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evelina cattermole, Versi (1883), Biblioteca Sormani. Dostopno v javni lastnini.

Podrobnosti

Umetnik
evelina cattermole artsdot.com/sl/artists/evelina-cattermole/
Datumi rojstva in smrti umetnika
1849 – 1896
Naslikano
1883
Na lokaciji
Biblioteca Sormani artsdot.com/sl/museums/biblioteca-sormani-milano_sl/

V kontekstu

Versi — evelina cattermole

Kdaj je bilo to naslikano?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890

Osenčeno: življenjsko obdobje evelina cattermole (1849–1896) ▲ to delo, 1883

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    Umetnik in muzej

    Umetnik

    evelina cattermole

    Rojen v Florence, Italy

    A Life Shrouded in Verse and Scandal: The World of Evelina Cattermole

    Eva Giovanna Antonietta Cattermole, known to the literary world as Evelina or Lina Cattermole – and famously under the pseudonym Contessa Lara – was a captivating figure of 19th-century Italian society. Born in Florence on October 26, 1849, her life unfolded like one of the passionate novels she penned, a blend of artistic ambition, societal intrigue, and personal tragedy. The daughter of Guglielmo Cattermole, an English professor, and Elisa Sandusch, a talented pianist, Evelina inherited a rich cultural background that fostered her early love for language and music. While some accounts initially placed her birth in Cannes, France, meticulous research revealed Florence as her true origin, a detail she herself sometimes obscured, adding to the mystique surrounding her persona. From a young age, she displayed an exceptional aptitude for languages – English, French, Spanish, and Italian flowed with ease – and received tutelage from the esteemed poet Marianna Giarré-Billi, setting the stage for her literary pursuits.

    Early Promise and Literary Salons

    Cattermole’s initial foray into the literary world came in 1867 with the publication of Canti e Ghirlande, a collection of verses that showcased both promise and the influence of established poets like Aleardo Aleardi, Francesco Dall'Ongaro, and Giovanni Prati. Though met with some critical scrutiny from figures such as Benedetto Croce and Giosuè Carducci, the work marked her debut and signaled a burgeoning talent. She quickly became a fixture in Florence’s prestigious literary salons, captivating audiences not only with her poetry but also with her striking beauty and charismatic presence. This social ascent led to her establishing a salon of her own, attracting a devoted following who admired her wit, charm, and artistic sensibility. In 1871, she married Francesco Eugenio Mancini, a lieutenant in the Carabinieri, a union that would initially provide stability but ultimately lead to scandal and upheaval. The couple moved between Rome and Naples before settling in Milan, where Evelina continued to cultivate her literary connections and refine her voice.

    The Scars of Passion: A Life Marked by Controversy

    Milan proved to be both a creative haven and a crucible for personal turmoil. While she found success within the city’s vibrant artistic circles, her marriage was shadowed by infidelity. A passionate affair with Giuseppe Bennati Baylon led to a devastating duel in 1875 when Mancini killed her lover, forcing Evelina to flee Milan in disgrace. This event irrevocably altered the course of her life and fueled the public fascination with her scandalous personal life. Despite the shame and social ostracism, she persevered, rebuilding her literary reputation through sheer talent and determination. She published Versi in 1883, followed by E ancora versi in 1886 and Nuovi versi in 1897, demonstrating a growing maturity and depth in her poetic expression. Her works often explored themes of love, loss, and societal constraints, resonating with readers who were captivated by the echoes of her own tumultuous experiences. She also established herself as a successful author with several novels including Una Famiglia di Topi.

    Contessa Lara: A Pen Name and a Persona

    The adoption of the pseudonym “Contessa Lara” was more than just a literary device; it represented a deliberate crafting of an artistic persona. It allowed her to explore themes and emotions with greater freedom, shielded from the judgment that followed her real name. As Contessa Lara, she became known for her evocative verse, often characterized by melancholic beauty and passionate intensity. Her writing frequently delved into the complexities of female desire and the constraints imposed upon women in Victorian society. She also wrote novellas and children's books. Evelina’s literary salon in Rome flourished during this period, attracting a diverse group of artists, writers, and intellectuals who were drawn to her magnetic personality and intellectual prowess.

    A Tragic End and Lasting Legacy

    The final years of Evelina Cattermole’s life were marred by another tumultuous relationship with the painter Giuseppe Pierantoni. Their affair was fraught with conflict, culminating in a tragic climax in November 1896 when Pierantoni shot her during an argument. She died shortly after, leaving behind a legacy as a captivating and controversial figure of Italian literature. Pierantoni’s subsequent trial revealed the abusive nature of their relationship and resulted in his imprisonment for eleven years and eight months. While her life was cut short by violence, Evelina Cattermole's work continues to be studied and admired for its emotional depth, poetic skill, and unflinching exploration of societal norms. She remains a compelling example of a woman who dared to challenge conventions and express her passions in a world that often sought to silence female voices. Her story serves as a poignant reminder of the complexities of artistic ambition, personal sacrifice, and the enduring power of verse.

    Muzej

    Biblioteca Sormani

    Na razstavi v Milano, Italija

    Biblioteca Sormani: Kulturno dragulj v srcu Milana

    Biblioteca Sormani stoji kot spomenik milanski intelektualni dediščini, smeten v zgodovinsko območje 1 na Corso di Porta Vittoria. Več kot le skladišče knjig—čeprav je njena zbirka nedvomno impresivna—ta institucija utripa z duhom civilne angažiranosti in umetniškega pokrtništva, ki je definiral zlato dobo Lombardije. Prvotno zasnovana v šestnadvajem stoletju kot zasebno prebivališče plemenite družine Sormani, je palazzo skozi naslednja stoletja prešel skozi pretvorbovne prenova, kar je kulminiralo v njegovi uradni imenovanju za centralno mestno knjično v Milanu leta 1865. Danes še naprej služi kot živahno središče za raziskovalce in obiskovalce, ki ponuja vpogled v umetniško evolucijo in intelektualni dinamizem Italije.

    Arhitekturni pomen:

    Façada palazzo odraža veličastnost baročnega Milana, ki jo je spretno oblikoval Francesco Maria Richini—pomembni arhitekt, ki je nadzoroval tudi gradnjo Palazzo Re Enzo—in s tem prikazuje mojstrovsko uporabo travertina ter zapleteno kiparsko okrasje. Njegovi notranji prostori so prav tako izstopajoči, saj prikazujejo intricate stuko delo in freske, ki prikazujejo scene iz klasične mitologije in biblične zapovedi, kar odraža predanost družine Sormani umetniški odličnosti.

    Dediščina pokrtništva:

    Zgodovina Biblioteca Sormani je neločljivo povezana z osebnostmi, kot sta Francesco Croce in Benedetto Alfieri—svetilniki itališkega romantizma—ki so pogosto obiskovali njene dvorane in prispevali k njenemu intelektualnemu vzdušju. Njuna prisotnost poudarja vlogo palazzo kot topele čelniže za umetniško in literarno inovacijo.

    Izpostavljene zbirke:

    Jezgro knjičnice predstavlja izjemna zbirka redkih knjig in rokopisov, ki ponuja neprecenljiv vpogled v milansko zgodovino in kulturo od renesanse naprej. Med temi dragocenostmi so iluminirani evangeliji iz dvanajstega stoletja in rokopisne kopije Dantejeve Božične komedije, ki utemeljujejo trajno fascinacijo nad humanističnimi ideali.

    Multimedijska raziskovanja:

    Prepoznavajoč pomen sodobnega znanja, je Biblioteca Sormani sprejela multimedijske vire—vključno z zvočnimi posnetki predavanj priznanih akademikov in digitaliziranimi arhivami glasbenih partitur—s čimer je razširila dostop do znanja izven tradicionalnih tiskanih materialov.

    Znametne izložbe:

    V svoji zgodovini je Biblioteca Sormani gostila izložbe, ki so prikazovale vrhunska dela itališke umetnosti in literature ter spodbudile dialog med preteklo in prisotno. Novejše razstave so raziskovale teme, od venecijanske renesančne slikarstva do milanskih opernih libretov, kar je privabljalo občinstvo tako domače kot mednarodno.

    Kaj loči Biblioteca Sormani od drugih:

    Za razliko od številnih institucij, namenjenih izključno ohranjanju artefaktov, se Biblioteca Sormani loči s svojo aktivno vključitvijo v širšo skupnost—organizira delavnice za ambiciozne pisce in umetnike, prireja koncerte z ansambli klasične glasbe in spodbuja sodelovanje med raziskovalci in izobraževalci. Ta predanost intelektualni radovednosti in umetniški ustvarjalnosti zagotavlja, da Biblioteca Sormani ostaja svetilnik učenja in navdih za prihajajoče generacije.

    Programi za skupnost:

    Predanost zaposleni aktivno spodbujajo pismenost in celoživotno učenje skozi pobude, namenjene otrokom in odraslim, s čimer utrjujejo vlogo knjičnice kot stebra milanskega civilnega življenja.

    Podpora raziskavam:

    Raziskovalci imajo prednost pri dostopu do specializiranih baz podatkov in strokovnega vodstva—kar omogoča prelomna raziskovanja različnih tem—in s tem utrjujejo ugled Biblioteca Sormani kot vrhunske raziskovalne destinacije.

    Informacije o obisku:

    Nahaja se na Corso di Porta Vittoria 6, Milano, Italija. Biblioteca Sormani odpira svoja vrata ob naslednjih urah: ponedeljek zaprto; torek od 9:00 do 19:30; sreda od 9:00 do 19:30; četrtek od 9:00 do 19:30; petek od 9:00 do 19:30; sobota od 10:00 do 18:00; nedelja zaprto. Raziskujte njene očarljive zbirke in se potopite v milansko kulturno dediščino.

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    Navodila za citiranje umetniškega dela

    MLA
    cattermole, evelina. Versi. 1883, Biblioteca Sormani. https://artsdot.com/sl/art/evelina-cattermole-versi-D7VKR2-en/
    APA
    cattermole, evelina (1883). Versi [Painting]. Biblioteca Sormani. https://artsdot.com/sl/art/evelina-cattermole-versi-D7VKR2-en/
    Chicago
    evelina cattermole. Versi. 1883. Biblioteca Sormani. https://artsdot.com/sl/art/evelina-cattermole-versi-D7VKR2-en/
    Harvard
    cattermole, evelina (1883) Versi. Biblioteca Sormani. Available at: https://artsdot.com/sl/art/evelina-cattermole-versi-D7VKR2-en/

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    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si La Madonna di Pugliano (1917), ki ste ga že videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    4. evelina cattermole je bil star približno 34, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tej dobi?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

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