Format papirja

Priročnik za študentska dela

Thousands are Sailing

Ime in priimek Razred Datum

Mary Ann Evans, Thousands are Sailing (2016), EVA International. Dostopno v javni lastnini. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Mary Ann Evans artsdot.com/sl/artists/mary-ann-evans/
Datumi rojstva in smrti umetnika
1819 – 1880
Naslikano
2016
Na lokaciji
EVA International artsdot.com/sl/museums/eva-international-limerick-city_sl/

V kontekstu

Thousands are Sailing — Mary Ann Evans

Kdaj je bilo to naslikano?

  1. 1800
  2. 1820
  3. 1840
  4. 1860
  5. 1880
  6. 1900
  7. 1920
  8. 1940
  9. 1960
  10. 1980
  11. 2000

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 61 ob smrti.

Osenčeno: življenjsko obdobje Mary Ann Evans (1819–1880) ▲ to delo, 2016 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/mary-ann-evans-thousands-are-sailing-DD2UXP-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    White #ebebf0

    Shranjena paleta

    • #EBEBF0
    • #978775
    • #C8C6CA
    • #896844

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Neutrals Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    White
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    2 najbolj gledanih del umetnika Mary Ann Evans

    1. 1 Thousands are Sailing, 2016 100,0%
    2. — Thousands are Sailing, 2016 ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 4 del te umetnice, pri čemer je bilo 1 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    O tem umetniškem delu

    Thousands are Sailing — Mary Ann Evans

    Mary Evans (b. 1963, Lagos, Nigeria) lives and works in London.In Evans’ work she creates silhouettes and pictograms hand cut from brown craft paper, to produce site-based, spatially dynamic installations. Pattern is a strong leitmotif in her practice. With an interest in delving beyond the purely ornamental, Evans infuses historical, geographical, or architectural clues into her work.Evans’ research interests are centered on the social and political frameworks of diaspora, migration, global mobility, and exchange. She investigates how the history of modern Britain is, in many respects, the legacy of its imperial past. Her work highlights the circuitous route via which people arrive and settle somewhere through emigration and diaspora – willingly or by force – what affects people on those journeys, what they are forced to learn and relearn, what they choose to remember and forget, and how they are irrevocably changed. Her flat, decorative patterning emphasizes the reductive nature of racial stereotyping – this reduction is rendered even more disturbing through the use of both ‘innocent’ and ‘loaded’ material. ‘Thousands Are Sailing’ is a song released by the London-based Celtic band the Pogues in 1988. The lyrics and plaintive manner in which it is sung, in the style of an Irish folk ballad, tell stories of Irish emigration to the United States: The island it is silent now but the ghosts still haunt the waves And the torch lights up a famished man Who fortune could not save …Evans explains: ‘Perhaps because of my early friendships with Irish people this music spoke to me deeply with the images it conjured up of migration, loss, belonging, alienation, and desire – all emotions I felt an affinity with due to my own diasporic experience.’ Thousands Are Sailing (2016), for EVA International, is a large wall installation depicting figurative narratives in the style of history paintings. The disposable craft paper is a metaphor for the disposable lives of those depicted in the work.

    Umetnik in muzej

    Umetnik

    Mary Ann Evans

    Rojen v Nuneaton, United Kingdom

    Mary Ann Evans (George Eliot): A Portrait of Victorian England

    Born Mary Ann Evans in Nuneaton, Warwickshire, in 1819, George Eliot’s life was a remarkable transformation—a testament to the power of education and intellectual pursuit. Initially raised in a humble household, her early experiences instilled within her a keen observation of human nature and a deep connection to the rural landscape of England. Her pen name, George Eliot, became a deliberate shield, allowing her to break through the societal constraints placed upon women writers during the Victorian era and establish herself as a serious literary voice.

    Evans’s journey began with a challenging childhood marked by poverty and family hardship. However, she received an exceptional education thanks to the generosity of a local benefactor who recognized her potential. This access to learning fueled a lifelong love of reading and writing, laying the foundation for her future success. She worked as a printer's devil and later as a journalist, honing her skills in observation, detail, and narrative—qualities that would prove invaluable in her literary career.

    The Rise of George Eliot: Literary Innovation

    George Eliot’s novels are celebrated for their unflinching realism, psychological depth, and profound understanding of rural England. Unlike many contemporary writers who focused on romanticized depictions of the countryside, Eliot meticulously portrayed the lives of ordinary people—farmers, laborers, and women—with honesty and empathy. Her works explored complex social issues such as poverty, class divisions, religious hypocrisy, and the changing roles of women in Victorian society.

    Her early novels, like The Mill on the Floss (1861) and Adam Bede (1860), established her reputation for detailed character development and a nuanced portrayal of provincial life. These works demonstrated a remarkable ability to capture the rhythms of rural existence and the emotional lives of its inhabitants. Later, she tackled more ambitious themes in novels such as Middlemarch (1871-72) – widely considered one of the greatest English novels ever written – exploring the intricacies of marriage, ambition, and social expectations within a complex community.

    Influences and Artistic Style

    Eliot’s writing was deeply influenced by her own experiences and observations. She drew heavily on the landscapes and communities she encountered during her travels and spent considerable time immersed in rural life. Her meticulous research—including interviews with local residents and detailed descriptions of settings—contributed to the authenticity of her novels. She also admired the works of novelists like Charles Dickens, but sought to move beyond sentimentality and melodrama towards a more psychologically realistic approach.

    Her artistic style is characterized by its precision, clarity, and psychological insight. Eliot’s prose is renowned for its evocative descriptions of nature and its ability to convey complex emotions with subtlety and restraint. She employed a third-person narrator that allowed her to delve into the inner lives of her characters, offering readers intimate access to their thoughts and motivations.

    A Legacy of Realism and Social Commentary

    George Eliot’s impact on Victorian literature is undeniable. Her novels challenged conventional literary norms and paved the way for a new generation of writers who prioritized realism and psychological complexity. She demonstrated that great art could be found not only in grand narratives but also in the everyday lives of ordinary people.

    Furthermore, her work remains remarkably relevant today, prompting ongoing discussions about social justice, gender roles, and the complexities of human relationships. Her legacy is secured through her enduring novels, which continue to captivate readers with their timeless themes and profound insights into the human condition. The connection between George Eliot and Sara Hennell (or Cara Bray), a fellow artist and writer who contributed illustrations for some of her works, adds another layer to her story—a testament to the collaborative spirit within the literary world of 19th-century England.

    Further Exploration

    Doll: Explore this evocative artwork depicting a young girl.

    Mary Ann Evans: Discover more about her life and career.

    Thousands are Sailing: Admire this painting capturing a scene of maritime activity.

    Sara Hennell or Cara Bray: Learn about her connection to George Eliot and her watercolor paintings.

    Muzej

    EVA International

    Na razstavi v Limerick City, Republic of Ireland

    Živ lestvnik v srcu Limericka

    V zgodovinski pokrajini

    Limerick City

    , kjer reka Shannon šepeta zgodbe o vikingih in srednjeveški veličastnosti, se odvija globok dialog med umetniško dediščino Irskega sveta in pulsom globalne sodobne izraznosti.

    EVA International

    ni le razstava; je živo, dišeče bienale, ki urbano tkivo mesta spremeni v razleglo platno inovacij. Rodilo se je iz vizionarskega želje po dvignjenju kulturnega profila regije, ta prestižni dogodek pa se je iz svojih začetkov kot

    Razstava vizualne umetnosti leta ’77

    razvil v vodeče irsko bienale. Mednarodno priznanje si pridobiva z negovanjem cvetočega ekosistema, kjer se tradicija sreča z avantgardno, in આમ vabi ljubitelje umetnosti ter zbiratelje, da bodajo priča nenečni metamorfozi ustvarjalnosti.

    Doseg tega bienala se razteza daleč čez vsako posamezno mejo, saj za namen umetniške ponovne izumljivosti vrača v umetnost najbolj ikonične znamenitosti mesta. Neustrašni

    King John’s Castle

    , srednjevečna trdnjava, ki prevladuje nad obzorjem Limericka, pogosto služi kot nepričakovna scena za velikostne instalacije. Ti projekti namerno izzivajo konvencionalne zgodovinske zaporedje, saj uporabljajo starodavne kamnate stene za ogrodje sodobnih konceptov, ki spodbujajo intelektualno radovednost. To poglobljeno izkušnjo še bogati bližina

    Hunt Museum

    , kar ustvarja kulturno tapiserijo, kjer težina zgodovine služi kot pojačalo učinka moderne ustvarjalnosti.

    Arhitekturna veličastnost in umetniško dediščino

    Duša tega bienala se skriva v veličastni

    Limerick City Gallery of Art

    , mojstrišču arhitekture romanske vstajanja. Zgrajena leta 1906 s filantropno dediščino Williama Henryja Hunta, galerija ponuja očarljivo kuliso za umetniško raziskovanje. Njene visoke stolišča in okrasne arhitekturne podrobnosti'}, prinašajo občutek brezčasnosti ter ustvarjajo osupljivo kontrast ob srečanju z revolucionarnimi, pogosto provokativnimi deli, predstavljenimi v vsakem bienalnem izdaju. V teh stenah past in sedanjost koexistirata v neprekinjenem toku navdihov.

    Obiskovalci se lahko sprehajajo skozi stalno zbirko, ki vključuje irska vrhunska dela svetovnih mojstrov, kot sta

    Jack Butler Yeats

    in

    Harry Clarke

    , hkrati pa se soočajo s vrhunskimi multimedijskimi instalacijami, ki definiraodobje. Za oblikovalce notranjih prostorov ali ljubitelje fine umetnosti bienale ponuja okno v samo avangardo sodobnega gibanja. Kuratorstvo skrbno izbira umetniška dela, ki resonirajo z zgodovino Limericka in spodbujajo globoko razmišljanje o povezavah med predganostnimi umetnostnimi tradicijami in današnjimi ustvarjalnimi raziskavami. Skozi pobize, kot sta

    Young EVA

    in

    Platform Commissions

    , dogodek zagotavlja svojo vlogo vitalnega katalizatorja za dolgoročni razvoj in postaja stebenik globalnega umetniškega pogovora.

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    Preverite na spletu

    QR koda za dostop do strani za prenos Thousands are Sailing

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    Navodila za citiranje umetniškega dela

    MLA
    Evans, Mary Ann. Thousands are Sailing. 2016, EVA International. https://artsdot.com/sl/art/mary-ann-evans-thousands-are-sailing-DD2UXP-en/
    APA
    Evans, Mary Ann (2016). Thousands are Sailing [Painting]. EVA International. https://artsdot.com/sl/art/mary-ann-evans-thousands-are-sailing-DD2UXP-en/
    Chicago
    Mary Ann Evans. Thousands are Sailing. 2016. EVA International. https://artsdot.com/sl/art/mary-ann-evans-thousands-are-sailing-DD2UXP-en/
    Harvard
    Evans, Mary Ann (2016) Thousands are Sailing. EVA International. Available at: https://artsdot.com/sl/art/mary-ann-evans-thousands-are-sailing-DD2UXP-en/

    Poglejte bližje

    Thousands are Sailing — Mary Ann Evans

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Thousands are Sailing (2016), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?
    5. Če bi lahko umetniku zastavili le eno vprašanje o tem delu, katero bi to bilo?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Ali je "Thousands are Sailing" na voljo kot umetniški tisk?

    Tisk dela "Thousands are Sailing" avtorja Mary Ann Evans lahko naročite neposredno na njegovi strani Kakovostna tiskanina: umjetnička grafika na bombažnem platnu ali arhivskem papirju za platno.

    Ali lahko pred nakupom vidim "Thousands are Sailing" avtorja Mary Ann Evans na svoji steni?

    Delo "Thousands are Sailing" ima predogled z augmented reality: stran AR predogled za to umetnino prikazuje delo v vašem lastnem prostoru na združljivi napravi.

    Kakšne barve uporablja "Thousands are Sailing"?

    "Thousands are Sailing" avtorja Mary Ann Evans uporablja Neutrals barvno paleto. Paleta povzema splošni barvni značaj dela.