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Priročnik za študentska dela

Australian beach pattern

Ime in priimek Razred Datum

matthew charles meere, Australian beach pattern (1940), Art Gallery of New South Wales. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik
matthew charles meere artsdot.com/sl/artists/matthew-charles-meere/
Datumi rojstva in smrti umetnika
1890 – 1961
Naslikano
1940
Material
Oil On Canvas
Prvotna velikost
108 x 138 cm
Gibanje
Neo-Classicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Obdobje
Modern
Na lokaciji
Art Gallery of New South Wales artsdot.com/sl/museums/art-gallery-of-new-south-wales-sydney_sl/
Artistic style
Modernised classical traditions
Notable elements
Men playing volleyball, beach scene
Subject or theme
Leisure and relaxation at the beach

V kontekstu

Australian beach pattern — matthew charles meere

Dimenzije

Prvotne dimenzije so 108 × 138 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Osenčeno: življenjsko obdobje matthew charles meere (1890–1961) ▲ to delo, 1940

Primerjajte z

  • Atalanta, 1938 artsdot.com/sl/art/matthew-charles-meere-atalanta-D3ZME3-en/

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/matthew-charles-meere-australian-beach-pattern-D3ZKHY-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Rosy Brown #b5ae8e

    Shranjena paleta

    • #B5AE8E
    • #583C16
    • #90703D
    • #D5DADB
    Paleta barv
    Neutrals Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Rosy Brown
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    O tem umetniškem delu

    Australian beach pattern — matthew charles meere

    Meere was one of a group of Sydney artists whose work modernised classical artistic traditions as a means of imaging national life during the inter-war period. The epitome of his vision by the late 1930s is

    Umetnik in muzej

    Umetnik

    matthew charles meere

    Rojen v London, United Kingdom

    **early life and education**

    matthew charles meere, a prominent english-born artist, was born in 1890 in the united kingdom. his formative years were marked by an innate passion for art, leading him to pursue higher education in both england and france. this cosmopolitan approach to his artistic development would later influence his unique style.

    **war service and relocation**

    meere's life took a significant turn when he served in world war i. upon completion of his service, he made the decision to settle in australia in 1932, a move that would have a profound impact on his career.

    **artistic achievements**

    meere's sydney art practice flourished, with him working as a commercial artist and teaching life classes to notable students like freda robertshaw.

    he achieved considerable artistic and commercial success, notably winning the sulman prize in 1938 with his piece atalanta's eclipse, a neo-classical interpretation of the greek myth.

    one of his most celebrated works, australian beach pattern (1938–40), has been subject to various interpretations, including as a celebration of australian beach culture or a nuanced reflection of australia's unpreparedness for world war ii.

    **legacy and notable mentions**

    - *inclusion in the 2000 summer olympics program: his work was among the quintessential australian images chosen for the opening ceremony. - exhibition at london's national gallery in 2013*: a major exhibition of australian art featured his works.

    **personal life and later years**

    meere's life post-war saw him establish a successful career in australia. his legacy extends beyond his own work, with his grandson also becoming a painter of note, based in sydney and inspired by global travels.

    view matthew charles meere's artworks on AllPaintingsStore

    explore the greatest artists of all time on AllPaintingsStore

    learn more about australian art on wikipedia

    *note:* this biography is based on information available up to 2022 and may not reflect updates or new discoveries post-2022.

    Muzej

    Art Gallery of New South Wales

    Na razstavi v Sydney, Avstralija

    A Window into Colonial Australia: The Art of New South Wales

    Nestled within the vibrant heart of Sydney, the Art Gallery of New South Wales stands as more than just a repository of paintings and sculptures; it’s a profound journey through centuries of cultural exchange. Founded on the ancestral lands of the Gadigal people – a recognition that remains deeply woven into the gallery's ethos – this institution invites visitors to contemplate not only the beauty within its walls but also the complex, often challenging narrative of Australia’s formation. From the meticulous detail of early engravings depicting the arrival of Governor Arthur Phillip to the bold expressions of contemporary street art, the Gallery offers a remarkably diverse collection reflecting the varied experiences that shaped colonial art and continue to resonate today.

    The gallery's origins trace back to 1872 with the establishment of the New South Wales Academy of Art. Initially focused on organizing annual exhibitions, it quickly evolved into a vital platform for emerging artists. The building itself – originally constructed as the Royal North Shore Hospital in 1856 – is an integral part of the gallery’s story. Designed by John Habens, its imposing Victorian façade speaks to a time when hospitals were symbols of civic pride and progress. The repurposing into an art gallery in 1973 was a deliberate act of preservation, honoring the building's historical fabric while providing a fitting space for artistic expression. The careful restoration has maintained the original grandeur, layering architectural history with the dynamic energy of contemporary exhibitions. Notice the soaring arches, the intricate stonework – each element whispers tales of generations past.

    A Legacy of Patronage and Artistic Voice

    The Gallery’s collection is particularly enriched by the influence of Charles Jones, a prominent patron and collector who championed the talents of Sydney artists during the 19th century. Jones recognized the potential within the colony's burgeoning artistic community and actively fostered its growth. His dedication resulted in a significant collection that showcases the evolution of artistic styles and techniques – from the formal elegance of early portraiture to the emerging Romanticism capturing the rugged beauty of the Australian landscape. Keep an eye out for works by Francis Wheatley, whose meticulous engravings immortalized figures like Arthur Phillip Esq., offering a poignant glimpse into the initial stages of settlement and British authority. The gallery also houses a remarkable collection of Charles Jones’s acquisitions, representing his discerning taste and commitment to supporting local talent.

    Notable Exhibitions & Artistic Voices

    The Art Gallery of New South Wales consistently hosts a dynamic program of exhibitions that illuminate diverse themes and artistic movements. Recent highlights have included compelling retrospectives dedicated to pioneering Australian artists like Charles Condor, whose dramatic seascapes capture the raw power of the Pacific Ocean, and explorations of contemporary street art – a vibrant reflection of urban culture and social commentary. The Archibald Prize, Australia’s most prestigious portraiture award, is regularly featured at the gallery, offering a captivating insight into the nation's artistic talent and its evolving perspectives on identity and representation. Don’t miss opportunities to explore thematic exhibitions focusing on Indigenous Australian art, showcasing traditional storytelling techniques and cultural symbolism – an essential component of understanding Australia’s rich artistic heritage.

    The Lewers Bequest: A Pivotal Collection

    Perhaps the Gallery's most distinctive feature is the Lewers Bequest – a remarkable collection of 19th-century Australian paintings amassed by Sir John Edward Lewers, a prominent businessman and art collector. This bequest represents a pivotal moment in the development of Australian art history, providing an unparalleled opportunity to study the evolution of artistic styles and techniques within the colony. The collection includes works by artists such as Frederick McCubbin, Tom Roberts, and Russell Drysdale, offering a comprehensive overview of the period’s artistic landscape. The Lewers Bequest is housed in a dedicated wing of the gallery, allowing visitors to immerse themselves fully in this extraordinary assemblage and appreciate its significance within the broader context of Australian art history.

    A Living Collection: Research & Community Engagement

    The Art Gallery of New South Wales is more than just a display space; it’s a vibrant hub for research and community engagement. Its curatorial team actively investigates the provenance and significance of its artworks, contributing to a deeper understanding of Australian art history. The gallery also offers a range of educational programs, workshops, and tours designed to engage visitors of all ages and backgrounds – from school groups to seasoned art enthusiasts. Furthermore, the Gallery’s commitment extends beyond its physical walls through collaborations with local schools, universities, and cultural organizations, promoting artistic literacy and supporting emerging talent. The gallery's website provides extensive resources for researchers, students, and art lovers alike, solidifying its role as a vital center for Australian art scholarship.

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    Navodila za citiranje umetniškega dela

    MLA
    meere, matthew charles. Australian beach pattern. 1940, Art Gallery of New South Wales. https://artsdot.com/sl/art/matthew-charles-meere-australian-beach-pattern-D3ZKHY-en/
    APA
    meere, matthew charles (1940). Australian beach pattern [Painting]. Art Gallery of New South Wales. https://artsdot.com/sl/art/matthew-charles-meere-australian-beach-pattern-D3ZKHY-en/
    Chicago
    matthew charles meere. Australian beach pattern. 1940. Art Gallery of New South Wales. https://artsdot.com/sl/art/matthew-charles-meere-australian-beach-pattern-D3ZKHY-en/
    Harvard
    meere, matthew charles (1940) Australian beach pattern. Art Gallery of New South Wales. Available at: https://artsdot.com/sl/art/matthew-charles-meere-australian-beach-pattern-D3ZKHY-en/

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    Australian beach pattern — matthew charles meere

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: beach scene, leisure, people. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si Atalanta (1938), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Neo-Classicism: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Kje lahko to opazite v tem delu?

    Vaš odgovor

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