ki vnaša življenje v univerze, bolnišnice in javne stavbe po vse izvence Združene kraljestine. Ta demokratičen pristop zagotavlja, da izjemna umetnost nikoli ni zaprta pred očmi javnosti, temveč postane sestavni del komunalne pokrajine ter spodbuja globoko spoštovanje do ustvarjalnega duha, ki definira narod.

    Zgodovinska pot zbirke je pot globokega razvoja in namere. To, kar se je začelo kot skromno dediščino slik, započetih predhodnimi odbori, se je razvila v monumentalno založbo skoraj 8.000 del več kot 2.000 umetnikov. Ta obsežen arhiv služi kot kronika dvavedstega in dvavedvajstvega stoletja, ki zajema premike družbenih vrednot in radikalne transformacije vizualnega jezika. Za zbiratelje ali ljubitelje umetnosti zbirka ponuja nepreverljivo okno v dušo britanskega modernizma, ko sledi liniji od vizceralnih, psiholoških globin

    Francisa Bacona

    do svetlobnih, sončem prežganih pejzažev

    Davida Hockneya

    . To je prostor, kjer se monumentalna težina skulptur

    Henryja Moorea

    sreča neustrašno, teksturno intimo portretov

    Luciana Freuda

    , kar ustvarja dialog med obliko in čustvom, ki presega čas.

    Inovacija in sodobna avangarda

    Tisto, kar resnično loči Arts Council Collection, je njeno neustrašno objemanje sodobnosti in novih umetnikov. Zbirka ne gleda nazaj le z nostalgijo; aktivno oblikuje prihodnost umetnosti skozi vizionarske pobude, kot je

    Frieze Acquisition Fund

    . S tem ko omogoča kuratorjem pridobivanje revolucionarnih del z prestižnega sejma umetnosti Frieze London, zbirka zagotavlja, da so glasovi naslednje generacije vpleteni v trajno tkivo britanske dediščine. Ta predanost inovacijam pomeni, da se obiskovalci — in tisti, ki so po navdihu njegovih del pri oblikovanju notranjih prostorov — vedno srečujejo z vrhuncem v skulpturi, fotografiji, videu in instalaciji. Zbirka cveti v napetosti in odkritju, pogosto pa predstavlja izzivna ali kontroverzna dela, ki sprožajo razmišljanje in razpravljanje.

    Poleg svojih fizičnih arhivov se vpliv institucije poveča skozi sofisticiran program turnejskih izložb in globalnih partnerstev. Skozi sodelovanja z entitetami, kot je

    Coventry Biennial

    , zbirka raziskuje teme urbanega identiteta in prizadevanja za širšo skupnost, s čemer vrhunsko kurirano umetnost prinaša v regionalne galerije daleč iz središčnih centrov Londona. Ta duh dostopnosti se dalje širi v digitalno področje prek partnerstva z

    Google Arts & Culture

    , kar omogoča globalnemu občinstvu, da po njem dragocenem zakladu brezmejno bregar po katerem koli na svetu. Za oblikovalca notranjih prostorov, ki si želi vzbuditi občutek sofisticirane modernosti, ali za raziskovalca, ki sledi nitim umetniškega lineage, ostaja Arts Council Collection neexhaustibilen vir globoke lepote in intelektualne doslednosti.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Head

    artsdot.com/sl/art/download/william-turnbull-head-D4JUNK-en/

    Navodila za citiranje umetniškega dela

    MLA
    Turnbull, William. Head. 1955, Arts Council Collection. https://artsdot.com/sl/art/william-turnbull-head-D4JUNK-en/
    APA
    Turnbull, William (1955). Head [Painting]. Arts Council Collection. https://artsdot.com/sl/art/william-turnbull-head-D4JUNK-en/
    Chicago
    William Turnbull. Head. 1955. Arts Council Collection. https://artsdot.com/sl/art/william-turnbull-head-D4JUNK-en/
    Harvard
    Turnbull, William (1955) Head. Arts Council Collection. Available at: https://artsdot.com/sl/art/william-turnbull-head-D4JUNK-en/

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    Head — William Turnbull

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Poglejte nazaj na 20 1963, ki ste ga prej videli v tem priročniku. Imejte dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    4. William Turnbull je bil star približno 33, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tej dobi?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

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