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Hawk Attacking Wild Duck

Ime in priimek Razred Datum

jacques charles oudry, Hawk Attacking Wild Duck (1737), Wallace Collection. Dostopno v javni lastnini.

Podrobnosti

Umetnik
jacques charles oudry artsdot.com/sl/artists/jacques-charles-oudry/
Datumi rojstva in smrti umetnika
1720 – 1778
Naslikano
1737
Prvotna velikost
195 x 129 cm
Gibanje
Rococo Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls.
Na lokaciji
Wallace Collection artsdot.com/sl/museums/wallace-collection-london_sl-1/

V kontekstu

Hawk Attacking Wild Duck — jacques charles oudry

Kakšna je velikost?

Originalne dimenzije so 195 × 129 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine. Preveliko je za prikaz v ustreznem razmerju na tej strani.

Kdaj je bilo to naslikano?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770

Osenčeno: življenjsko obdobje jacques charles oudry (1720–1778) ▲ to delo, 1737

Primerjajte z

  • Rhinoceros, 1749 artsdot.com/sl/art/jacques-charles-oudry-rhinoceros-D4QDYP-en/
  • Still Life artsdot.com/sl/art/jacques-charles-oudry-still-life-AQZE66-en/
  • NATURE MORTE AU GIBIER artsdot.com/sl/art/jacques-charles-oudry-nature-morte-au-gibier-ARAQXW-en/

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/jacques-charles-oudry-hawk-attacking-wild-duck-AQZE64-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Rosy Brown #a0aca4

    Shranjena paleta

    • #A0ACA4
    • #283028
    • #49503E
    • #75795C
    Naziv primarne barve
    Rosy Brown
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    jacques charles oudry

    The Aristocratic Eye: Jacques-Charles Oudry and the Rococo Celebration of Nature

    Jacques-Charles Oudry, born in Paris in 1720 and passing away in 1778, stands as a pivotal figure bridging the traditions of Flemish animal painting with the refined elegance of the French Rococo. While often categorized solely as an animalier, this designation scarcely captures the breadth of his talent or the significant role he played within the artistic circles of Louis XV’s court. Oudry wasn't merely depicting creatures; he was crafting narratives, embodying aristocratic leisure, and elevating a genre previously considered secondary to the status of history painting. His life unfolded during a period of shifting aesthetic values, where lightness, grace, and an appreciation for the natural world began to eclipse the more somber tones of the Baroque era.

    Early Training and the Influence of Flemish Masters

    Oudry’s artistic journey commenced under the tutelage of his father, Jacques Oudry I, a respected painter specializing in still life and animal subjects. This familial grounding proved crucial, instilling within him a meticulous attention to detail and an early mastery of technique. However, it was his apprenticeship with Jean-Baptiste Pater – himself influenced by Flemish masters like Frans Snyders and Paul de Vos – that truly shaped his artistic direction. Pater’s vibrant compositions featuring playful animals in idyllic landscapes resonated deeply with the burgeoning Rococo sensibility. Oudry absorbed this influence, developing a similar facility for capturing movement, texture, and the inherent charm of the animal kingdom. He initially worked extensively as a copyist, honing his skills by reproducing works from the royal collections, particularly those of the Flemish painters. This rigorous training provided him with an unparalleled understanding of anatomy, color theory, and composition – foundations that would later distinguish his own unique style.

    Royal Commissions and the Height of His Career

    Oudry’s talent soon attracted the attention of the court. In 1743, he was accepted into the Académie Royale de Peinture et Sculpture, a testament to his growing reputation. However, it was his appointment as peintre ordinaire du roi (official painter to the king) in 1752 that propelled him to prominence. This position afforded him access to the royal menagerie at Versailles and numerous commissions depicting scenes of hunting, falconry, and domestic animals. These weren’t simply records of sporting activities; they were carefully constructed allegories celebrating the pleasures of aristocratic life. His paintings for the Cabinet des Singuliers at Versailles, a series showcasing exotic birds and mammals, exemplify this approach. Each animal is rendered with astonishing realism, yet presented within an idealized setting that speaks to wealth, power, and refined taste. The meticulous detail extended beyond mere representation; Oudry’s understanding of animal behavior was remarkable, lending authenticity and vitality to his compositions. He also undertook significant tapestry designs for the Gobelins Manufactory, further disseminating his style and imagery throughout France's elite circles.

    Beyond Hunting Scenes: A Broader Artistic Scope

    While Oudry is most celebrated for his hunting scenes, limiting him to this genre overlooks the diversity of his artistic output. He also produced portraits – often incorporating animals as symbolic elements – still lifes demonstrating a keen eye for texture and light, and even mythological paintings where animals played prominent roles. His portraiture, though less numerous than his animal studies, reveals a sensitivity to character and an ability to capture the nuances of human expression. Furthermore, his work wasn’t solely confined to canvas; Oudry was also a skilled engraver, producing prints that further popularized his designs among a wider audience. He even ventured into stage design, creating elaborate backdrops for courtly performances. This versatility underscores his position as a truly multi-faceted artist capable of excelling in various mediums and genres.

    Legacy and Historical Significance

    Jacques-Charles Oudry’s influence extended far beyond the confines of 18th-century France. His naturalistic depictions of animals, combined with his Rococo sensibility, profoundly impacted subsequent generations of artists. He helped elevate animal painting to a new level of respectability, paving the way for later animaliers like Jean-Léon Gérôme and Rosa Bonheur. More broadly, Oudry’s work embodies the spirit of the Rococo – its celebration of pleasure, elegance, and an idealized vision of nature. His paintings offer a fascinating glimpse into the aristocratic world of pre-revolutionary France, capturing not only the beauty of the animal kingdom but also the values and aspirations of the elite who commissioned them. He remains a significant figure in art history, celebrated for his technical mastery, artistic versatility, and enduring contribution to the Rococo aesthetic.

    Muzej

    Wallace Collection

    Na razstavi v London, Združeno kraljestvo

    Raziskovanje Elegance: Pogled na Galerijo Wallace

    Galerija Wallace predstavlja izjemno bogato umetniško nasledje francoskega Rocoka in Neoklasicizma, ki je bila ustvarjena z velikim predanim trudom Sir Richarda Wallacea in njegove družine. Ta veličastna palača v Hertfordovem domu na Manchesterovem kvadratu ni le muzej; gre za popolnoma ohranjeno okno v obdobje aristokratske lepote ter izjemnega življenjskega sloga. Že prvi korak skoči v svet, kjer so svilena odeja in šepetajoče pogovori še vedno prisotni vzdušju – svet, ki je bil oblikovan z občutkom za umetnost kot življenje sam. Galerija ni samo predstavitev lepote; gre za zgodbo o umetniški evoluciji, ki odraža spreminjanje zavestnosti naroda.

    Osrednja pozornost galerije so osujetilni francoski umetniški predmeti iz Rocoka in Neoklasicizma. Časovnice so nam pokazale lepoto svetega Françoisa Bouchera, ki je ustvarjal slike z ljubečimi likami, ki plešejo med pastelnimi barvami in mitološkimi scenami. Življenje aristokratov je bilo zajeto z občutkom za umetnost kot življenje sam – galerija Wallace ponuja možnost vpogleda v zgodovino umetnosti.

    Hertfordova Palača: Arhitektura Časa

    Galerija Wallace se izstopa od drugih muzejev tudi zaradi svoje arhitekture - Hertfordova palača je bila prvotno zgrajena leta 1776 za Earl of Hertford, kasneje pa jo je dom našel Sir Richard Wallace in njegova družina. Zelo natančno so jo obnovili, ustvarjajočo impresijo življenjskega prostora, ki preseže običajno obisk muzeja. Palača ni samo držalo umetnosti; galerija Wallace je bila oblikovana z občutkom za umetnost kot življenje sam.

    Izjemna Zbirka: Rokoko in Neoklasicizem

    Galerija Wallace ponuja osujetilno bogato zbirko umetnosti iz Rocoka in Neoklasicizma. Časovnice so nam pokazale lepoto svetega Jacquesa-Luisa Davida, ki je ustvarjal zgodovinske slike z občutkom za umetnost kot življenje sam – galerija Wallace ponuja možnost vpogleda v zgodovino umetnosti.

    Veselje Življenjskega Sloga: Izobraževanje in Aktivna Učitev

    Galerija Wallace je še vedno aktivna pri raziskovanju različnih vidikov umetnosti – galerija Wallace ponuja možnost vpogleda v zgodovino umetnosti.

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    Navodila za citiranje umetniškega dela

    MLA
    oudry, jacques charles. Hawk Attacking Wild Duck. 1737, Wallace Collection. https://artsdot.com/sl/art/jacques-charles-oudry-hawk-attacking-wild-duck-AQZE64-en/
    APA
    oudry, jacques charles (1737). Hawk Attacking Wild Duck [Painting]. Wallace Collection. https://artsdot.com/sl/art/jacques-charles-oudry-hawk-attacking-wild-duck-AQZE64-en/
    Chicago
    jacques charles oudry. Hawk Attacking Wild Duck. 1737. Wallace Collection. https://artsdot.com/sl/art/jacques-charles-oudry-hawk-attacking-wild-duck-AQZE64-en/
    Harvard
    oudry, jacques charles (1737) Hawk Attacking Wild Duck. Wallace Collection. Available at: https://artsdot.com/sl/art/jacques-charles-oudry-hawk-attacking-wild-duck-AQZE64-en/

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: hawk hunting, wild duck scene, 18th century wildlife. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si Rhinoceros (1749), ki ste ga že videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    5. Rococo: Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls. Kje lahko to opazite v tem delu?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.