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Sconce

Ime Razred Datum

Cyril Colnik, Sconce (1938), Villa Terrace Decorative Arts Museum. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Cyril Colnik artsdot.com/sl/artists/cyril-colnik/
Datumi rojstva in smrti umetnika
1871 – 1958
Naslikano
1938
V mestu/lokaciji
Villa Terrace Decorative Arts Museum artsdot.com/sl/museums/villa-terrace-decorative-arts-museum-milwaukee/

V kontekstu

Sconce — Cyril Colnik

Kdaj je bilo to naslikano?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 87 ob smrti.

Naslikano, ko je bil avtor star 67. Umetnik je doživel 87 let. 5 od 16 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Cyril Colnik (1871–1958) ▲ to delo, 1938 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1906 Glavni delovni leti: 1906–1955 Pozna dela: od 1955

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: artsdot.com/sl/art/similar/cyril-colnik-sconce-DD3GTD-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    White #eaeaed

    Katalogirana paleta

    • #EAEAED
    • #AA9C92
    • #322B28
    • #685D56

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Pastels Prevladujoča barvna družina na sliki.
    Ime glavne barve
    White
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Softly Mixed Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Cyril Colnik v zadnjih dvanajst mesecih — skupaj 1 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 100,0%300 visits

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    4 najbolj gledanih del umetnika Cyril Colnik

    1. 1 Wine Cooler or Planter, 1955 33,3%100 visits
    2. 2 Dragon Lamp, 1955 33,3%100 visits
    3. 3 Dancing Dragon, 1955 33,3%100 visits
    4. — Sconce, 1938 ta slika 0,0%0 visits

    Skupaj ti deli predstavljajo 99,9% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 16 del te umetnice, pri čemer je bilo 3 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    O tem umetniškem delu

    Sconce — Cyril Colnik

    This sconce with three candleholders was constructed from a deer antler wrapped in iron. The wall mount is forged in the shape of oak leaves with a twig and acorn adornment. The sconce is said to be one of the original light fixtures created by Cyril Colnik for the Brown Bottle Guest Hall and Hospitality Center in Milwaukee, Wisconsin. Opened in 1938 by the Schlitz Brewing Company, the Brown Bottle was styled as a traditional European alehouse and featured oak woodwork salvaged from European castles and inns.Photography by Kevin Miyazaki.

    Umetnik in muzej

    Umetnik

    Cyril Colnik

    Rojen v Vienna, Austria

    The Alchemist of Iron: The Life and Legacy of Cyril Colnik

    In the annals of decorative arts, few names evoke the same sense of structural elegance and poetic fluidity as Cyril Colnik. Often whispered of in the same breath as Louis Comfort Tiffany, Colnik earned the evocative title “The Tiffany of wrought iron,” a distinction that speaks to his ability to transform cold, unyielding metal into something breathing, organic, and profoundly beautiful. Born in Vienna, Austria, in 1871, Colnik carried the sophisticated traditions of European craftsmanship across the Atlantic, eventually planting the seeds of his artistic genius in the heart of Milwaukee, Wisconsin. His journey was not merely one of migration, but of a profound translation of Old World mastery into the burgeoning architectural landscape of the American Midwest.

    Colnik’s arrival in the United States in 1893 proved to be a pivotal moment in art history. He appeared during the momentous World Columbian Exposition in Chicago, an event that served as a global stage for innovation. It was here that his ambitious ironwork first captivated international judges, earning him immediate acclaim and setting the stage for a career defined by excellence. As he established his workshop in Milwaukee, Colnik became more than just a blacksmith; he became an essential architect of the city's aesthetic identity. His work breathed life into the grand estates and public spaces of the era, turning functional gates, grilles, and fences into monumental sculptures that commanded attention.

    Mastery of Form and the Art Nouveau Spirit

    The essence of Colnik’s artistry lay in his seamless integration of the Art Nouveau aesthetic with the rigorous demands of metallurgy. While iron is inherently heavy and rigid, Colnik possessed a rare, almost supernatural ability to manipulate it into flowing lines and intricate, organic motifs. His designs celebrated the natural world, often featuring sinuous vines, delicate floral patterns, and rhythmic curves that seemed to defy the weight of the material. This mastery allowed him to create pieces that functioned as both security and ornament, blurring the line between structural necessity and pure sculpture.

    His technical development was marked by a relentless pursuit of perfection in every hammer blow. To observe a Colnik piece is to witness a dialogue between the artist and the element:

    Intricate Detail: The ability to forge delicate, lace-like patterns within heavy iron frames.

    Organic Movement: A signature use of undulating lines that mimic the growth of living plants.

    Architectural Harmony: Creating works that felt inseparable from the buildings they adorned, whether a private villa or a public monument.

    A Life Guided by Principle and Peace

    Beyond the anvil and the forge, Colnik’s life was shaped by deep-seated personal convictions that stood in stark contrast to the industrial turbulence of his time. A man of profound pacifist beliefs, he navigated the complexities of the early 20th century with a steadfast commitment to non-violence. This moral compass led him to make significant sacrifices; during the upheaval of World War I, Colnik chose to abandon his burgeoning business endeavors rather than participate in military commissions. This period of redirection, while challenging for his commercial interests, allowed him to deepen his focus on pure artistic expression and refine the techniques that would define his later, most celebrated works.

    This dedication to an ethical way of living mirrored the purity of his art. There was no deception in his metalwork; every curve and joint was a testament to honest labor and transparent craftsmanship. His legacy is preserved today through collections such as those found at the Villa Terrace Decorative Arts Museum, where his masterpieces continue to tell a story of European elegance meeting American innovation. Cyril Colnik remains a singular figure—a man who took the hardest of materials and, through sheer will and vision, rendered them as light and graceful as a summer breeze.

    Muzej

    Villa Terrace Decorative Arts Museum

    Na razstavi v Milwaukee, United States of America

    A Renaissance Respite on Lake Michigan

    Perched majestically upon the bluffs overlooking the shimmering expanse of Lake Michigan, the Villa Terrace Decorative Arts Museum offers a rare, immersive journey into an era where elegance and artistry were inextricably linked. This architectural jewel, often referred to as "Milwaukee’s Mediterranean," is far more than a mere repository for beautiful objects; it is a living testament to the vision of Lloyd R. Smith and the masterful hand of architect David Adler. Conceived in 1924 after Smith’s transformative travels through Italy, the villa serves as a profound echo of the Italian Renaissance, specifically drawing inspiration from the grace of structures like Villa Cicogna Mozzoni in Lombardy. As one approaches the terracotta façade, the seamless dialogue between the built environment and the surrounding landscape begins to unfold, inviting visitors into a world where refined taste meets the raw beauty of nature.

    The soul of the museum resides within its extraordinary collection of decorative arts, a curated treasury that spans the 15th through the 18th centuries. To wander through these halls is to encounter a symphony of textures and forms: furniture crafted from exotic woods that whisper of distant lands, sumptuous textiles adorned with intricate patterns, and ceramics that capture the vibrant, sun-drenched hues characteristic of the Renaissance era. For the collector or interior designer, the museum provides an unparalleled masterclass in historical sophistication, demonstrating how fine craftsmanship can elevate a space from a mere room to a sanctuary of culture. This devotion to the decorative arts is not merely about preservation but about celebrating the meticulous skill required to transform raw materials into enduring symbols of prestige.

    The Alchemy of Iron and Earth

    Beyond the delicate ceramics and fine textiles, Villa Terrace holds a singular distinction through its unparalleled assemblage of wrought iron works by Cyril Colnik. A Milwaukee-based blacksmith of extraordinary talent, Colnik possessed the rare ability to elevate metalwork from functional necessity to sculptural expression. His legacy is etched into the very fabric of the villa, seen in the monumental gates that guard the entrance and the intricate lighting fixtures that cast a soft, historical glow upon the interiors. Blending Art Deco sophistication with traditional techniques, Colnik’s work embodies a fusion of artistic vision and technical prowess, proving that beauty can emerge from the most unexpected and industrial of mediums.

    This mastery of material is mirrored in the museum's meticulously planned Renaissance gardens, which cascade down toward the lake in a series of terraces. These grounds are not merely an accompaniment to the architecture but are living art pieces themselves. Through formal plantings, sculpted hedges, and serene water stairways, the landscape recreates the contemplative atmosphere of an Italian estate. The deliberate orchestration of these elements—where the undulating contours of the earth reflect the architectural lines of the villa—creates a sense of profound harmony. It is within these tranquil spaces that the museum truly achieves its goal of integrating art and nature, offering a respite for reflection that transcends the boundaries of time.

    A Living Legacy of Culture and Connection

    Today, Villa Terrace thrives as a vibrant cultural hub, bridging the gap between historical grandeur and contemporary expression. While its permanent collection anchors the museum in the past, a dynamic rotation of exhibitions ensures that the dialogue remains current, showcasing both local and international artists who draw inspiration from the villa's storied halls. This ongoing engagement with modern art allows the museum to function as a bridge, where the echoes of the 15th century meet the bold voices of the present day. Whether through scholarly exhibitions or the celebration of life’s most significant milestones in its elegant event spaces, the museum remains a cornerstone of artistic community.

    For those seeking inspiration, Villa Terrace offers an experience that lingers long after one has departed its enchanting grounds. It is a place where history is not just studied but felt—a destination where the craftsmanship of the past informs the aesthetic sensibilities of the future. From the breathtaking ironwork of Colnik to the sweeping views of Lake Michigan, every corner of this estate invites a deeper appreciation for the enduring power of beauty and the seamless integration of art into the very essence of living.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Sconce

    artsdot.com/sl/art/download/cyril-colnik-sconce-DD3GTD-en/

    Citiranje umetniškega dela

    MLA
    Colnik, Cyril. Sconce. 1938, Villa Terrace Decorative Arts Museum. https://artsdot.com/sl/art/cyril-colnik-sconce-DD3GTD-en/
    APA
    Colnik, Cyril (1938). Sconce [Painting]. Villa Terrace Decorative Arts Museum. https://artsdot.com/sl/art/cyril-colnik-sconce-DD3GTD-en/
    Chicago
    Cyril Colnik. Sconce. 1938. Villa Terrace Decorative Arts Museum. https://artsdot.com/sl/art/cyril-colnik-sconce-DD3GTD-en/
    Harvard
    Colnik, Cyril (1938) Sconce. Villa Terrace Decorative Arts Museum. Available at: https://artsdot.com/sl/art/cyril-colnik-sconce-DD3GTD-en/

    Oglejte si bližje

    Sconce — Cyril Colnik

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Center Entrance Gate (1923), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Cyril Colnik je bil star približno 67, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kje lahko vidim predogled za "Sconce"?

    Stran Predogled dela za delo "Sconce" vam omogoča ogled umetnin pred naročilom.

    Kje je danes razstavljeno "Sconce" avtorja Cyril Colnik?

    Originalno delo "Sconce" avtorja Cyril Colnik se nahaja v muzeju Villa Terrace Decorative Arts Museum, Milwaukee, United States of America. Reprodukcija omogoča, da ta sklad prikazujete tudi v svojem domu.

    Ali je "Sconce" na voljo kot umetniški tisk?

    "Sconce" je na voljo kot umetniška grafika na bombažnem platnu ali arhivskem papirju za platno. Naročila lahko oddate na strani Kakovostna umetniška tiskanina v izbrani velikosti.