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Angry Waves, State 2

Ime Razred Datum

Gabor Peterdi, Angry Waves, State 2 (1958). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Gabor Peterdi artsdot.com/sl/artists/gabor-peterdi/
Datumi rojstva in smrti umetnika
1915 – 2001
Naslikano
1958
Prvotna velikost
51 x 61 cm

V kontekstu

Angry Waves, State 2 — Gabor Peterdi

Kakšna je velikost?

Prvotne dimenzije so 51 × 61 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 86 ob smrti.

Naslikano, ko je bil avtor star 43. Umetnik je doživel 86 let. 6 od 74 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Gabor Peterdi (1915–2001) ▲ to delo, 1958 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1961 Glavni delovni leti: 1961–1967 Pozna dela: od 1967

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: artsdot.com/sl/art/similar/gabor-peterdi-angry-waves-state-2-AQTFJM-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #242323

    Katalogirana paleta

    • #242323
    • #DBD7D4
    • #9C9794
    • #54504D

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Phthalo Green
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Softly Mixed Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Gabor Peterdi v zadnjih dvanajst mesecih — skupaj 2 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 69,6%
    2. 2 Združene države Amerike 30,4%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    20 najbolj gledanih del umetnika Gabor Peterdi

    1. 1 Pacific, 1971 17,6%
    2. 2 Morning After 8,8%
    3. 3 The Big Tree II, 1957 5,9%
    4. 4 Heralds of Awakening, 1952 5,9%
    5. 5 Thicket, from the portfolio A Genesis, 1967 5,9%
    6. 6 Tommy's Pond, from the portfolio A Genesis, 1967 5,9%
    7. 7 Stonework, State 4, from the portfolio A Genesis, 1967 2,9%
    8. 8 The Dark Mountain, 1961 2,9%
    9. 9 A Universe, State 2, from the portfolio A Genesis, 1967 2,9%
    10. 10 The Sea Shines, State 2 (center plate only), from the portfolio A Genesis, 1967 2,9%
    11. 11 A Genesis, State 2, from the portfolio A Genesis, 1967 2,9%
    12. 12 Elegy, from the portfolio A Genesis, 1967 2,9%
    13. 13 Haiku Garden, 1972 2,9%
    14. 14 Desert I, 1961 2,9%
    15. 15 A Genesis, State 4, from the portfolio A Genesis, 1967 2,9%
    16. 16 Catalpa II, from the portfolio A Genesis, 1967 2,9%
    17. 17 Stonework, from the portfolio A Genesis, 1967 2,9%
    18. 18 Iris, from the portfolio Of Earth and Water, 1955 2,9%
    19. 19 The Sea Shines, State 1 (center plate only), from the portfolio A Genesis, 1967 2,9%
    20. 21 Angry Waves, State 2, 1958 ta slika 2,9%

    Skupaj ti deli predstavljajo 90,6% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 75 del te umetnice, pri čemer je bilo 23 vsaj enkrat ogledanih. Ta slika zaseda 21 mesto med njimi, s 2,9% takšne pozornosti. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Gabor Peterdi

    Gabor Peterdi: A Master of Intaglio and Arctic Light

    Gabor Peterdi (1915-2001) was a Hungarian-American painter and printmaker whose career spanned nearly seven decades, marked by an evolving exploration of biblical themes, evocative landscapes, and a deeply expressive mastery of intaglio techniques. Born in Pestújhely, Hungary, during a period of significant political and social change, Peterdi’s artistic journey reflects both the turmoil of his early life and a profound connection to the natural world – particularly the stark beauty of the Arctic.

    Early influences shaped Peterdi's distinctive style. He began his artistic training at fifteen, winning a prestigious Prix de Rome to study painting in Italy. This initial exposure to classical art provided a foundation before he sought out the innovative printmaking methods championed by Stanley William Hayter and his Atelier 17 in Paris. It was within this influential workshop that Peterdi honed his skills in techniques like drypoint, etching, and aquatint, learning to manipulate ink and pressure to achieve astonishing textural complexity and tonal range – a hallmark of his later work. His time at Atelier 17 instilled in him a deep appreciation for the physicality of printmaking and the potential for layering and manipulation within the medium.

    The Impact of War and Migration

    World War II dramatically altered Peterdi’s trajectory, leading to his emigration to the United States in 1939. Enlisting in the U.S. Army, he served with distinction during the war, an experience that profoundly impacted his artistic vision. The horrors of conflict and the resilience of the human spirit became recurring themes in his work, often expressed through powerful depictions of biblical narratives – particularly scenes of suffering and redemption. Following the war, Peterdi established the Graphic Workshop at the Brooklyn Museum Art School, a crucial role in nurturing the next generation of printmakers. He later taught at Hunter College and Yale University, leaving an indelible mark on countless students who were inspired by his dedication to craft and his belief in the transformative power of art.

    A Shift Towards the Arctic

    In the 1960s, Peterdi embarked on a significant shift in his subject matter, turning his attention to the vast, unforgiving landscapes of Alaska. This period marked a departure from his earlier biblical themes and represented a deep engagement with the raw beauty and elemental forces of nature. His Alaskan series – exemplified by works like “Elegy” and “Eclipse IV” – are characterized by their dramatic lighting, stark contrasts between light and shadow, and an almost palpable sense of isolation. These paintings aren’t merely representations of the Arctic; they are meditations on human vulnerability in the face of overwhelming natural power. The muted palette, achieved through meticulous layering of ink, evokes the cold, ethereal atmosphere of the region, while the dynamic compositions convey a feeling of both awe and apprehension.

    Technique and Legacy

    Peterdi’s technical prowess was central to his artistic success. He was a master of intaglio printing, utilizing a wide range of techniques to create incredibly rich and nuanced surfaces. His use of drypoint, in particular, allowed him to achieve a velvety texture and a sense of immediacy that is rarely matched by other printmaking methods. He also experimented with layering and manipulating the image through multiple states, creating works that are both visually complex and deeply layered in meaning. Gabor Peterdi’s legacy extends beyond his individual artworks; he was a dedicated educator who shaped the careers of many influential artists. His work continues to be exhibited and studied today, serving as a testament to his unique vision and enduring artistic power.

    Notable Works

    Elegy, from the portfolio A Genesis: (Link: /en/art/gabor-peterdi-elegy-from-the-portfolio-a-genesis-AQTFNR-en/) – Demonstrates his mastery of tonal range and textural complexity.

    Eclipse IV: (Link: /en/art/gabor-peterdi-eclipse-iv-AQTFLZ-en/) – A powerful example of his Arctic landscapes, capturing the drama of light and shadow.

    Awakening: (Link: /en/art/gabor-peterdi-awakening-AQTFLP-en/) – Illustrates his ability to convey emotion through subtle shifts in color and form.

    For further information, explore the articles and resources available on WahooArt.com and Wikipedia: Wikipedia and WahooArt.com Article

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Angry Waves, State 2

    artsdot.com/sl/art/download/gabor-peterdi-angry-waves-state-2-AQTFJM-en/

    Citiranje umetniškega dela

    MLA
    Peterdi, Gabor. Angry Waves, State 2. 1958, https://artsdot.com/sl/art/gabor-peterdi-angry-waves-state-2-AQTFJM-en/
    APA
    Peterdi, Gabor (1958). Angry Waves, State 2 [Painting]. https://artsdot.com/sl/art/gabor-peterdi-angry-waves-state-2-AQTFJM-en/
    Chicago
    Gabor Peterdi. Angry Waves, State 2. 1958. https://artsdot.com/sl/art/gabor-peterdi-angry-waves-state-2-AQTFJM-en/
    Harvard
    Peterdi, Gabor (1958) Angry Waves, State 2. Available at: https://artsdot.com/sl/art/gabor-peterdi-angry-waves-state-2-AQTFJM-en/

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    Angry Waves, State 2 — Gabor Peterdi

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    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Eclipse IV (1966), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Gabor Peterdi je bil star približno 43, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

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    Vprašanja in odgovori

    Kako se v "Angry Waves, State 2" združujeta kontrast in harmonija?

    Barvna analiza dela "Angry Waves, State 2" avtorja Gabor Peterdi izpostavlja Statement kontrast in Softly Mixed Palette harmonijo.

    Kje lahko prenesem "Angry Waves, State 2" avtorja Gabor Peterdi?

    Digitalno sliko dela "Angry Waves, State 2" avtorja Gabor Peterdi lahko prenesete na strani za prenos umetninine Prenos digitalne slike: prenos digitalne slike visoke ločljivosti.

    Kako lahko ogledam "Angry Waves, State 2" avtorja Gabor Peterdi v obliki diorama?

    Delo "Angry Waves, State 2" avtorja Gabor Peterdi si lahko ogledate v obliki diaporame na strani Slidešov za to umetniško delo.