Format papirja

Priročnik za študentska dela

The Polling

Ime in priimek Razred Datum

Vilijam Hogart, The Polling (1755). Dostopno v javni lastnini. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Vilijam Hogart artsdot.com/sl/artists/vilijam-hogart_sl/
Datumi rojstva in smrti umetnika
1697 – 1764
Naslikano
1755
Material
Oil On Canvas
Prvotna velikost
101 x 127 cm
Gibanje
Classicism
Obdobje
Early Modern
Artistic style
Classical
Influences
Neoclassicism
Notable elements or techniques
Detailed realism; Dynamic composition
Subject or theme
Political satire; Election observation

V kontekstu

The Polling — Vilijam Hogart

Dimenzije

Prvotne dimenzije so 101 × 127 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1690
  2. 1700
  3. 1710
  4. 1720
  5. 1730
  6. 1740
  7. 1750
  8. 1760

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 67 ob smrti.

Naslikano, ko je bil avtor star 58. Umetnik je živel 67. 84 od 96 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Vilijam Hogart (1697–1764) ▲ to delo, 1755 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1735 Glavni delovni leti: 1735–1750 Pozna dela: od 1750

Ti trije pasovi razdelijo dela v tem katalogu na prvo četrtino, srednjo polovico in zadnjo četrtino. Niso popolna celotina umetnikovega dela: tanjka obdobja je lahko praznina v arhivu, ne le obdobje manj intenzivnega ustvarjanja. Iste leta, v katerih se odtisa življenje umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/william-hogarth-the-polling-8BWMB7-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Driftwood #c9a656

    Shranjena paleta

    • #C9A656
    • #5B331A
    • #E3E9D6
    • #9B6429

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Driftwood
    Intenzivnost
    Vivid Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Bright Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Clear Color Presence Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Vilijam Hogart v zadnjih dvanajst mesecih — skupaj 35 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 49,1%
    2. 2 Romunija 9,4%
    3. 3 Združene države Amerike 8,4%
    4. 4 Singapur 4,3%
    5. 5 Hong Kong 3,6%
    6. 6 Francija 3,3%
    7. 7 Italija 3,3%
    8. 8 Argentina 2,0%
    9. 9 Kolumbija 2,0%
    10. 10 Španija 1,5%
    11. · 25 drugih držav 13,1%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    20 najbolj gledanih del umetnika Vilijam Hogart

    1. 1 Plakat ena iz Rakeove proge 6,2%
    2. 2 The Marriage Contract, 1745 3,4%
    3. 3 Plošča dva iz Rakeove uspešnosti 2,8%
    4. 4 Marriage A-la-Mode - 6, The Lady's Death 2,6%
    5. 5 Plate šest iz Časovnika Škorcova napredovanja 2,4%
    6. 6 The Death of the Earl 2,2%
    7. 7 Poroka po modi, 1743 1,9%
    8. 8 Night, plate four from The Four Times of the Day 1,9%
    9. 9 William Hogarth, Portrait of Captain Thomas Coram, 1740 © Coram in the care of the Foundling Museum, 1740 1,7%
    10. 10 The Marriage of Stephen Beckingham and Mary Cox, 1729 1,7%
    11. 11 Satan, greh in smrt (Scena iz Miltona), 1735 1,5%
    12. 12 The Banquet, 1755 1,5%
    13. 13 The Madhouse, 1735 1,5%
    14. 14 The Countess's Morning Levee, 1745 1,3%
    15. 15 Canvassing for Votes 1,3%
    16. 16 The Pool of Bethesda, 1736 1,3%
    17. 17 Marriage à la Mode, 1743 1,1%
    18. 18 Self portrait, 1745 1,1%
    19. 19 The Orgy, 1735 1,1%
    20. The Polling, 1755 ta slika 0,0%

    Skupaj ti deli predstavljajo 38,5% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 241 del te umetnice, pri čemer je bilo 159 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    O tem umetniškem delu

    The Polling — Vilijam Hogart

    A Stage for Social Satire

    In the heart of the eighteenth century, amidst the burgeoning energy of London, William Hogarth captured a moment that transcends mere political documentation to become a profound study of human nature. The Polling is not simply a depiction of an electoral gathering; it is a meticulously choreographed tableau of Enlightenment-era anxieties. As viewers approach this masterful oil on canvas, they are thrust into a bustling marketplace courtyard, where the air feels thick with the scent of candlelight and the palpable tension of civic duty clashing with personal greed. Hogarth, a master of the "modern moral subject," uses this scene to invite us into a world where every gesture, every glance, and every figure serves as a window into the soul of a nation in transition.

    The composition is a brilliant exercise in controlled chaos. While the eye is initially drawn to the lively crowd—a gathering of approximately fourteen individuals caught in various states of engagement—Hogarth subtly directs our gaze upward toward a flag adorning the architectural backdrop. This vertical movement creates a striking tension between the lofty symbols of authority and tradition and the earthy, often gritty realism of the people below. A prominent horse stands to the left, acting as a grounding element that lends an immediate sense of period authenticity and motion to the scene, reminding us of the era's reliance on animal transport and the unhurried yet heavy atmosphere of the marketplace.

    The Mastery of Light and Texture

    Technically, The Polling is a triumph of Classicist precision. Hogarth’s command over the medium of oil paint allows for an extraordinary level of tactile detail that continues to captivate collectors and art enthusiasts today. One can almost feel the rough grain of the stone walls and the heavy, luxurious weight of the fine fabrics worn by the more affluent attendees. Through the sophisticated use of chiaroscuro, Hogarth manipulates light and shadow to sculpt his figures, lending them a three-dimensional presence that makes the scene feel less like a frozen moment and more like a living, breathing event. The interplay of soft candlelight against the deepening shadows creates a dramatic tension that heightens the emotional stakes of the gathering.

    For the discerning interior designer or art lover, this piece offers a profound depth of visual interest. The rich palette and nuanced tonal gradations provide a sophisticated anchor for any high-end space, offering a conversation piece that rewards repeated viewing. Every brushstroke is imbued with an intention to deceive the eye into perceiving reality, creating an illusionistic window into 1755. It is this seamless blend of technical virtuosity and narrative complexity that makes a reproduction of this work such a prestigious addition to a curated collection.

    A Legacy of Observation

    Beyond its aesthetic splendor, the painting serves as a biting critique of corruption and the fragility of morality within the political sphere. Hogarth’s ability to fuse keen social observation with satirical wit is on full display here; he presents a world where the veneer of polite society often masks much darker impulses. This duality—the beauty of the technique versus the sharpness of the subject matter—is what defines the "Hogarthian" style. To possess a reproduction of The Polling is to hold a piece of history that challenges the viewer to look beneath the surface, making it an intellectually stimulating and emotionally resonant choice for those who seek art that speaks as loudly as it adorns.

    Umetnik in muzej

    Umetnik

    Vilijam Hogart

    Rojen v London, Združeno kraljestvo Velike Britanije in Irsko

    A London Life in Ink and Paint: The World of William Hogarth

    William Hogarth, born into the bustling heart of 18th-century London in 1697, was more than just an artist; he was a visual historian, a keen observer of human nature, and a satirical commentator on the societal currents of his age. His life story is inextricably linked to the very fabric of England during a period of significant transformation – its burgeoning ambitions, underlying anxieties, and pervasive hypocrisies all finding potent expression in his remarkably detailed and often biting works. The son of a struggling Latin schoolmaster, Hogarth’s early experiences instilled within him both a love for learning and a sharp awareness of social inequalities, a foundation that would prove crucial to shaping his artistic vision. Initially apprenticed to an engraver, he quickly demonstrated a talent extending beyond mere technical skill; he possessed an innate ability to observe the nuances of human behavior and translate them into compelling visual narratives. However, he chafed against the constraints of traditional engraving, seeking a more expressive outlet for his burgeoning creativity. This led him to studies at both St Martin’s Lane Academy and under Sir James Thornhill, where he honed his skills in painting and composition, absorbing influences that would later inform his unique style.

    The Birth of Modern Moral Subjects

    Hogarth's true innovation lay not simply what he painted, but how. He pioneered what he termed “modern moral subjects” – series of pictures designed to tell a story, often imbued with a strong satirical edge. These weren’t isolated portraits or landscapes; they were visual novels unfolding before the viewer’s eyes, offering pointed commentary on contemporary society. A Harlot's Progress, created in 1742, stands as perhaps his most famous example. This series of six paintings meticulously follows the tragic downfall of Mary, a young woman arriving in London full of hope but quickly succumbing to the temptations and dangers of city life. Each scene is rendered with painstaking detail, filled with symbolic elements that reveal the moral decay surrounding her. The meticulous depiction of every step of Mary’s descent into prostitution served as an unflinching indictment of societal attitudes towards women and morality. Similarly, A Rake's Progress, begun in 1733, charts the reckless decline of Tom Rakewell, a man who squanders his inheritance on gambling, debauchery, and ultimately, madness. These weren’t merely cautionary tales; they were unflinching portraits of a society grappling with issues of class, morality, and social mobility. Hogarth's genius resided in his ability to elevate everyday scenes – the bustling streets of London, the opulent interiors of the wealthy, the squalid lives of the poor – into works of art that resonated deeply with his audience. He didn’t shy away from depicting the harsh realities of life, presenting them with a blend of humor and pathos that forced viewers to confront uncomfortable truths about themselves and their society.

    Technique and Influences: A Synthesis of Styles

    Hogarth's artistic style was a unique amalgamation of diverse influences. He greatly admired the realism and narrative detail found in the works of Dutch genre painters like Pieter de Hooch, evident in his meticulous depictions of interiors and everyday life. The influence of Rembrandt’s masterful use of chiaroscuro – dramatic contrasts between light and shadow – can also be discerned in Hogarth's paintings. Furthermore, Hogarth was profoundly affected by the satirical prints produced in France during the Enlightenment, particularly those of Jean-Baptiste Simeon Chardin and François Boucher. He absorbed stylistic elements from these artists, adapting them to his own distinctive vision. However, Hogarth wasn’t simply imitating these sources; he was synthesizing them into something entirely new and distinctly his own. His technique was characterized by a masterful use of line and shading, particularly evident in his engravings. He employed a distinctive cross-hatching technique that created depth and texture, bringing his scenes to life with remarkable clarity. This painstaking process ensured that every detail—from the folds of fabric to the expressions on faces—was rendered with precision and conviction. He also possessed an exceptional eye for composition, arranging figures and objects within the frame to create dynamic and engaging narratives. Like many artists of his time, Hogarth studied under Sir James Thornhill, honing his skills in painting and mastering the conventions of theatrical illusionism – a technique that would later contribute to the grandeur of his monumental canvases.

    Major Achievements: Shaping English Art History

    William Hogarth’s contribution to English art history is undeniable. He established a distinctly British artistic identity, rejecting continental stylistic trends in favor of a style rooted in observation and moral reflection. His series of paintings—including A Harlot's Progress, Marriage A-la-Mode, and Gin Lane—became iconic representations of the social landscape of his era, capturing both its beauty and its ugliness with uncompromising honesty. These works challenged viewers to confront uncomfortable truths about themselves and their society, sparking debate and inspiring artists for generations to come. Moreover, Hogarth’s engravings achieved unprecedented popularity, disseminating his satirical commentary throughout England and beyond. His prints served as a powerful tool for social critique, exposing corruption and hypocrisy while simultaneously celebrating virtue and compassion. He is considered one of the fathers of political cartooning and comic strips, paving the way for visual storytelling in popular culture—a legacy that continues to endure today.

    Historical Significance: A Voice for Change

    Hogarth’s artistic vision was driven by a deep concern for social justice and moral responsibility. He believed that art should not merely be aesthetically pleasing but should also serve a purpose beyond mere decoration—namely, to provoke thought and inspire action. His unflinching depictions of poverty, prostitution, and gambling served as a catalyst for reform movements, prompting discussions about societal ills and advocating for compassionate solutions. By confronting viewers with uncomfortable realities, Hogarth compelled them to examine their own values and behaviors, urging them to strive for a more humane and equitable world. He remains a pivotal figure in the history of English art, celebrated not only for his artistic brilliance but also for his unwavering commitment to social reform—a testament to the enduring power of art as a force for change.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos The Polling

    artsdot.com/sl/art/download/william-hogarth-the-polling-8BWMB7-en/

    Navodila za citiranje umetniškega dela

    MLA
    Hogart, Vilijam. The Polling. 1755, https://artsdot.com/sl/art/william-hogarth-the-polling-8BWMB7-en/
    APA
    Hogart, Vilijam (1755). The Polling [Painting]. https://artsdot.com/sl/art/william-hogarth-the-polling-8BWMB7-en/
    Chicago
    Vilijam Hogart. The Polling. 1755. https://artsdot.com/sl/art/william-hogarth-the-polling-8BWMB7-en/
    Harvard
    Hogart, Vilijam (1755) The Polling. Available at: https://artsdot.com/sl/art/william-hogarth-the-polling-8BWMB7-en/

    Poglejte bližje

    The Polling — Vilijam Hogart

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: political satire, eighteenth century, election. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Poglejte nazaj na Plate šest iz Časovnika Škorcova napredovanja, ki ste ga prej videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    5. Vilijam Hogart je bil star približno 58, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Umetniški kviz

    The Polling — Vilijam Hogart

    Kako dobro poznate to umetniško delo?

    Za vsako od spodnjih 5 vprašanj izberite en odgovor. Vsako vprašanje ima natanko en pravilni odgovor.

    1. 1. What artistic movement is William Hogarth’s ‘The Polling’ primarily associated with?

      • A Romanticism
      • B Impressionism
      • C Classicism
    2. 2. In what year was ‘The Polling’ painted?

      • A 1697
      • B 1755
      • C 1800
    3. 3. What is the main subject matter depicted in ‘The Polling’?

      • A Portraiture
      • B Landscape Painting
      • C Political Gathering
    4. 4. Which technique did Hogarth employ to create his masterpiece?

      • A Watercolor
      • B Acrylic Paint
      • C Oil on Canvas
    5. 5. ‘The Polling’ contributes to a larger series of paintings by Hogarth that aim to critique what societal aspect?

      • A Religious Beliefs
      • B Economic Prosperity
      • C Political Corruption

    Moj rezultat: ____ od 5

    Ključ odgovorov za učitelje

    To se začne na novi tiskani strani, zato lahko te strani pri kopiranju preprosto izpustite.

    1C · 2B · 3C · 4C · 5C

    Preverite vsak odgovor v primerjavi z zapisom v katalogu za to sliko

    Vprašanja in odgovori

    Kakšno vzdušje in čustvo se prepletata v "The Polling"?

    "The Polling" avtorja Vilijam Hogart izraža Melancholic občutek znotraj splošnega Dramatic vzdušja.

    O čem govori "The Polling" in kakšno vzdušje prikliče?

    "The Polling" avtorja Vilijam Hogart združuje political satire, eighteenth century, election, observation, detail, landscape, printmaking z Dramatic vzdušjem.

    Koliko je bil Vilijam Hogart star ob ustvarjanju dela "The Polling" leta 1755?

    Vilijam Hogart je bil/a star/a 58 let, ko je ustvaril/a "The Polling" leta 1755. Starost je izračunana na podlagi leta rojstva umetnika, 1697.