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Priročnik za študentska dela

Point lobos trees, (1919)

Ime in priimek Razred Datum

Guy Rose, Point lobos trees, (1919). Dostopno v javni lastnini.

Podrobnosti

Umetnik
Guy Rose artsdot.com/sl/artists/guy-rose/
Datumi rojstva in smrti umetnika
1867 – 1925

V kontekstu

Point lobos trees, (1919) — Guy Rose

Kdaj bi bilo to lahko slikano?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Osenčeno: življenjsko obdobje Guy Rose (1867–1925)

Za ta posnetek ni v evidenci natančne leta — glede na življenjsko dobo umetnika in slog dela, za katero desetletje bi ugledali?

Primerjajte z

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Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/guy-rose-point-lobos-trees-1919-A269M5-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #2a2833

    Shranjena paleta

    • #2A2833
    • #536178
    • #BBB7B1
    • #88563B
    Naziv primarne barve
    Phthalo Green
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    Guy Rose

    Guy Orlando Rose: A Life in Impressionism

    Early Life and Education

    Birth & Family: Guy Orlando Rose was born on March 3, 1867, in San Gabriel, California, the seventh child of Leonard John Rose, a prominent California senator, and Amanda Jones Rose. The family resided on an expansive ranch and vineyard in the San Gabriel Valley – the town of Rosemead bears their name.

    Early Trauma & Artistic Beginnings: At age nine, Guy was accidentally shot in the face during a hunting trip. During his convalescence, he began to sketch with watercolors and oils, discovering an early passion for art.

    Formal Training: He graduated from Los Angeles High School in 1884 before moving to San Francisco to study at the California School of Design (San Francisco Art Association) from 1885-1888. His instructors included Virgil Williams, Warren E. Rollins, and Emil Carlsen. He received accolades for his work during this period, including the Avery Gold Medal in oil painting.

    Parisian Studies: In September 1888, Rose enrolled at the Académie Julian in Paris, studying under Benjamin-Constant, Jules Lefebvre, Lucien Doucet, and Jean-Paul Laurens. He also attended the Académie Delacluse on scholarship, exhibiting work at the Paris Salons in 1890, 1891, 1894, 1900, and 1909.

    Artistic Development & Influences

    Early Style: Rose’s early work demonstrated a strong foundation in academic painting techniques honed during his training.

    Impressionist Turn: His move to Giverny, France, in 1899 marked a turning point. Living near Claude Monet, he became deeply influenced by Impressionism, adopting its emphasis on light, color, and plein air painting.

    Monet’s Mentorship: Rose developed a close friendship with Monet, who served as a mentor, further solidifying his commitment to the Impressionist style. His works from this period clearly reflect Monet's influence in their luminous quality and focus on atmospheric effects.

    Other Influences: He also maintained lifelong friendships with fellow artists Frank Vincent DuMond and Frederick Melville, exchanging ideas and artistic approaches.

    Career & Major Achievements

    Early Career (1890s): Rose worked as an illustrator for publications like Harper's, Scribner’s, and Century in New York City.

    Giverny Period (1904-1912): This was a highly productive period, with Rose creating many of his most celebrated Impressionist landscapes.

    California Return & Teaching: Due to health issues (lead poisoning), Rose and his wife returned to Los Angeles in 1914. He became Director of the Stickney Memorial School of Art in Pasadena, sharing his knowledge with aspiring artists.

    Carmel-by-the-Sea (1918-1920): Rose was an active member of the Carmel art colony, exhibiting his work and contributing to the local artistic community.

    Notable Works: Some of his most recognized paintings include “Point Lobos,” “The Saine Valley, Giverny”, "Oak Grove, Carmel", and numerous landscapes capturing the beauty of California and France.

    Historical Significance & Legacy

    American Impressionism: Guy Rose is considered a significant figure in American Impressionism, bridging European techniques with Californian landscapes.

    California Art Scene: He played an important role in developing the California art scene, both as an artist and educator.

    Lasting Influence: His paintings continue to be admired for their delicate handling of light, vibrant colors, and evocative depictions of nature.

    Posthumous Recognition: A memorial exhibition was held at the Stendahl Gallery in 1926 following his death on November 17, 1925, in Pasadena, California.

    Preberite več

    • Avtor Guy Rose artsdot.com/sl/artists/guy-rose/
    • Podobna dela Več del za primerjavo artsdot.com/sl/art/similar/guy-rose-point-lobos-trees-1919-A269M5-en/

    Preverite na spletu

    QR koda za dostop do strani za prenos Point lobos trees, (1919)

    artsdot.com/sl/art/download/guy-rose-point-lobos-trees-1919-A269M5-en/

    Navodila za citiranje umetniškega dela

    MLA
    Rose, Guy. Point lobos trees, (1919). n.d., https://artsdot.com/sl/art/guy-rose-point-lobos-trees-1919-A269M5-en/
    APA
    Rose, Guy (n.d.). Point lobos trees, (1919) [Painting]. https://artsdot.com/sl/art/guy-rose-point-lobos-trees-1919-A269M5-en/
    Chicago
    Guy Rose. Point lobos trees, (1919). n.d. https://artsdot.com/sl/art/guy-rose-point-lobos-trees-1919-A269M5-en/
    Harvard
    Rose, Guy (n.d.) Point lobos trees, (1919). Available at: https://artsdot.com/sl/art/guy-rose-point-lobos-trees-1919-A269M5-en/

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    Point lobos trees, (1919) — Guy Rose

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: forests. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Poglejte nazaj na Oak grove, carmel, (1919), ki ste ga prej videli v tem priročniku. Imejte dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

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