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Priročnik za študentska dela

Day Dress

Ime in priimek Razred Datum

june redfern, Day Dress (1915), The Kyoto Costume Institute. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik
june redfern artsdot.com/sl/artists/june-redfern/
Datumi rojstva in smrti umetnika
1951 – ?
Naslikano
1915
Na lokaciji
The Kyoto Costume Institute artsdot.com/sl/museums/the-kyoto-costume-institute-kyoto/

V kontekstu

Day Dress — june redfern

Kdaj je bilo to naslikano?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Osenčeno: življenjsko obdobje june redfern (1951–?) ▲ to delo, 1915

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Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/june-redfern-day-dress-D4PLE2-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Espresso #314543

    Shranjena paleta

    • #314543
    • #B9CDD0
    • #769C9E
    • #567075
    Naziv primarne barve
    Espresso
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Balanced V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Softly Mixed Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Bright Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    O tem umetniškem delu

    Day Dress — june redfern

    A tailored suit of soft materials has feminine elements mixed tailoring that originated from men

    Umetnik in muzej

    Umetnik

    june redfern

    June Redfern: A Landscape of Emotion

    Born in Fife, Scotland, in 1951, June Redfern’s artistic journey is one deeply rooted in both traditional academic training and a fiercely expressive, almost visceral approach to landscape painting. Her early years at Edinburgh College of Art provided her with a solid foundation – an understanding of perspective, anatomy, and the technical mastery required for oil and watercolour. However, it was a deliberate rejection of rigid formalism that truly defined her artistic voice, leading her to explore the emotional resonance of place and subject matter rather than simply replicating visual reality.

    Redfern’s work is immediately recognizable by its scale – often monumental canvases that invite viewers into the heart of the scene. This ambition isn't merely about size; it’s a reflection of her desire to capture atmosphere, mood, and the intangible qualities of a landscape. Her early paintings frequently featured female figures, rendered with a striking intensity and vulnerability, suggesting a personal connection to themes of identity, memory, and the human condition. These figures weren’t simply portraits but embodiments of emotional states – longing, contemplation, and perhaps even a touch of melancholy.

    The Influence of Expressionism

    While her academic training provided a crucial starting point, Redfern's artistic development was profoundly shaped by the burgeoning movement of expressionism. Artists like Van Gogh, Gauguin, and particularly the German Expressionists – Kirchner, Heckel, Nolde – offered a model for conveying subjective experience through colour and form. Redfern embraced this approach wholeheartedly, utilizing bold, often clashing colours to evoke specific emotions and sensations. Her palette isn’t descriptive; it's deliberately charged with symbolic meaning, reflecting the inner landscape of her subjects.

    The influence is particularly evident in her later work, where she abandons more representational forms for a looser, more gestural style. She employs thick impasto – building up layers of paint to create texture and depth – and allows colour to bleed and mingle, creating a sense of movement and dynamism. This technique isn’t simply decorative; it's integral to her exploration of atmosphere and the fleeting nature of perception.

    A Shift Towards Landscape

    As Redfern’s career progressed, her focus gradually shifted towards landscape painting. However, this wasn’t a departure from her previous concerns but rather an evolution – a way of translating her emotional vocabulary onto a broader canvas. She began to explore the wilder, more remote corners of Scotland, capturing the rugged beauty of its coastline, moorlands, and forests. These landscapes aren't idyllic vistas; they are imbued with a sense of solitude, mystery, and even foreboding.

    Her approach is deeply observational, yet profoundly subjective. She’s not simply recording what she sees but interpreting it through the lens of her own emotional experience. The light in her paintings isn't neutral; it’s often dramatic and theatrical, casting long shadows and highlighting textures with a palpable intensity. Her use of colour becomes even more expressive, conveying mood and atmosphere with remarkable subtlety.

    Recognition and Legacy

    June Redfern’s work has been exhibited extensively throughout the UK and Europe, garnering critical acclaim for its emotional power and technical skill. She has held solo exhibitions at prestigious galleries such as The Royal Academy, Deson Herstein Fine Art in Chicago, and The Bohun Gallery in Henley-On-Thames. Her paintings are also included in several important public collections, including the National Galleries of Scotland.

    Beyond her artistic achievements, Redfern’s career represents a significant contribution to contemporary landscape painting. She demonstrated that landscape could be more than just a pretty picture; it could be a vehicle for exploring complex emotions and ideas. Her bold use of colour, expressive brushwork, and willingness to embrace subjective experience have inspired generations of artists. Her legacy lies not only in the beauty of her paintings but also in their profound emotional resonance – a testament to the power of art to connect us to ourselves and to the world around us.

    Muzej

    The Kyoto Costume Institute

    Na razstavi v Kyoto, Japan

    A Journey Through Japan’s Sartorial Soul: Unveiling the Kyoto Costume Institute

    Nestled within the ancient heart of Kyoto, a city steeped in tradition and artistry, lies The Kyoto Costume Institute – a sanctuary dedicated not just to preserving garments, but to illuminating the profound cultural significance woven into every stitch. More than simply a museum, it’s an immersive experience, transporting visitors through centuries of Japanese fashion history, revealing how clothing has mirrored societal shifts, artistic movements, and deeply held values. Founded in 1978 with the support of Japan's Ministry of Education, Science and Culture, the KCI began as a research institute, meticulously assembling a collection that transcends mere aesthetics to become a vibrant tapestry of social and historical narrative. Today, it stands as a testament to Japan’s unique approach to design – one where tradition isn’t merely revered but actively reinterpreted and reimagined.

    The Institute's strength lies in its remarkably comprehensive holdings, spanning from the opulent Heian period (794-1185) through to contemporary designer collections. Early garments, exemplified by exquisite examples of layered silk robes – a hallmark of Heian aesthetics – demonstrate an early mastery of form and color. These pieces, often adorned with intricate embroidery and symbolic motifs, speak volumes about the era’s emphasis on refinement and aristocratic life. The museum's commitment to accuracy is further evidenced by its recreation of costumes inspired by Murasaki Shikibu’s “The Tale of Genji,” offering a tangible connection to the world of the novel’s captivating characters and their elaborate attire. These aren’t simply reproductions; they are scholarly interpretations, meticulously researched and crafted to capture the spirit of the original designs.

    A Fusion of Tradition and Innovation

    What truly distinguishes The Kyoto Costume Institute is its deliberate blurring of boundaries between historical preservation and contemporary design. Rather than presenting fashion as a static relic, the museum actively showcases how traditional techniques and motifs continue to inspire modern Japanese designers. Rotating exhibitions regularly spotlight works from prominent figures like Junya Watanabe and Comme des Garçons, demonstrating the enduring influence of heritage on cutting-edge style. These displays aren’t merely showcasing finished garments; they delve into the design process, revealing the dialogue between past and present. The museum's collection includes over 12,000 items of clothing and 16,000 documents, a testament to its dedication to documenting this ongoing conversation.

    Beyond the visual splendor of the collection itself, the KCI offers a deeper understanding through its focus on textiles. Admire the breathtaking diversity of traditional fabrics – silk brocades shimmering with gold and silver threads, dyed silks in vibrant hues achieved through ancient techniques, and intricate embroidery that tells stories through pattern and design. These textiles aren’t simply materials; they are repositories of cultural knowledge, reflecting regional variations, seasonal changes, and symbolic meanings. The museum's commitment to preserving these techniques ensures their continued relevance in the modern world.

    Architectural Harmony & Historical Context

    While specific architectural details of the Institute remain somewhat understated within publicly available information, its location within Kyoto – a city renowned for its meticulously preserved machiya houses and serene gardens – immediately establishes an atmosphere of harmonious integration. It’s reasonable to assume that the building itself reflects this aesthetic sensibility, blending seamlessly with its surroundings. The KCI's history is inextricably linked to Kyoto’s own, serving as a vital resource for researchers, students, and anyone seeking to understand Japan’s unique sartorial heritage. The city’s rich history of craftsmanship and artistic patronage provides the perfect backdrop for this institution dedicated to preserving and celebrating Japanese fashion.

    A Living Legacy: The Institute's Unique Approach

    The Kyoto Costume Institute isn’t simply a repository of garments; it’s a dynamic center for research, education, and exhibition. Its commitment extends beyond static displays, actively engaging with the wider world through collaborations with international museums and institutions. The museum’s ongoing efforts to make its collection accessible – through digital archives, lectures, and carefully curated exhibitions – ensure that its legacy will continue to inspire and inform generations to come. It stands as a powerful reminder of how fashion can be both a reflection of history and a catalyst for innovation, embodying the enduring spirit of Japanese creativity.

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    QR koda za dostop do strani za prenos Day Dress

    artsdot.com/sl/art/download/june-redfern-day-dress-D4PLE2-en/

    Navodila za citiranje umetniškega dela

    MLA
    redfern, june. Day Dress. 1915, The Kyoto Costume Institute. https://artsdot.com/sl/art/june-redfern-day-dress-D4PLE2-en/
    APA
    redfern, june (1915). Day Dress [Painting]. The Kyoto Costume Institute. https://artsdot.com/sl/art/june-redfern-day-dress-D4PLE2-en/
    Chicago
    june redfern. Day Dress. 1915. The Kyoto Costume Institute. https://artsdot.com/sl/art/june-redfern-day-dress-D4PLE2-en/
    Harvard
    redfern, june (1915) Day Dress. The Kyoto Costume Institute. Available at: https://artsdot.com/sl/art/june-redfern-day-dress-D4PLE2-en/

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