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Priročnik za študentska dela

Crivello da appendere a soffitto

Ime in priimek Razred Datum

emília possoz, Crivello da appendere a soffitto (1940), Pasta Museum. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik
emília possoz artsdot.com/sl/artists/emilia-possoz/
Datumi rojstva in smrti umetnika
1888 – 1968
Naslikano
1940
Na lokaciji
Pasta Museum artsdot.com/sl/museums/pasta-museum-collecchio/

V kontekstu

Crivello da appendere a soffitto — emília possoz

Kdaj je bilo to naslikano?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Osenčeno: življenjsko obdobje emília possoz (1888–1968) ▲ to delo, 1940

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/emilia-possoz-crivello-da-appendere-a-soffitto-DD39W2-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Gray #897c6b

    Shranjena paleta

    • #897C6B
    • #372717
    • #ABA090
    • #6E604F
    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Gray
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Bright Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    emília possoz

    Rojen v Lisbon, Portugal

    **early life and education**

    emília possoz, a prominent figure in the first generation of portuguese modernist artists, was born in lisbon, portugal, in 1888. her artistic journey began with training in lisbon, followed by studies in paris and germany. this diverse educational background laid the foundation for her eclectic style.

    **artistic contributions**

    possoz's work is characterized by its modernist approach to painting and engraving, as well as her notable book illustrations. her contributions to the portuguese art scene are multifaceted:

    modernist painting: possoz's paintings reflect a deep understanding of modernist principles, with bold colors and abstract forms.

    engraving: her engravings showcase her technical skill and artistic vision, often exploring themes of everyday life.

    book illustrations: possoz's illustrations added a new dimension to the world of publishing, making her one of the most sought-after artists for book projects.

    **notable works and exhibitions**

    - emília possoz's work can be found in various collections, including the calouste gulbenkian foundation in lisbon and the scottish gallery in edinburgh. - her paintings are also featured in the national theatre and dance museum (lisbon, portugal), showcasing her diverse artistic range.

    **legacy**

    emília possoz's influence on portuguese modernism is undeniable. her work continues to inspire new generations of artists, ensuring her legacy as a pioneering figure in the world of art. for more information on her life and works, visit emília possoz's page on AllPaintingsStore.com.

    **further reading**

    - the museum government art collection (london, united kingdom) - wikipedia: modern art

    Muzej

    Pasta Museum

    Na razstavi v Collecchio, Italy

    A Culinary Canvas Carved in Stone

    Nestled within the sun-drenched hills of Parma, where the air seems to carry the scent of ancient grains and fertile earth, lies a sanctuary dedicated to one of Italy’s most profound cultural legacies. The Pasta Museum, housed within the venerable west wing of the Corte di Giarola, is far more than a mere repository of culinary artifacts; it is an immersive architectural dialogue between the past and the present. As visitors step into this medieval rural court, the very walls seem to whisper tales of centuries-old agricultural traditions. The museum’s design deliberately evokes the rustic authenticity of its surroundings, creating a palpable connection to the enduring rhythms of Italian life. Here, the architecture does not merely house history—it breathes it, providing a soulful backdrop where the rugged charm of the Middle Ages meets the refined celebration of gastronomic artistry.

    From Golden Fields to Industrial Innovation

    The journey through the museum’s six meticulously curated halls is an evocative odyssey that traces the metamorphosis of a humble staple into a global icon. The experience begins with the primal beauty of grain cultivation, where detailed panels and reconstructed models illuminate the evolution of cereal farming techniques. This narrative deepens as one enters the realms of grinding techniques, where the rhythmic presence of antique mill reconstructions serves as a testament to the technological leaps that propelled pasta production forward. There is a profound, tactile intimacy found in the Homemade Pasta Preparation hall, where a collection of vintage household utensils embodies the skilled hands of generations past. This artisanal reverence eventually gives way to the striking spectacle of an early 19th-century factory replica, a space that captures the transformative era of industrial manufacturing. In this section, the transition from peasant sustenance to a sophisticated culinary delight is rendered with breathtaking clarity, showcasing how innovation and tradition have danced together through the ages.

    A Symbiotic Legacy of Taste and Tradition

    What truly distinguishes this institution is its profound symbiotic relationship with its sister site, the Tomato Museum. Together, they form a dual narrative of Italian identity, celebrating the inseparable bond between pasta and tomato—the two cornerstones of a nation’s culinary soul. This connection extends beyond the plate into the very fabric of social history, as seen in the Pasta Culture exhibition. Through an evocative collection of vintage postcards, advertising leaflets, and antique catalogs, the museum reveals how pasta has permeated every layer of Italian society, becoming a symbol of shared heritage and communal joy. For the discerning collector or lover of cultural history, the Pasta Museum offers more than just an educational excursion; it provides a sensory exploration of texture, color, and memory, inviting one to rediscover the extraordinary magic found within the simplest of ingredients.

    Preberite več

    • Avtor emília possoz artsdot.com/sl/artists/emilia-possoz/
    • Muzej Pasta Museum artsdot.com/sl/museums/pasta-museum-collecchio/
    • Podobna dela Več del za primerjavo artsdot.com/sl/art/similar/emilia-possoz-crivello-da-appendere-a-soffitto-DD39W2-en/

    Preverite na spletu

    QR koda za dostop do strani za prenos Crivello da appendere a soffitto

    artsdot.com/sl/art/download/emilia-possoz-crivello-da-appendere-a-soffitto-DD39W2-en/

    Navodila za citiranje umetniškega dela

    MLA
    possoz, emília. Crivello da appendere a soffitto. 1940, Pasta Museum. https://artsdot.com/sl/art/emilia-possoz-crivello-da-appendere-a-soffitto-DD39W2-en/
    APA
    possoz, emília (1940). Crivello da appendere a soffitto [Painting]. Pasta Museum. https://artsdot.com/sl/art/emilia-possoz-crivello-da-appendere-a-soffitto-DD39W2-en/
    Chicago
    emília possoz. Crivello da appendere a soffitto. 1940. Pasta Museum. https://artsdot.com/sl/art/emilia-possoz-crivello-da-appendere-a-soffitto-DD39W2-en/
    Harvard
    possoz, emília (1940) Crivello da appendere a soffitto. Pasta Museum. Available at: https://artsdot.com/sl/art/emilia-possoz-crivello-da-appendere-a-soffitto-DD39W2-en/

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    Crivello da appendere a soffitto — emília possoz

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    3. Oglejte si Pariz – Čajna Voltaire (1930), ki ste ga že videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    4. emília possoz je bil star približno 52, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tej dobi?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

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