Format papirja

Priročnik za študentska dela

Interstella

Ime in priimek Razred Datum

Li Chevalier, Interstella (2016). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Li Chevalier artsdot.com/sl/artists/li-chevalier/
Datumi rojstva in smrti umetnika
1961 –
Naslikano
2016
Prvotna velikost
100 x 100 cm

V kontekstu

Interstella — Li Chevalier

Dimenzije

Prvotne dimenzije so 100 × 100 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010
  7. 2020

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja, pri čemer se leta od rojstva štejejo od 0 naprej.

Naslikano, ko je bil avtor star 55. 5 od 27 datiranih del tega umetnika v našem katalogu je nastalo prej.

▲ to delo, 2016 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 2016 Glavni delovni leti: 2016–2020 Pozna dela: od 2020

Ti trije pasovi razdelijo dela v tem katalogu na prvo četrtino, srednjo polovico in zadnjo četrtino. Niso popolna celotina umetnikovega dela: tanjka obdobja je lahko praznina v arhivu, ne le obdobje manj intenzivnega ustvarjanja. Iste leta, v katerih se odtisa življenje umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/li-chevalier-interstella-D5LCAA-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Gray #968b6e

    Shranjena paleta

    • #968B6E
    • #0E0C07
    • #CBC5AA
    • #5B4F36

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Naziv primarne barve
    Gray
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Li Chevalier v zadnjih dvanajst mesecih — skupaj 2 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 75,0%
    2. 2 Združene države Amerike 25,0%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    7 najbolj gledanih del umetnika Li Chevalier

    1. 1 <Au Bord Du Savoir> ou< Mur de Transcendance >, 2017 16,7%
    2. 2 < Dark is Life, Dark is Death > To Gustav Mahler, 2014 16,7%
    3. 3 Rupture, 2016 16,7%
    4. 4 Beyond the horizon, 2010 16,7%
    5. 5 < Requiem de la terre >, 2017 16,7%
    6. 6 Solitude Qui Habite L'homme, 2016 16,7%
    7. Interstella, 2016 ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 27 del te umetnice, pri čemer je bilo 6 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Li Chevalier

    Rojen v Beijing, China

    A Life Bridging Cultures

    Li Chevalier (诗蓝), born in Beijing in 1961, is a compelling artistic voice navigating the complexities of cultural identity and emotional resonance through her evocative paintings, calligraphy, and installations. Her journey is one marked by significant transitions – from a childhood steeped in Chinese tradition to embracing French citizenship and an extensive academic pursuit across disciplines. This unique trajectory has profoundly shaped her artistic vision, imbuing it with a poignant sense of displacement, introspection, and a search for meaning within a rapidly changing world. At the age of fifteen, Chevalier’s path took an unexpected turn when she was recruited as a singer by the Chinese army, a five-year experience that undoubtedly instilled in her a discipline and sensitivity to rhythm and expression which would later inform her artistic practice. The launch of the Anti-Spiritual Pollution Campaign in 1983 proved pivotal; it spurred Chevalier’s courageous decision to leave China in 1984, seeking intellectual and artistic freedom abroad.

    Formative Years and Artistic Education

    Arriving in France, Li Chevalier embarked on a rigorous academic journey that mirrored her multifaceted interests. She studied at the prestigious Paris Institute of Political Studies, delving into the intricacies of governance and society, before earning an M.A. in Philosophy from the Sorbonne University. This philosophical grounding is deeply embedded within her artwork, lending it a conceptual weight and inviting contemplation on existential themes. Further enriching her artistic foundation was training at Central St. Martins College of Art and Design in London, where she honed her technical skills and explored diverse creative approaches. This blend of intellectual inquiry and practical artistry distinguishes Chevalier’s work, setting it apart within the contemporary art landscape. She acknowledges the challenges faced by female Asian artists navigating a predominantly male-dominated field, yet remains steadfastly committed to artistic integrity and authentic self-expression.

    Themes and Symbolic Language

    Central to Li Chevalier's oeuvre are recurring motifs of loneliness, emptiness, cultural identity, and the pursuit of transcendence. Her compositions often evoke a sense of quiet melancholy, inviting viewers to confront their own emotional landscapes. This is achieved not only through her masterful technique but also through the deliberate inclusion of symbolic objects that resonate with universal human experiences. A frequently appearing cross, for instance, speaks to faith and mortality; the cello embodies longing and artistic passion; an empty chair suggests absence and solitude; and a tombstone serves as a stark reminder of life’s fragility. These elements are not merely decorative but function as visual metaphors, deepening the emotional impact of her work. Her style draws inspiration from Abstract Expressionism's emotive power, traditional Chinese calligraphy’s elegance and precision, and installation art’s immersive qualities.

    Recognition and Artistic Impact

    Li Chevalier’s artistic journey has gained increasing recognition in both China and Europe since she began exhibiting extensively in the Chinese art scene in 2008. Presentations at prestigious institutions such as the National Art Museum of China have solidified her position within the country's contemporary art dialogue. Beyond China, her work has been showcased at significant venues including the former submarine base in Bordeaux, the Royal Academy Summer Exhibition in London, and the Museum of Contemporary Art of Rome. These exhibitions demonstrate a growing international appreciation for her unique artistic vision. Chevalier’s artwork is not intended as mere aesthetic pleasure; it aims to provoke reflection, encourage introspection, and foster a deeper connection between viewers and their own emotional realities. She represents a new generation of artists who transcend cultural boundaries, challenging conventional norms and contributing to a more inclusive and diverse art world. Her story is one of resilience, artistic dedication, and unwavering commitment to self-expression – a testament to the power of art to bridge divides and illuminate the human condition.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Interstella

    artsdot.com/sl/art/download/li-chevalier-interstella-D5LCAA-en/

    Navodila za citiranje umetniškega dela

    MLA
    Chevalier, Li. Interstella. 2016, https://artsdot.com/sl/art/li-chevalier-interstella-D5LCAA-en/
    APA
    Chevalier, Li (2016). Interstella [Painting]. https://artsdot.com/sl/art/li-chevalier-interstella-D5LCAA-en/
    Chicago
    Li Chevalier. Interstella. 2016. https://artsdot.com/sl/art/li-chevalier-interstella-D5LCAA-en/
    Harvard
    Chevalier, Li (2016) Interstella. Available at: https://artsdot.com/sl/art/li-chevalier-interstella-D5LCAA-en/

    Poglejte bližje

    Interstella — Li Chevalier

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Solitude Qui Habite L'homme (2016), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Li Chevalier je bil star približno 55, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kako si lahko ogledam predogled reprodukcije dela "Interstella" avtorja Li Chevalier?

    Za ogled predogleda reprodukcije dela "Interstella" avtorja Li Chevalier odprite stran Predogled za to umetniško delo.

    Koliko so harmonizirane barve dela "Interstella" avtorja Li Chevalier?

    "Interstella" avtorja Li Chevalier prikazuje Unified Palette barvno harmonijo.

    Kakšna je percepcija svetlobe pri delu "Interstella" avtorja Li Chevalier?

    V smislu zaznane svetlobnosti je "Interstella" avtorja Li Chevalier shadow.