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Visual Gravity -2

Ime in priimek Razred Datum

Kaloust Guedel, Visual Gravity -2 (2017). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik
Kaloust Guedel artsdot.com/sl/artists/kaloust-guedel/
Datumi rojstva in smrti umetnika
1956 – ?
Naslikano
2017
Prvotna velikost
635 x 213 cm
Gibanje
Light And Space

V kontekstu

Visual Gravity -2 — Kaloust Guedel

Kakšna je velikost?

Originalne dimenzije so 635 × 213 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine. Preveliko je za prikaz v ustreznem razmerju na tej strani.

Kdaj je bilo to naslikano?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Osenčeno: življenjsko obdobje Kaloust Guedel (1956–?) ▲ to delo, 2017

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Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/kaloust-guedel-visual-gravity-2-D2N6LW-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Rosy Brown #9d8d8c

    Shranjena paleta

    • #9D8D8C
    • #5E3A1F
    • #606871
    • #BFBCBE
    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Rosy Brown
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Bright Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    Kaloust Guedel

    Rojen v Nicosia, Cyprus

    A Life Forged in Cultural Crossroads

    Kaloust Guedel’s artistic journey is one deeply rooted in displacement and cultural synthesis, a narrative that began on the island of Cyprus in 1956. Born into an Armenian family, his early life was marked by a geographical and emotional shift when his family relocated to Armenia within the Soviet Union in 1962. This formative period instilled in him a profound awareness of identity, belonging, and the weight of history – themes that would become central to his artistic explorations. Further travels through neighboring republics and Lebanon before finally settling in Los Angeles in 1975 only deepened this sense of being an observer, a translator between worlds. Guedel’s self-directed education as an artist was not confined to formal institutions; rather, it blossomed from philosophical inquiry at the Philosophical Research Society in the early 1980s and a relentless engagement with the complexities of contemporary life. He didn't seek instruction so much as he sought understanding—understanding of the human condition, societal structures, and the power of visual language to dissect them.

    The Genesis of Excessivism: A Response to Consumption

    Guedel is perhaps best known as the founder of Excessivism, a movement born from a critical response to the perceived excesses of consumer culture and societal norms. Emerging in the 21st century, Excessivism isn’t merely an aesthetic style but a philosophical stance—a confrontation with the overwhelming abundance and often superficial values that characterize modern existence. Guedel's work consistently challenges viewers to confront uncomfortable truths about materialism, power dynamics, and the darker aspects of human experience. He doesn’t shy away from difficult subjects like genocide, war, and abuse, instead choosing to address them head-on with a minimalist aesthetic that amplifies their emotional impact. This deliberate restraint isn’t an avoidance of complexity but rather a strategic choice—a way to distill potent ideas into their purest form. His artistic path has been characterized by experimentation across painting, sculpture, and conceptual installations, always prioritizing the message over adherence to any single stylistic convention.

    Innovation in Materiality: Vinyl as Canvas

    Guedel’s commitment to pushing boundaries extends beyond thematic concerns into the realm of materials. He is recognized as a pioneer for his groundbreaking use of vinyl as a primary medium in painting, challenging traditional notions of what constitutes art and expanding the possibilities of artistic expression. This wasn't simply about adopting a new material; it was about questioning the very foundations of painting itself—its history, its conventions, and its limitations. The choice of vinyl, often associated with mass production and disposability, is inherently provocative, aligning perfectly with the critical ethos of Excessivism. Works like “Unauthorized Stage of Tension,” “Alternative Cloud,” “Black Magic Romance”, “Coronation Of Vagina” and “Red White Blue Etcetera” demonstrate his mastery of this unconventional medium, transforming it into a vehicle for profound conceptual exploration. He doesn’t merely paint on vinyl; he manipulates it, deconstructs it, and imbues it with new meaning.

    A Legacy of Provocation and Dialogue

    Kaloust Guedel's impact on the contemporary art landscape is undeniable. His work has garnered recognition in publications like Masters of Today, solidifying his position as a significant voice within the artistic community. More than just an artist, he’s a cultural commentator—a provocateur who dares to challenge conventional thinking and spark dialogue about pressing social and political issues. The founding of Excessivism provides a framework for understanding contemporary anxieties, offering a lens through which to examine the complexities of modern life. His innovative use of materials continues to inspire artists today, encouraging them to question established norms and explore new avenues of creative expression. Guedel’s legacy lies not only in his individual artworks but also in his unwavering commitment to intellectual rigor, emotional honesty, and the power of art to effect change. He represents a generation of artists unafraid to confront difficult truths and leave an indelible mark on the world through their vision.

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    artsdot.com/sl/art/download/kaloust-guedel-visual-gravity-2-D2N6LW-en/

    Navodila za citiranje umetniškega dela

    MLA
    Guedel, Kaloust. Visual Gravity -2. 2017, https://artsdot.com/sl/art/kaloust-guedel-visual-gravity-2-D2N6LW-en/
    APA
    Guedel, Kaloust (2017). Visual Gravity -2 [Painting]. https://artsdot.com/sl/art/kaloust-guedel-visual-gravity-2-D2N6LW-en/
    Chicago
    Kaloust Guedel. Visual Gravity -2. 2017. https://artsdot.com/sl/art/kaloust-guedel-visual-gravity-2-D2N6LW-en/
    Harvard
    Guedel, Kaloust (2017) Visual Gravity -2. Available at: https://artsdot.com/sl/art/kaloust-guedel-visual-gravity-2-D2N6LW-en/

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    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Stage 3 (2012), ki ste ga že videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    4. Kaloust Guedel je bil star približno 61, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tej dobi?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

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