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White Cloud, Chartres

Ime Razred Datum

Jerome Blum, White Cloud, Chartres (1910). Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Jerome Blum artsdot.com/sl/artists/jerome-blum/
Datumi rojstva in smrti umetnika
1884 – 1956
Naslikano
1910
Prvotna velikost
13 x 9 cm

V kontekstu

White Cloud, Chartres — Jerome Blum

Kakšna je velikost?

Prvotne dimenzije so 13 × 9 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 72 ob smrti.

Naslikano, ko je bil avtor star 26. Umetnik je doživel 72 let. 0 od 10 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Jerome Blum (1884–1956) ▲ to delo, 1910 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1910 Glavni delovni leti: 1910–1918 Pozna dela: od 1918

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: artsdot.com/sl/art/similar/jerome-blum-white-cloud-chartres-AQTGXS-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Rosy Brown #c3a67d

    Katalogirana paleta

    • #C3A67D
    • #5A4A3A
    • #332B25
    • #8B7356

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Rosy Brown
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Jerome Blum v zadnjih dvanajst mesecih — skupaj 3 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 50,0%300 obiskov
    2. 2 Singapur 33,3%200 obiskov
    3. 3 Poljska 16,7%100 obiskov

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    5 najbolj gledanih del umetnika Jerome Blum

    1. 1 Anemones in Green Bowl, 1931 33,3%200 obiskov
    2. 2 The Aviators, 1911 33,3%200 obiskov
    3. 3 Portrait of John Masefield, 1918 16,7%100 obiskov
    4. 4 The House, Mt. Kisco, 1924 16,7%100 obiskov
    5. — White Cloud, Chartres, 1910 ta slika 0,0%0 obiskov

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 13 del te umetnice, pri čemer je bilo 4 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Jerome Blum

    Jerome Blum: A Journey Through Color and Experience

    Jerome Samuel Blum (1884-1956) wasn’t merely a painter; he was an explorer, both of the world and of his own artistic voice. Born in Chicago amidst the bustling energy of late 19th-century America, Blum's life unfolded as a vibrant tapestry woven with travel, intense observation, and a relentless pursuit of color – a pursuit that ultimately defined his distinctive style. His career, spanning several decades, reveals a fascinating evolution from early academic training to a bold embrace of Fauvist and Post-Impressionistic principles, culminating in a uniquely personal approach to depicting the landscapes and people he encountered.

    Blum’s initial artistic education took place at the Francis J. Smith Art Academy and later at the prestigious Art Institute of Chicago. However, it was his 1906 journey to Paris that proved transformative. This immersion in European art, particularly the burgeoning Fauvist movement with its emphasis on intense color and subjective experience, irrevocably altered his perspective. He found himself captivated by the radical departures from traditional representation championed by artists like Matisse and Gauguin – a shift away from muted tones and realistic depictions towards a celebration of pure color and emotional expression. As he described it, Paris became a catalyst for “modernization,” prompting him to shed the constraints of brown and embrace the vibrant spectrum of the rainbow.

    The Influence of Travel and Observation

    Following his Parisian awakening, Blum’s life became inextricably linked with travel. He embarked on extended journeys throughout Europe, North Africa, Cuba, China, and the South Seas – experiences that profoundly shaped his artistic vision. These weren't simply vacations; they were deliberate expeditions into unfamiliar cultures and landscapes. Each journey brought a new palette of colors, textures, and perspectives, which he meticulously absorbed and translated onto canvas. The vibrant hues of Moroccan markets, the dramatic light of the Chinese countryside, and the exotic flora and fauna of the South Pacific all found their way into his paintings, infused with his personal interpretation and emotional resonance.

    This constant exposure to new environments wasn’t just about collecting visual data; it was a deeply immersive process. Blum sought to understand the essence of each place through its colors, light, and the lives of its inhabitants. He painted not merely what he saw, but what he felt – capturing the atmosphere, mood, and spirit of each location with an almost palpable intensity. This approach is particularly evident in works like “The Aviators,” a dynamic etching depicting early aviation, which showcases his ability to convey movement, energy, and a sense of technological wonder.

    Style and Technique

    Blum’s artistic style evolved significantly over time, reflecting the diverse influences he encountered. Initially, his work exhibited a more traditional academic sensibility, characterized by careful draftsmanship and realistic depictions. However, as he embraced Fauvist principles, his paintings became increasingly bold and expressive, marked by vibrant color combinations, loose brushwork, and an emphasis on capturing fleeting moments of light and atmosphere. His use of color was particularly striking – often employing complementary hues to create a sense of visual excitement and dynamism. He wasn’t afraid to experiment with unconventional color palettes, pushing the boundaries of traditional representation and creating paintings that were both visually arresting and emotionally evocative.

    His technique also evolved, moving from detailed renderings to looser, more gestural brushstrokes. This shift reflected his growing desire to capture not just the appearance of a subject, but its essence – its feeling and mood. He frequently employed layering techniques, building up color and texture through multiple applications of paint, creating surfaces that were rich in visual interest and depth.

    Legacy and Recognition

    Despite facing challenges during his lifetime, Jerome Blum’s work gradually gained recognition within the American art world. His paintings are now held in several prominent collections, including the Smithsonian American Art Museum and the Archives of American Art. His unique approach to color and his commitment to capturing the spirit of travel have earned him a place as a significant figure in 20th-century American art. He stands as an example of an artist who wasn’t afraid to embrace new influences, experiment with unconventional techniques, and ultimately forge a distinctive artistic identity rooted in personal experience and passionate observation.

    Further research into his papers at the Smithsonian Archives reveals a wealth of information about his life and work, including correspondence, sketches, and notes that offer valuable insights into his creative process. The Hollis Taggart Galleries exhibition, “Jerome Blum: Journeys into Color,” showcased a selection of his most compelling paintings, highlighting the vibrant colors and evocative imagery that defined his artistic vision.

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    Skenirajte za več informacij

    QR koda za dostop do strani za prenos White Cloud, Chartres

    artsdot.com/sl/art/download/jerome-blum-white-cloud-chartres-AQTGXS-en/

    Citiranje umetniškega dela

    MLA
    Blum, Jerome. White Cloud, Chartres. 1910, https://artsdot.com/sl/art/jerome-blum-white-cloud-chartres-AQTGXS-en/
    APA
    Blum, Jerome (1910). White Cloud, Chartres [Painting]. https://artsdot.com/sl/art/jerome-blum-white-cloud-chartres-AQTGXS-en/
    Chicago
    Jerome Blum. White Cloud, Chartres. 1910. https://artsdot.com/sl/art/jerome-blum-white-cloud-chartres-AQTGXS-en/
    Harvard
    Blum, Jerome (1910) White Cloud, Chartres. Available at: https://artsdot.com/sl/art/jerome-blum-white-cloud-chartres-AQTGXS-en/

    Oglejte si bližje

    White Cloud, Chartres — Jerome Blum

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Forest Glade (1912), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Jerome Blum je bil star približno 26, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kateremu umetniku je "White Cloud, Chartres" pripisano?

    "White Cloud, Chartres" pripisujemo Jerome Blum.

    Kakšna je splošna svetlobnost dela "White Cloud, Chartres"?

    Zaznavana svetlina dela "White Cloud, Chartres" avtorja Jerome Blum je shadow. Njen videz se lahko prilagodi svetlobi v prostoru, kjer bo izpostavljeno.

    Kje lahko kupim digitalno sliko dela "White Cloud, Chartres" avtorja Jerome Blum?

    Digitalno različico dela "White Cloud, Chartres" avtorja Jerome Blum lahko naročite s klikom na prenos digitalne slike visoke ločljivosti na njegovi strani Visokoresolucijska digitalna slika.