Format papirja

Priročnik za študentska dela

The runner

Ime in priimek Razred Datum

petri lajos, The runner (1911), Museu d'Art Jaume Morera. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik
petri lajos artsdot.com/sl/artists/petri-lajos/
Datumi rojstva in smrti umetnika
1884 – 1963
Naslikano
1911
Prvotna velikost
42 x 54 cm
Na lokaciji
Museu d'Art Jaume Morera artsdot.com/sl/museums/museu-d-art-jaume-morera-lleida/

V kontekstu

The runner — petri lajos

Kakšna je velikost?

Originalne dimenzije so 42 × 54 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Osenčeno: življenjsko obdobje petri lajos (1884–1963) ▲ to delo, 1911

Barve

Izmerjeno na podlagi slike

    Glavna barva

    White #fefefe

    Shranjena paleta

    • #FEFEFE
    • #2B2B2F
    • #605F60
    • #ADABAA
    Paleta barv
    Neutrals Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    White
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    petri lajos

    Rojen v Szeged, Hungary

    Early Life and Artistic Awakening

    Lajos Petri, born Lajos Pick in Szeged, Hungary, on June 10th, 1884, emerged from a family deeply rooted in the nation’s entrepreneurial spirit—the renowned Pick Salami dynasty. While destined for a life within the family business, a profound artistic calling tugged at his soul, setting him on an unexpected path. His early years were marked by intellectual curiosity; he initially pursued law studies in Budapest and Berlin, immersing himself in lectures on art history and philosophy alongside luminaries like Gyula Pasteiner and Heinrich Wölflin. However, the vibrant cultural landscape of Germany ignited a passion within him, shifting his focus irrevocably towards sculpture.

    Returning to Hungary with this newfound conviction, he faced initial resistance from his father but ultimately secured permission to pursue his artistic ambitions. He apprenticed under Eduard Telcs in Budapest, where he honed his foundational skills and developed a commitment to honest emotional expression in art—a principle that would define his entire career. This period instilled in him a rejection of superficiality and a dedication to the integrity of form.

    Years in Brussels and Developing Style

    Seeking broader exposure and an international artistic dialogue, Petri relocated to Brussels in 1909, establishing his own atelier within the heart of Belgium’s thriving sculpture scene. This move proved pivotal. He engaged with prominent Belgian sculptors like Jules Lagae and Egide Rombeaux, absorbing diverse influences that shaped his evolving style. His early work focused on portraiture, demonstrating a remarkable ability to capture character and nuance. However, Petri wasn't content merely replicating likeness; he sought to infuse his portraits with psychological depth and emotional resonance.

    His time in Brussels witnessed a stylistic transformation—a move away from purely formal concerns towards a more dramatic and expressive approach. He described this evolution as prioritizing the conveyance of emotion over mere technical skill, emphasizing that an artist’s true worth lay in their ability to articulate meaningful content rather than adhering to prevailing artistic movements.

    Olympic Participation and Monumental Ambitions

    Petri's dedication to his craft led to recognition on a global stage. He participated in the art competitions at both the 1928 Summer Olympics in Amsterdam and the 1936 Summer Olympics in Berlin, submitting sculptures that showcased his evolving style and technical prowess. His entry for the 1936 games, Futó (Runner), received an Honorable Mention—a testament to its artistic merit.

    Throughout his career, Petri aspired to create monumental sculptures capable of capturing grand narratives and evoking powerful emotions in public spaces. While many of these ambitious projects remained unrealized due to various constraints, his 1935 Hussar Monument in Budapest stands as a successful example of his classicizing style—a work that resonated with the national spirit.

    Post-War Commissions and Legacy

    The aftermath of World War II brought new opportunities for Petri. He received several state commissions, allowing him to create public sculptures like Glass Blower in Sajószentpéter and portraits of prominent Hungarian figures such as Adolf Fényes and Antal Tisza. These works reflect his ability to adapt his style while maintaining his commitment to realistic representation and emotional depth.

    In 1960, a comprehensive exhibition of his life’s work was held at the National Salon in Budapest, solidifying his position as a significant figure in Hungarian sculpture. His characteristic portraits—demonstrating exceptional technical skill and psychological insight—remain highly regarded. Petri passed away in Budapest in 1963, leaving behind a legacy of impactful sculptures that continue to captivate audiences with their emotional power and artistic integrity.

    Petri’s life story is one of transformation—from the heir apparent of a successful business empire to a dedicated sculptor who embraced his artistic calling. His work reflects a deep understanding of human emotion, a commitment to technical excellence, and a desire to create art that resonates with both intellectual and emotional depth. He stands as a testament to the enduring power of artistic vision and the courage to pursue one’s passion against all odds.

    Muzej

    Museu d'Art Jaume Morera

    Na razstavi v Lleida, Spain

    A Catalan Art Haven: Unveiling the Treasures of the Museu d'Art Jaume Morera

    Nestled in the heart of Lleida, Spain, the Museu d’Art Jaume Morera stands as a vibrant testament to Catalonia’s rich artistic heritage. More than just a museum, it’s a journey through centuries of creative expression, deeply rooted in the region’s unique identity and shaped by the legacy of its namesake, Jaume Morera i Galícia. This public institution, distinguished by its commitment to accessibility – offering free admission to all – invites visitors to immerse themselves in a world where landscape painting, local artistry, and a profound appreciation for visual culture converge. The museum's location within the historic Casino Principal building adds an immediate layer of elegance and historical significance, reflecting Lleida’s own storied past.

    A Foundation Built on Passion:

    The story begins with Jaume Morera i Galícia (1854-1927), a landscape painter born in Lleida who played a pivotal role in establishing the initial “Museu d'Art Modern de Lleida.” His dedication and collection, including works by Carlos de Haes, formed the bedrock upon which the museum was built. The renaming to Museu d’Art Jaume Morera in 1924 served as a fitting tribute to his enduring contribution.

    Beyond Landscapes:

    While Morera's landscapes – particularly those capturing the beauty of Lleida’s natural surroundings, exemplified by works like “Naturaleza. Flores y frutos leridanos” – remain central to the collection, the museum has evolved to encompass a diverse range of artistic styles and periods. From the 19th century through to contemporary art, visitors will encounter paintings, sculptures, drawings, and prints that offer a panoramic view of Catalan artistic development.

    The MULBERRY Collection: A Jewel in Lleida’s Artistic Crown

    A particularly noteworthy aspect of the Museu d'Art Jaume Morera is its acquisition of the MULBERRY collection. This significant addition dramatically expanded the museum’s holdings, introducing a wealth of modern and contemporary artworks that further enrich the narrative of Catalan art. The MULBERRY Collection represents a diverse range of styles and techniques, showcasing both established and emerging artists who have shaped the region's visual landscape. It provides a crucial bridge between the historical works and the dynamic artistic expressions of today, demonstrating the ongoing evolution of Catalan creativity.

    Notable Works within the MULBERRY Collection include pieces by:

    Baldomer Gili i Roig

    Josep Benseny Piñol

    A Tapestry of Artistic Voices: Exploring Local and International Influences

    The museum’s strength lies not only in its collection but also in its ability to contextualize it. The emphasis on local Catalan artists provides a vital lens through which to understand the region's unique artistic identity, reflecting its landscapes, traditions, and cultural values. However, the museum doesn’t shy away from showcasing international influences; works by Henri Matisse, as seen in “Torse de plâtre et bouquet Huile sur Toile Sao Paulo,” demonstrate the museum’s commitment to exploring broader artistic dialogues. This blend of local pride and global awareness creates a truly engaging experience for visitors. The influence of artists like Baldomer Gili i Roig, known for his vibrant landscapes and caricatures, and Josep Benseny Piñol, who captured the essence of marine art with photography and theater, adds depth to this narrative.

    Architectural Setting & Historical Context

    The museum’s home within the Casino Principal building is itself a significant part of its appeal. Originally constructed in 1929 as a social hub for the city, the building's grand architecture provides a stunning backdrop for the artworks it houses. The decision to relocate the museum from its original space reflects the city’s growth and commitment to preserving its cultural heritage. The ongoing renovation project, overseen by architects Gae Aulenti and Enric Steegmann, ensures that this historic landmark continues to serve as a vibrant center for artistic appreciation. Furthermore, the museum's proximity to other historical sites in Lleida enhances the visitor experience, offering opportunities to explore the city’s rich past alongside its artistic treasures.

    A Dynamic Space for Cultural Engagement

    The Museu d'Art Jaume Morera is more than just a repository of art; it’s a dynamic space dedicated to fostering appreciation for visual arts within the community. Through engaging exhibitions, educational programs, and free admission, the museum welcomes visitors from all walks of life. Its commitment to accessibility ensures that everyone has the opportunity to experience the beauty and significance of Catalan art. The museum's website (https://morera.paeria.cat/en/) provides further information on current exhibitions, events, and visitor services.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos The runner

    artsdot.com/sl/art/download/petri-lajos-the-runner-D7GQPP-en/

    Navodila za citiranje umetniškega dela

    MLA
    lajos, petri. The runner. 1911, Museu d'Art Jaume Morera. https://artsdot.com/sl/art/petri-lajos-the-runner-D7GQPP-en/
    APA
    lajos, petri (1911). The runner [Painting]. Museu d'Art Jaume Morera. https://artsdot.com/sl/art/petri-lajos-the-runner-D7GQPP-en/
    Chicago
    petri lajos. The runner. 1911. Museu d'Art Jaume Morera. https://artsdot.com/sl/art/petri-lajos-the-runner-D7GQPP-en/
    Harvard
    lajos, petri (1911) The runner. Museu d'Art Jaume Morera. Available at: https://artsdot.com/sl/art/petri-lajos-the-runner-D7GQPP-en/

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    The runner — petri lajos

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Koliko obrazov lahko najdete? ____ (v našem katalogu jih je število 1 — se strinjate?)
    4. petri lajos je bil star približno 27, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tej dobi?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

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