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The Game Stall

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william gillard, The Game Stall (1852). Dostopno v javni lastnini.

Podrobnosti

Umetnik
william gillard artsdot.com/sl/artists/william-gillard/
Datumi rojstva in smrti umetnika
1812 – 1897
Naslikano
1852
Prvotna velikost
76 x 122 cm

V kontekstu

The Game Stall — william gillard

Kakšna je velikost?

Originalne dimenzije so 76 × 122 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890

Osenčeno: življenjsko obdobje william gillard (1812–1897) ▲ to delo, 1852

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Barve

Izmerjeno na podlagi slike

    Glavna barva

    Walnut #5d3b1d

    Shranjena paleta

    • #5D3B1D
    • #D1AC74
    • #2B1A10
    • #986A35
    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Walnut
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    william gillard

    William Gillard: A Quiet Master of Victorian Genre Painting

    William Gillard (c. 1812 – 1897) was a British artist whose prolific output—primarily watercolour and oil paintings—captured the nuances of everyday life in Victorian England, particularly within the realm of genre scenes and portraiture. Though largely overlooked by mainstream art historians for decades, recent scholarship has begun to illuminate Gillard’s distinctive artistic vision and his contribution to the decorative arts of his time. Born in Bristol to a family steeped in stonemasonry tradition, Gillard's early training instilled in him an appreciation for craftsmanship and meticulous observation—qualities that would inform his entire oeuvre.

    Early Life & Training: Gillard’s apprenticeship at fourteen with a Bristol carver and gilder provided invaluable practical experience alongside formal artistic instruction. This grounding in technique fostered a lifelong dedication to mastering the subtleties of pigment and brushwork, evident throughout his paintings.

    Irish Influences & Ceramic Sculpture: Drawn to Ireland's landscape and culture, Gillard spent considerable time there, establishing himself as a painter and sculptor of ceramic figures. Notably, he created “Repentance, Faith and Resignation,” a poignant ceramic piece commemorating the centenary of the Battle of Waterloo—a testament to his artistic versatility and engagement with contemporary social concerns.

    Gillard’s artistic style is characterized by a remarkable sensitivity to light and atmosphere, achieved through masterful watercolour washes and carefully blended oil paints. He eschewed grand narratives or dramatic compositions, instead focusing on capturing fleeting moments of domestic life—a mother tending her child, a game stall bustling with activity, or the quiet contemplation of an artist’s son—subjects that resonate with Victorian ideals of family and moral virtue. His paintings are imbued with a palpable sense of realism tempered by lyrical beauty, reflecting his belief in portraying the human condition with honesty and compassion.

    Notable Paintings: Among Gillard's most celebrated works include “Awake The Artist’s Son,” depicting Albert Edwin Gillard (his son), bathed in soft light—a portrait imbued with paternal affection and capturing a moment of youthful repose. Similarly, "The Game Stall" exemplifies his ability to convey the vibrancy of urban life through meticulous detail and atmospheric perspective.

    Technique & Materials: Gillard consistently employed watercolour and oil paints on canvas, prioritizing tonal harmony and subtle colour gradations. He meticulously studied the effects of light upon surfaces—particularly in landscapes—demonstrating a profound understanding of optical principles.

    Despite his prolific output, Gillard’s fame remained elusive during his lifetime. However, his work gained recognition posthumously thanks to the efforts of William Evans Bequest at Bangor University, which houses an impressive collection of British art from the late 19th and early 20th centuries—including several significant pieces by Gillard himself. His legacy continues to inspire artists today who seek to emulate his understated elegance and unwavering commitment to capturing the essence of human experience.

    References: Nine Letters from an Artist The Families of William Gillard, Joan M Richmond, Porphyrogenitus 2015. ISBN 978-1-871328-19-6. 6 artworks by or after William Gillard at the Art UK site

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    Navodila za citiranje umetniškega dela

    MLA
    gillard, william. The Game Stall. 1852, https://artsdot.com/sl/art/william-gillard-the-game-stall-AS83YF-en/
    APA
    gillard, william (1852). The Game Stall [Painting]. https://artsdot.com/sl/art/william-gillard-the-game-stall-AS83YF-en/
    Chicago
    william gillard. The Game Stall. 1852. https://artsdot.com/sl/art/william-gillard-the-game-stall-AS83YF-en/
    Harvard
    gillard, william (1852) The Game Stall. Available at: https://artsdot.com/sl/art/william-gillard-the-game-stall-AS83YF-en/

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