Priročnik za študentska dela
Avtorske pravice To del je v javni domeni. David Farquharson je umrl/a leta 1907; avtorska pravica velja 70 let po smrti avtorja, zato je pretekla leta 1977.
V kontekstu
The boating party — David Farquharson
Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 68 ob smrti.
Osenčeno: življenjsko obdobje David Farquharson (1839–1907) vsaka datirana slika, desetletje za desetletjem
Za ta posnetek ni v evidenci natančne leta — glede na življenjsko dobo umetnika in slog dela, za katero desetletje bi ugledali?
Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.
Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/david-farquharson-the-boating-party-9HTN3Y-en/
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Glavna barva
Black #110a07
Shranjena paleta
Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi
Deset vodilnih držav
Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.
Skupaj ti deli predstavljajo 99,5% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 53 del te umetnice, pri čemer je bilo 13 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za vsak posamezen mesec
Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.
Umetnik in muzej
Rojen v Perthshire, United Kingdom
David Farquharson, born in Blairgowrie, Perthshire, Scotland, in 1839, emerged as a singular figure in late nineteenth-century Scottish landscape painting. Largely self-taught despite exhibiting at the Royal Scottish Academy from 1868, he developed a distinctive artistic vision characterized by tonalism—a technique heavily influenced by Gustave Courbet and Eugène Corot—that captured the sublime beauty of Scotland’s Highland terrain with remarkable sensitivity. His oeuvre reflects not merely visual observation but an emotional engagement with the natural world, conveying mood and atmosphere as much as topographical accuracy.
Early Life & Training: Farquharson's formative years were spent in Perthshire, where he absorbed the rugged landscapes of his surroundings. Unlike many artists of his time who pursued formal academic training, he honed his skills through independent experimentation and tireless dedication to his craft.
Career Progression: He began exhibiting at the Royal Academy from 1877, steadily gaining recognition for his evocative depictions of Scottish highlands and valleys. His election as Associate in 1905 marked a significant milestone, acknowledging his established reputation within the artistic community. Subsequently, he moved to Sennen Cove, Cornwall, continuing to revisit Scotland and maintaining an active studio practice until his death in 1907.
Farquharson’s artistic style is undeniably rooted in the principles of tonalism, a movement championed by Courbet and Corot that prioritized capturing the essence of light and shadow to convey emotion rather than striving for photographic realism. He achieved this effect through layering thin washes of pigment—often muted browns and greys—to create subtle gradations of tone that enveloped his subjects in an ethereal haze. This approach wasn’t merely stylistic; it reflected Farquharson's profound belief in the expressive power of color and texture to communicate psychological states. The resulting paintings possess a palpable sense of stillness and contemplation, inviting viewers to immerse themselves in the mood of the scene.
Color Palette: Farquharson favored a restrained palette dominated by earthy hues—ochres, browns, greys—that mirrored the muted tones of Highland peat mosses and misty landscapes.
Brushwork: His distinctive brushstrokes were loose and expressive, conveying movement and texture without resorting to meticulous detail.
Farquharson’s artistic output encompassed a diverse range of subjects, primarily focusing on Highland landscapes—particularly the hills and moors of Perthshire—river valleys in England and Holland, and views bathed in atmospheric conditions. Among his most celebrated paintings are “In a Fog,” “The Forest of Meiklour, Perthshire” and “Early Morning on Beer Common, South Devon.” These works exemplify his mastery of tonalism and demonstrate his ability to capture the sublime beauty of nature with profound emotional resonance. The Royal Academy recognized his talent by showcasing his paintings repeatedly from 1877 to 1904.
David Farquharson’s contribution to Scottish landscape painting is considerable. He stands apart as a self-taught artist who successfully assimilated the stylistic innovations of Corot and Courbet into his own distinctive vision, establishing himself as one of Scotland's foremost painters of the Victorian era. His paintings continue to inspire admiration for their atmospheric quality and emotional depth, securing his place within the canon of Romantic art and cementing his reputation as a champion of tonalism—a technique that profoundly impacted subsequent generations of artists.
Art UK:https://artuk.org/discover/artists/farquharson-david-18391907
Wikipedia:https://en.wikipedia.org/wiki/David_Farquharson
artsdot.com/sl/art/download/david-farquharson-the-boating-party-9HTN3Y-en/
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The boating party — David Farquharson
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