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Plate eight, from A Rake's Progress

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Vilijam Hogart, Plate eight, from A Rake's Progress. Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Vilijam Hogart artsdot.com/sl/artists/vilijam-hogart_sl/
Datumi rojstva in smrti umetnika
1697 – 1764
Gibanje
Rococo Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls.
Obdobje
Renaissance
Artistic style
Moral subjects
Influences
Jonathan Richardson
Notable elements or techniques
Satirical depiction; Symbolism (mirror, skull)
Subject or theme
Social critique; Decline of morality

V kontekstu

Plate eight, from A Rake's Progress — Vilijam Hogart

Kdaj bi bilo to lahko slikano?

  1. 1690
  2. 1700
  3. 1710
  4. 1720
  5. 1730
  6. 1740
  7. 1750
  8. 1760

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 67 ob smrti.

Osenčeno: življenjsko obdobje Vilijam Hogart (1697–1764) vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1735 Glavni delovni leti: 1735–1750 Pozna dela: od 1750

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Za ta posnetek ni v evidenci natančne leta — glede na življenjsko dobo umetnika in slog dela, za katero desetletje bi ugledali?

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: artsdot.com/sl/art/similar/william-hogarth-plate-eight-from-a-rake-s-progress-8BWM9V-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Putty #d9d1c2

    Katalogirana paleta

    • #D9D1C2
    • #7D7460
    • #A19883
    • #524B3D

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Ime glavne barve
    Putty
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Balanced V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Bright Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Vilijam Hogart v zadnjih dvanajst mesecih — skupaj 44 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 44,9%19.500 obiskov
    2. 2 Romunija 8,5%3.700 obiskov
    3. 3 Združene države Amerike 8,1%3.500 obiskov
    4. 4 Francija 4,4%1.900 obiskov
    5. 5 Italija 4,4%1.900 obiskov
    6. 6 Singapur 4,1%1.800 obiskov
    7. 7 Hong Kong 3,2%1.400 obiskov
    8. 8 Mehika 2,3%1.000 obiskov
    9. 9 Argentina 2,1%900 obiskov
    10. 10 Španija 2,1%900 obiskov
    11. · 34 drugih držav 15,9%6.900 obiskov

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    20 najbolj gledanih del umetnika Vilijam Hogart

    1. 1 Plakat ena iz Rakeove proge 6,2%3.600 obiskov
    2. 2 The Marriage Contract, 1745 3,6%2.100 obiskov
    3. 3 Poroka po modi - 6, Smrt gospe 3,3%1.900 obiskov
    4. 4 Plate šest iz Časovnika Škorcova napredovanja 3,1%1.800 obiskov
    5. 5 Plošča dva iz Rakeove uspešnosti 2,4%1.400 obiskov
    6. 6 Satan, greh in smrt (Scena iz Miltona), 1735 1,9%1.100 obiskov
    7. 7 The Marriage of Stephen Beckingham and Mary Cox, 1729 1,9%1.100 obiskov
    8. 8 The Death of the Earl 1,9%1.100 obiskov
    9. 9 Poroka po modi, 1743 1,7%1.000 obiskov
    10. 10 Marriage à la Mode, 1743 1,7%1.000 obiskov
    11. 11 The Banquet, 1755 1,6%900 obiskov
    12. 12 Night, plate four from The Four Times of the Day 1,6%900 obiskov
    13. 13 William Hogarth, Portret kapitana Thomasa Corama, 1740 © Coram v skrbi Muzeja za sirotince (Foundling Museum), 1740 1,4%800 obiskov
    14. 14 Marriage A-la-Mode - 2, The Tête à Tête 1,4%800 obiskov
    15. 15 The Madhouse, 1735 1,4%800 obiskov
    16. 16 Marriage A-la-Mode - 5, The Bagnio 1,4%800 obiskov
    17. 17 The Suicide of the Countess 1,4%800 obiskov
    18. 18 Samoportret, 1757 1,2%700 obiskov
    19. 19 The Orgy, 1735 1,2%700 obiskov
    20. 92 Plate eight, from A Rake's Progress ta slika 0,3%200 obiskov

    Skupaj ti deli predstavljajo 40,6% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 241 del te umetnice, pri čemer je bilo 170 vsaj enkrat ogledanih. Ta slika je na 92 mestu, s čim si pridrži 0,3% te pozornosti (200 obiskov). Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    O tem umetniškem delu

    Plate eight, from A Rake's Progress — Vilijam Hogart

    A Grim Portrait of Decline: Examining William Hogarth’s Plate Eight from ‘A Rake’s Progress’

    William Hogarth's “Plate Eight,” from his monumental series 'A Rake’s Progress,' stands as a chilling testament to the moral decay plaguing Georgian England. Born in London in 1697, Hogarth wasn’t merely an artist; he was a social critic armed with charcoal and ink, determined to expose the follies of his era with unflinching honesty. His upbringing instilled within him a profound understanding of societal disparities – a perspective that would indelibly shape his artistic endeavors and propel him to become one of England's most influential visual chroniclers. Initially apprenticed to an engraver, Hogarth swiftly honed skills beyond mere technical proficiency; he possessed an uncanny ability to capture the subtleties of human behavior and translate them into powerfully evocative imagery.

    The painting depicts Tom Rakewell, a young man consumed by extravagant indulgence after inheriting a considerable fortune. Plate Eight chronicles his descent into ruin, culminating in his arrest for debt and confinement within Bedlam – London’s infamous asylum for the mentally ill. Hogarth's genius lies not just in depicting this dramatic narrative but in layering it with intricate symbolism that speaks volumes about the anxieties of the time. The composition itself is deliberately unsettling; a single figure dominates the frame, slumped against a wall amidst a chaotic tableau of instruments and paraphernalia indicative of his desperate attempts to maintain appearances.

    Style: Rococo – Though seemingly jarring given its bleak subject matter, Hogarth’s style incorporates elements of Rococo ornamentation, subtly hinting at the opulent lifestyles he satirizes.

    Technique: Hogarth employed watercolor and gouache on canvas, a technique that allowed for nuanced tonal gradations and exceptional detail—crucial to conveying the psychological torment experienced by Tom Rakewell.

    Historical Context: The painting reflects the broader societal concerns of the period regarding morality, social responsibility, and the consequences of unchecked ambition. It’s a direct response to Enlightenment ideals that championed reason and virtue alongside a growing awareness of human failings.

    The symbolism embedded within Plate Eight is particularly arresting. Consider the shattered mirror reflecting Tom's fractured psyche – a visual representation of his lost innocence and shattered dreams. Adjacent to it lies a skull, serving as a stark reminder of mortality and highlighting the futility of pursuing pleasure without regard for consequence. Hogarth’s masterful use of chiaroscuro—the dramatic interplay between light and shadow—further amplifies the painting's emotional impact, emphasizing Tom Rakewell’s isolation and despair. The meticulous rendering of Bedlam’s interior – littered with instruments of torture and populated by grotesque figures – underscores the horrors inflicted upon those deemed unfit for society.

    Ultimately, “Plate Eight” transcends mere narrative depiction; it functions as a profound meditation on human vulnerability and the corrosive influence of vice. Hogarth compels us to confront uncomfortable truths about ourselves and our societal values. At AllPaintingsStore.com, we offer meticulously crafted reproductions that faithfully capture this haunting masterpiece, allowing you to experience its enduring power and beauty within your own home or studio. Explore the full series and discover how a single image can illuminate the complexities of human existence.

    Umetnik in muzej

    Umetnik

    Vilijam Hogart

    Rojen v London, Združeno kraljestvo Velike Britanije in Irsko

    A London Life in Ink and Paint: The World of William Hogarth

    William Hogarth, born into the bustling heart of 18th-century London in 1697, was more than just an artist; he was a visual historian, a keen observer of human nature, and a satirical commentator on the societal currents of his age. His life story is inextricably linked to the very fabric of England during a period of significant transformation – its burgeoning ambitions, underlying anxieties, and pervasive hypocrisies all finding potent expression in his remarkably detailed and often biting works. The son of a struggling Latin schoolmaster, Hogarth’s early experiences instilled within him both a love for learning and a sharp awareness of social inequalities, a foundation that would prove crucial to shaping his artistic vision. Initially apprenticed to an engraver, he quickly demonstrated a talent extending beyond mere technical skill; he possessed an innate ability to observe the nuances of human behavior and translate them into compelling visual narratives. However, he chafed against the constraints of traditional engraving, seeking a more expressive outlet for his burgeoning creativity. This led him to studies at both St Martin’s Lane Academy and under Sir James Thornhill, where he honed his skills in painting and composition, absorbing influences that would later inform his unique style.

    The Birth of Modern Moral Subjects

    Hogarth's true innovation lay not simply what he painted, but how. He pioneered what he termed “modern moral subjects” – series of pictures designed to tell a story, often imbued with a strong satirical edge. These weren’t isolated portraits or landscapes; they were visual novels unfolding before the viewer’s eyes, offering pointed commentary on contemporary society. A Harlot's Progress, created in 1742, stands as perhaps his most famous example. This series of six paintings meticulously follows the tragic downfall of Mary, a young woman arriving in London full of hope but quickly succumbing to the temptations and dangers of city life. Each scene is rendered with painstaking detail, filled with symbolic elements that reveal the moral decay surrounding her. The meticulous depiction of every step of Mary’s descent into prostitution served as an unflinching indictment of societal attitudes towards women and morality. Similarly, A Rake's Progress, begun in 1733, charts the reckless decline of Tom Rakewell, a man who squanders his inheritance on gambling, debauchery, and ultimately, madness. These weren’t merely cautionary tales; they were unflinching portraits of a society grappling with issues of class, morality, and social mobility. Hogarth's genius resided in his ability to elevate everyday scenes – the bustling streets of London, the opulent interiors of the wealthy, the squalid lives of the poor – into works of art that resonated deeply with his audience. He didn’t shy away from depicting the harsh realities of life, presenting them with a blend of humor and pathos that forced viewers to confront uncomfortable truths about themselves and their society.

    Technique and Influences: A Synthesis of Styles

    Hogarth's artistic style was a unique amalgamation of diverse influences. He greatly admired the realism and narrative detail found in the works of Dutch genre painters like Pieter de Hooch, evident in his meticulous depictions of interiors and everyday life. The influence of Rembrandt’s masterful use of chiaroscuro – dramatic contrasts between light and shadow – can also be discerned in Hogarth's paintings. Furthermore, Hogarth was profoundly affected by the satirical prints produced in France during the Enlightenment, particularly those of Jean-Baptiste Simeon Chardin and François Boucher. He absorbed stylistic elements from these artists, adapting them to his own distinctive vision. However, Hogarth wasn’t simply imitating these sources; he was synthesizing them into something entirely new and distinctly his own. His technique was characterized by a masterful use of line and shading, particularly evident in his engravings. He employed a distinctive cross-hatching technique that created depth and texture, bringing his scenes to life with remarkable clarity. This painstaking process ensured that every detail—from the folds of fabric to the expressions on faces—was rendered with precision and conviction. He also possessed an exceptional eye for composition, arranging figures and objects within the frame to create dynamic and engaging narratives. Like many artists of his time, Hogarth studied under Sir James Thornhill, honing his skills in painting and mastering the conventions of theatrical illusionism – a technique that would later contribute to the grandeur of his monumental canvases.

    Major Achievements: Shaping English Art History

    William Hogarth’s contribution to English art history is undeniable. He established a distinctly British artistic identity, rejecting continental stylistic trends in favor of a style rooted in observation and moral reflection. His series of paintings—including A Harlot's Progress, Marriage A-la-Mode, and Gin Lane—became iconic representations of the social landscape of his era, capturing both its beauty and its ugliness with uncompromising honesty. These works challenged viewers to confront uncomfortable truths about themselves and their society, sparking debate and inspiring artists for generations to come. Moreover, Hogarth’s engravings achieved unprecedented popularity, disseminating his satirical commentary throughout England and beyond. His prints served as a powerful tool for social critique, exposing corruption and hypocrisy while simultaneously celebrating virtue and compassion. He is considered one of the fathers of political cartooning and comic strips, paving the way for visual storytelling in popular culture—a legacy that continues to endure today.

    Historical Significance: A Voice for Change

    Hogarth’s artistic vision was driven by a deep concern for social justice and moral responsibility. He believed that art should not merely be aesthetically pleasing but should also serve a purpose beyond mere decoration—namely, to provoke thought and inspire action. His unflinching depictions of poverty, prostitution, and gambling served as a catalyst for reform movements, prompting discussions about societal ills and advocating for compassionate solutions. By confronting viewers with uncomfortable realities, Hogarth compelled them to examine their own values and behaviors, urging them to strive for a more humane and equitable world. He remains a pivotal figure in the history of English art, celebrated not only for his artistic brilliance but also for his unwavering commitment to social reform—a testament to the enduring power of art as a force for change.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Plate eight, from A Rake's Progress

    artsdot.com/sl/art/download/william-hogarth-plate-eight-from-a-rake-s-progress-8BWM9V-en/

    Citiranje umetniškega dela

    MLA
    Hogart, Vilijam. Plate eight, from A Rake's Progress. n.d., https://artsdot.com/sl/art/william-hogarth-plate-eight-from-a-rake-s-progress-8BWM9V-en/
    APA
    Hogart, Vilijam (n.d.). Plate eight, from A Rake's Progress [Painting]. https://artsdot.com/sl/art/william-hogarth-plate-eight-from-a-rake-s-progress-8BWM9V-en/
    Chicago
    Vilijam Hogart. Plate eight, from A Rake's Progress. n.d. https://artsdot.com/sl/art/william-hogarth-plate-eight-from-a-rake-s-progress-8BWM9V-en/
    Harvard
    Hogart, Vilijam (n.d.) Plate eight, from A Rake's Progress. Available at: https://artsdot.com/sl/art/william-hogarth-plate-eight-from-a-rake-s-progress-8BWM9V-en/

    Oglejte si bližje

    Plate eight, from A Rake's Progress — Vilijam Hogart

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: mental asylum, satire, moral decay. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Poglejte nazaj na Plakat ena iz Rakeove proge, ki ste ga prej videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    5. Rococo: Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls. Kje lahko to opazite v tem delu?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Umetniški kviz

    Plate eight, from A Rake's Progress — Vilijam Hogart

    Kako dobro poznate to umetniško delo?

    Za vsako od spodnjih 5 vprašanj izberite en odgovor. Vsako ima natanko en pravilni odgovor.

    1. 1. What is the primary subject matter of Plate Eight, from A Rake’s Progress?

      • A A depiction of a royal wedding ceremony.
      • B A portrait of a wealthy nobleman.
      • C The disturbing portrayal of Tom Rakewell's mental asylum confinement.
    2. 2. William Hogarth employed satire in Plate Eight to critique what societal aspect?

      • A Religious dogma and moral piety.
      • B The extravagant lifestyles of the aristocracy.
      • C The importance of classical education.
    3. 3. What symbolic element is prominently featured within Plate Eight, representing Tom Rakewell’s shattered life?

      • A A lush garden symbolizing prosperity.
      • B A grand ballroom reflecting social status.
      • C A broken mirror signifying loss and disillusionment.
    4. 4. The image description highlights the presence of dogs in Plate Eight. What is the likely purpose of this inclusion?

      • A To add visual interest to the composition.
      • B To symbolize loyalty and companionship.
      • C They serve as a commentary on the moral decay depicted.
    5. 5. Plate Eight contributes to the larger narrative of A Rake’s Progress by illustrating which stage in Tom Rakewell's downfall?

      • A His initial acquisition of wealth.
      • B His engagement with a noblewoman.
      • C The culmination of his descent into madness.

    Moj rezultat: ____ od 5

    Ključ odgovorov — za učitelje

    To se začne na novi tiskani strani, zato lahko te strani pri kopiranju preprosto izpustite.

    1C · 2B · 3C · 4C · 5C

    Preverite vsak odgovor v primerjavi z zapisom v katalogu za to sliko

    Vprašanja in odgovori

    Ali je "Plate eight, from A Rake's Progress" avtorja Vilijam Hogart med najbolj iskanimi umetniškimi deli v slogu Rococo?

    "Plate eight, from A Rake's Progress" je v katalogu zabeležen kot Iconic med deli iz obdobja Rococo.

    Kaj predstavlja "Plate eight, from A Rake's Progress" in kakšno vzdušje prikliče?

    "Plate eight, from A Rake's Progress" avtorja Vilijam Hogart združuje mental asylum, satire, moral decay, memento mori, debt crisis, social critique, psychological horror z Elegant vzdušjem.

    Kateremu umetniku je "Plate eight, from A Rake's Progress" pripisano?

    "Plate eight, from A Rake's Progress" pripisujemo Vilijam Hogart.