Format papirja

Priročnik za študentska dela

Two Eagle Dancers

Ime in priimek Razred Datum

Stephen Mopope, Two Eagle Dancers (1936), Smithsonian's National Postal Museum. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Stephen Mopope artsdot.com/sl/artists/stephen-mopope/
Datumi rojstva in smrti umetnika
1898 – 1974
Naslikano
1936
Material
Painting
Gibanje
Flat style
Obdobje
Modern
Na lokaciji
Smithsonian's National Postal Museum artsdot.com/sl/museums/smithsonian-s-national-postal-museum-washington-d-c_sl/
Artistic style
Native American Flat style
Notable elements or techniques
Flat style, lack of depth
Subject or theme
Native American dancers and ceremony

V kontekstu

Two Eagle Dancers — Stephen Mopope

Kdaj je bilo to naslikano?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 76 ob smrti.

Naslikano, ko je bil avtor star 38. Umetnik je živel 76. 1 od 2 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Stephen Mopope (1898–1974) ▲ to delo, 1936 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

  • Apache Ben artsdot.com/sl/art/stephen-mopope-apache-ben-D7LSFF-en/
  • Love-Call, 1931 artsdot.com/sl/art/stephen-mopope-love-call-D7WVL7-en/

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/stephen-mopope-two-eagle-dancers-D5DDNZ-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Gray #707f84

    Shranjena paleta

    • #707F84
    • #DC9E40
    • #7D3E2E
    • #EDE3DC

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Gray
    Intenzivnost
    Vivid Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Vivid Color Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Stephen Mopope v zadnjih dvanajst mesecih — skupaj 1 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 100,0%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    2 najbolj gledanih del umetnika Stephen Mopope

    1. 1 Apache Ben 100,0%
    2. — Two Eagle Dancers, 1936 ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 3 del te umetnice, pri čemer je bilo 1 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    O tem umetniškem delu

    Two Eagle Dancers — Stephen Mopope

    Stephen Mopope, was born August 27, 1898 on the Kiowa Reservation located within Indian Territory. He was given the Kiowa name “Qued Koi,” translated into “Painted Robe,” and was born from a mixed ancestry of Kiowa of his mother’s bloodline and Spanish from his grandfather, who was a captive adopted into the tribe. As a young boy, Mopope, was observed to be a natural artist drawing pictures in the sand, so family members taught him the tradition of painting on animal hides and tipis. Painting on hides was the foremost method used by tribal communities to record historically significant events known as “Winter counts” for the time of year they were created. The Kiowa differed in creating two per year versus one, which would give a more detailed account of their history. During the early reservation period of the 20th Century, education for Indian children was mandated through Federal boarding and mission schools where the children learned basic skills in English, math, and in this case, art. Stephen Mopope was one of the young Kiowa artists who showed promise and enthusiasm in developing new skills after receiving a limited education in art at the mission schools. Mopope and five other developing Kiowa artists, including a female, Lois Smoky, who later left the program, were brought to the attention of Oscar Jacobson, Director of the Art program at the University of Oklahoma from 1915-1954. Through their training and guidance under Jacobson, the artists progressed and became known as the “Kiowa Five,” adhering to traditional motifs using their limited early training to pioneer the “Flat style.” The “Flat style,” was named for its lack of lack of depth, which held the historical integrity of hide and tipi paintings used to record tribal events and became the most recognizable and defined style of Native American artists until the 1960s when they began to redefine art as individuals, breaking away from the traditional style.In June 1936, Oscar Jacobson, who was in charge of WPA projects for Oklahoma, commissioned Mopope, assisted by “Kiowa Five” associates James Auchiah and Spencer Asah, to undertake the task of painting 16 murals in the newly constructed post office in Anadarko, Oklahoma. Mopope was also chosen because he was considered by Jacobson to be the best and most outgoing artist of the “Kiowa Five,” a trait which necessary to becoming the lead for the project. His cultural ties to Anadarko, home to the Kiowa, would provide an accurate depiction of the culture from his personal experiences. Mopope was also chosen as one of the few Native artists to paint murals in the new Department of Interior building in Washington, DC, home office the Bureau of Indian Affairs, after it was constructed in 1936. Having come from a line of tipi artists, Mopope had experience in creating large mural like paintings coming from a line of artists who produced hide and tipi paintings. Mopope’s artistic lineage included two of the most influential and visible Kiowa artists of the time within his family which included his great uncles Silver Horn or “Haungooah,” and Oheltoint. Silver Horn was one of the most recognizable Kiowa artists from 1850-1900 when their nomadic way of life came to an end and the reservation era began. Oheltoint was a prisoner of war at Ft Marion in St. Augustine, Florida at the end of the Red River Wars in 1875 and one of the artists who helped pioneer the Indian “Ledger style” of art popular from the 1860’s until the 1920s which was also influential within the ‘Flat Style.”The origins of Native American art are not known, but the subjects have continuously been symbolic in nature recording aspects of everyday life, important events, and religious beliefs. As a young boy, Mopope learned the significance of recording those memories and the role they play within Native culture through the guidance of his great uncles Silver Horn and Oheltoint. Art was not originally created for its aesthetic qualities, but as a way to capture all the separate elements of life together representing the holistic view of Native people. Mopope was influenced through his experiences as not only an artist, but as an accomplished dancer and flute player providing another way of expressing himself through his culture.Historically, Native cultures have adapted and been influenced by each other through food ways, religion, and trade out of necessity for survival. The mural The Two Eagle Dancers is an example of an aspect of Kiowa culture adopted from the Pueblo Indians of New Mexico. The creation stories and history of the Kiowa originate in “the cold north land” according to Kiowa oratory and is now thought to be Southern Canada. Through the 16th and 17th Century the Kiowa migrated south. The Kiowa adopted aspects of culture from other tribes, such as the sacred sun dance and the horse as they migrated through what are now the states of Montana, Wyoming, South Dakota, Nebraska, Colorado, Kansas and eventually the Southern Plains../..

    Umetnik in muzej

    Umetnik

    Stephen Mopope

    Rojen v Redstone, United States of America

    **early life and training**

    stephen mopope, also known as qued koi, was a kiowa painter, dancer, and native american flute player from oklahoma. born on august 27, 1898, near the redstone baptist mission on the kiowa reservation in indian territory, mopope's artistic journey began at a young age. family influence: taught by his relatives to paint on hides in the traditional manner. *formal education:* attended st. patrick's indian mission school in anadarko, oklahoma, and later studied at the university of oklahoma's school of art.

    **artistic contributions and style**

    mopope was the most prolific member of the group known as the kiowa six. his work is characterized by: vibrant colors: reflecting his heritage and the landscapes of oklahoma. *dynamic themes:* often depicting scenes from native american life, ceremonies, and the beauty of nature.

    two eagle dancers (smithsonian's national postal museum, washington, united states), a mural showcasing mopope's skill in capturing the essence of kiowa culture.

    apache ben (national cowboy & western heritage museum, oklahoma city, united states), a watercolor piece highlighting his versatility and range.

    **legacy and impact**

    prolific artist: mopope's extensive body of work has made him a pivotal figure in native american art history. *influence on future generations: his unique style and technique have inspired many artists, ensuring his legacy endures. *view more works by stephen mopope at [https://AllPaintingsStore.com/@/stephen-mopope](https://AllPaintingsStore.com/@/stephen-mopope)**

    explore the skagen painters movement and its influence on native american art.

    discover more about antoine wiertz, a belgian painter and sculptor, at [https://AllPaintingsStore.com/@@/a@d3apat-discover-the-musee-wiertz-museum-brussels](https://AllPaintingsStore.com/@@/a@d3apat-discover-the-musee-wiertz-museum-brussels)

    **conclusion**

    stephen mopope's life and work are a testament to the richness of native american culture and art. through his paintings, he has left an indelible mark on the world of fine art, ensuring his legacy as one of the most prolific kiowa painters of his generation. *learn more about art history and movements at [https://AllPaintingsStore.com](https://AllPaintingsStore.com)*

    Muzej

    Smithsonian's National Postal Museum

    Na razstavi v Washington, D.C., Združene države Amerike

    Kronika povezovanja: Duša Narodnega poštnega muzeja

    Skrit v zgodovinski veličastnosti

    Washingtona, D.C.

    , Smithsonianov Narodni poštni muzej se nahaja v veličastni stavbi Postal Square Building, strukturi, ki služi kot veliko več kot le preprosto zatočišče za arhivske eksponate. Stavba, ki sta jo leta 1914 zasnovala znamenita arhitekta Graham in Burnham, sama po sebi predstavlja vrhunsko del civilne arhitekture začetka dvajsetega stoletja. Ko obiskovalec stopi skozi njeno impozantno fasado, visoki stropi in veličastni stopnice prikličemo v spomin obdobje trajne in jasne predornosti, ki vsakemu gostu opominja na čas, ko je bila komunikacija fizična, taktilna izkušnja. Same kostene strukture te institucije — nekoč živše srce centralne pošte mesta — šepetajo zgodbe o svetu pred digitalno dobo, kjer je prihod pisma predstavljal pomemben dogodek, ki je v sebi nesel težo novic, hrepenja in človeškega stika.

    Voženje skozi te hodnike pomeni potovanje, ki presega zgolj študijo filatelije. Čeprav muzej alberga eno najcelovitejših poštanskih znamk na svetu, bi te barvne, lepljive miniature obravnavati le kot predmete pomenilo zamuditi njihovo globoko umetniško in zgodovinsko značilnost. Vsaka znamka služi kot majhno, skrbno zasnovano okno v

    miniljalo dobo

    , ki zajema estetske občutke, politične premike in kulturne zmage preteklih narodov. Za ljubitelje umetnosti ti kosi predstavljajo edinstveno stičišče grafičnega oblikovanja in zgodovinske pripovednosti, kjer je vsaka črta in barva bila izbrana tako, da bi izrazila identiteto in prestiž.

    Mehanični čudeži in umetniško dediščino

    Zbirka živi skozi svoje veličastne razstave prevoznih sredstev, ki prikazujejo mehanične čudeže, ki so nekoč premostili ogromna razdalja. Obiskovalci so očarvani pred impresivnim naborom vintage poštnih tovornjakov, skrbno obnovljenih železniških vagonov in pionirskih letal, ki so rodila dobo zračne pošte. Ti stroji niso predstavljeni le kot relikte industrije, temveč kot simboli človeške izumljivosti in neustrašne težnje po bližini čez kontinente. Razstave, ki podrobno opisujejo razvoj železniškega in zračnega transporta, ilustrirajo svet, ki se zoža, kjer je inovacija delovala kot katalizator nacionalne in mednarodne enotnosti.

    Poleg mehanskega muzej ponuja tudi globok vpogled v umetnost, ki je utkana v samo tkivo ameriške vizualne kulture skozi dediščino Poštne službe Združenih držav. To vključuje:

    Zgodnje gravure:

    Temeljno obdobje leta 1847, ki vključuje skromne, a natančne črne gravure na beli papirju, kot so portreti Benjamina Franklina in Georgea Washingtona.

    Slikovna evolucija:

    Preobrazba v 60. in 70. letih 19. stoletja proti znamkam, ki so ovojnice okrasile z ameriškimi pejzaži, zgodovinskimi dogodki in živopisnimi simboli.

    Grafična natančnost:

    Skrbno delstvo izkušenih grafirjev, kot so Rawdon, Wright, Hatch & Edson, katerega predanost detajlu je vzpostavila trajen standard proizvodnje.

    Človeški element v arhivu

    Tisto, kar Narodnega poštnega muzeja resnično loči od drugih, je njegova globoka sposobnost humanizacije velikih zgodovinskih procesov skozi intimne, osebne pripovedi. Muzej mojstrsko uravnoteža monumentalno z drobnim, kot je pretretna pridobitev

    otroške kolekcije poštanskih znamk Johna Lennona

    . Ta edina, nežna arhivska vsebina ponuja redek vpogled v oblikovalne strasti svetovnega ikone, ter nas opominja, da so bili celo najbolj legendarne osebe nekoč povezane s svetom skozi preprosto magijo dostavljenega pisma.

    Skozi periodicne razstave, ki raziskujejo teme migracij, komunikacije in poštanske umetnosti, muzej vabi vse, ki vstopijo, da razmišljajo o tem, kako so orodja dostave oblikovala naš sam koncept skupnosti. Je zatočišče spomina, kjer vsak artefakt služi kot dokaz trajne človeške želje po doseganju drugih, deljenju in ostanjanju povezanih čez neskončnost časa in prostora. Za zbiratelja ali oblikovalca, ki išče navdih na stičišču uporabnosti in elegancije, ta institucija ponuja lekcija o tem, kako lahko funkcionalni predmeti postanejo ikone kulturne dediščine.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Two Eagle Dancers

    artsdot.com/sl/art/download/stephen-mopope-two-eagle-dancers-D5DDNZ-en/

    Navodila za citiranje umetniškega dela

    MLA
    Mopope, Stephen. Two Eagle Dancers. 1936, Smithsonian's National Postal Museum. https://artsdot.com/sl/art/stephen-mopope-two-eagle-dancers-D5DDNZ-en/
    APA
    Mopope, Stephen (1936). Two Eagle Dancers [Painting]. Smithsonian's National Postal Museum. https://artsdot.com/sl/art/stephen-mopope-two-eagle-dancers-D5DDNZ-en/
    Chicago
    Stephen Mopope. Two Eagle Dancers. 1936. Smithsonian's National Postal Museum. https://artsdot.com/sl/art/stephen-mopope-two-eagle-dancers-D5DDNZ-en/
    Harvard
    Mopope, Stephen (1936) Two Eagle Dancers. Smithsonian's National Postal Museum. Available at: https://artsdot.com/sl/art/stephen-mopope-two-eagle-dancers-D5DDNZ-en/

    Poglejte bližje

    Two Eagle Dancers — Stephen Mopope

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: native american, eagle dancers, kiowa art. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Poglejte nazaj na Apache Ben, ki ste ga prej videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    5. Stephen Mopope je bil star približno 38, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kakšen čustveni ton spremlja slog Flat style pri delu "Two Eagle Dancers"?

    Energetic čustvo dela "Two Eagle Dancers" spremlja njegov Flat style slog.

    Kje lahko kupim tiskanino dela "Two Eagle Dancers" avtorja Stephen Mopope?

    "Two Eagle Dancers" je na voljo kot umjetnička grafika na bombažnem platnu ali arhivskem papirju za platno. Naročila lahko oddate na strani Kakovostna tiskanina, v velikosti, ki jo izberete.

    Kje lahko najdem statistične podatke o "Two Eagle Dancers" avtorja Stephen Mopope?

    Za delo "Two Eagle Dancers" obstaja stran Statistika. Ta prikazuje mesečno število obiskov tega dela in drugih del umetnika, s razdelitvijo po državah in jezikih.