Format papirja

Priročnik za študentska dela

Lilies

Ime in priimek Razred Datum

Ellen Day Hale, Lilies (1890). Dostopno v javni lastnini.

Podrobnosti

Umetnik
Ellen Day Hale artsdot.com/sl/artists/ellen-day-hale/
Datumi rojstva in smrti umetnika
1880 – 1940
Naslikano
1890

V kontekstu

Lilies — Ellen Day Hale

Kdaj je bilo to naslikano?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Osenčeno: življenjsko obdobje Ellen Day Hale (1880–1940) ▲ to delo, 1890

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/ellen-day-hale-lilies-AQRTP3-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Rosy Brown #a99c8f

    Shranjena paleta

    • #A99C8F
    • #7B6641
    • #5E4027
    • #D8CEE2
    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Rosy Brown
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Balanced V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    Ellen Day Hale

    Rojen v Worcester, United States of America

    Ellen Day Hale: A Pioneer of American Impressionism

    Early Life and Education

    Born in Worcester, Massachusetts, in 1855, Ellen Day Hale (also known as Helen M. Knowlton) demonstrated an early aptitude for art.

    She received formal training at the Pennsylvania Academy of the Fine Arts (1878-1879), followed by studies at the Académie Julian and the Colarossi Academy in Paris (1882-1885).

    Hale first exhibited her work at the Boston Art Club as early as 1876, establishing herself within the American art scene.

    European Influences and Artistic Development

    Hale spent considerable time in Europe, residing in London and Paris, and traveling extensively throughout Italy and Spain. This exposure profoundly shaped her artistic vision.

    She exhibited at the prestigious Paris Salon in 1885 and the Royal Academy of Arts in London, gaining international recognition.

    Her style evolved towards Impressionism, characterized by a focus on capturing fleeting moments, light effects, and scenes from everyday life. She was particularly drawn to depicting women in domestic settings and landscapes.

    Partnership with Gabrielle Clements and Color Etching

    In 1883, Hale met Gabrielle de Veaux Clements, who became her lifelong companion and artistic collaborator.

    Together, they pioneered color etching in the United States during the late 1880s, experimenting with innovative techniques to create vibrant and expressive prints. This was a significant contribution to American printmaking.

    Their collaborative spirit fostered a creative environment that pushed the boundaries of traditional artistic practices.

    Teaching Career and Mentorship

    Upon returning to the United States, Hale settled in Boston and worked as an instructor at the Boston School.

    She became a mentor to numerous female artists, encouraging their artistic development and advocating for greater opportunities for women in the art world.

    Hale’s dedication to education helped shape a new generation of American painters and printmakers.

    Major Achievements and Artistic Themes

    Hale's paintings often depict scenes of daily life, particularly those involving women – reading, socializing, or engaged in domestic activities.

    Her landscapes reflect her travels in Europe, capturing the beauty and atmosphere of various locations.

    Notable works include “Street, Mont St. Michel,” “Reading on a Boat,” “June”, “Lilies” and “The Green Calash”.

    She exhibited extensively throughout North, Central, and South America, as well as at international exhibitions.

    Historical Significance and Legacy

    Ellen Day Hale was a significant figure in the American Impressionist movement, contributing to its development and popularization.

    As a “New Woman”, she challenged societal norms by pursuing a successful artistic career without marriage.

    Her pioneering work in color etching expanded the possibilities of printmaking as an art form.

    Hale’s commitment to mentorship and education left a lasting impact on the American art community, paving the way for future generations of female artists. She died on her birthday, February 11, 1940, in Brookline, Massachusetts, and is buried at Forest Hills Cemetery.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Lilies

    artsdot.com/sl/art/download/ellen-day-hale-lilies-AQRTP3-en/

    Navodila za citiranje umetniškega dela

    MLA
    Hale, Ellen Day. Lilies. 1890, https://artsdot.com/sl/art/ellen-day-hale-lilies-AQRTP3-en/
    APA
    Hale, Ellen Day (1890). Lilies [Painting]. https://artsdot.com/sl/art/ellen-day-hale-lilies-AQRTP3-en/
    Chicago
    Ellen Day Hale. Lilies. 1890. https://artsdot.com/sl/art/ellen-day-hale-lilies-AQRTP3-en/
    Harvard
    Hale, Ellen Day (1890) Lilies. Available at: https://artsdot.com/sl/art/ellen-day-hale-lilies-AQRTP3-en/

    Poglejte pozornije

    Lilies — Ellen Day Hale

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Poglejte nazaj na Reading on a Boat, ki ste ga prej videli v tem priročniku. Imejte dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    4. Ellen Day Hale je bil star približno 10, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tej dobi?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.