Format papirja

Priročnik za študentska dela

Pietà

Ime in priimek Razred Datum

cliff holden, Pietà (1990), London South Bank University. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik
cliff holden artsdot.com/sl/artists/cliff-holden/
Datumi rojstva in smrti umetnika
1919 – 2020
Naslikano
1990
Prvotna velikost
122 x 122 cm
Na lokaciji
London South Bank University artsdot.com/sl/museums/london-south-bank-university-london/

V kontekstu

Pietà — cliff holden

Kakšna je velikost?

Originalne dimenzije so 122 × 122 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010
  12. 2020

Osenčeno: življenjsko obdobje cliff holden (1919–2020) ▲ to delo, 1990

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/cliff-holden-pieta-AQSMT5-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Clay #8c6a54

    Shranjena paleta

    • #8C6A54
    • #792D26
    • #C7B09D
    • #400F16
    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Clay
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    cliff holden

    The Visionary Spirit of Cliff Holden

    In the grand tapestry of twentieth-century British modernism, few threads are as intricately woven or as resilient as those left by Cliff Holden. Born in Manchester in December 1919, Holden’s early life was far removed from the avant-garde studios of London; instead, his formative years were rooted in the practical and grounded disciplines of agriculture and veterinary science at Reaseheath School. This initial connection to the natural world, characterized by an observant eye for structure and life, would later manifest in a subtle, underlying strength within his artistic compositions. However, it was a transformative encounter in 1944 with the legendary David Bomberg at the City Literary Institute that redirected his destiny, pulling him away from the sciences and into the profound, experimental realm of fine art.

    The bond between Holden and Bomberg became the catalyst for one of the most significant movements in postwar British art. Following Bomberg to Borough Polytechnic, Holden became a foundational figure in the Borough Group, serving as its inaugural president from 1946 to 1948. This was not merely a social circle but an intellectual laboratory where artists sought to push the boundaries of abstraction and challenge the stagnant artistic norms of the era. Alongside peers such as Dennis Creffield, Holden helped cultivate an aesthetic defined by rigorous experimentation and a shared devotion to Bomberg’s visionary principles. Through his leadership, the group became a cornerstone of modernism, fostering a spirit of rebellion against convention that would resonate through the decades.

    A Journey Across Borders and Mediums

    As Holden’s artistic horizons expanded, so too did his geographic and stylistic reach. His connection with the Swedish artist Torsten Renquist opened a gateway to the international art community, leading to exhibitions in Sweden that solidified his reputation far beyond the shores of England. From 1956 onward, his residence in Sweden provided a new landscape for his creative evolution. This period of his life saw him masterfully navigating diverse mediums; he was not only a painter but a skilled designer and silk-screen printer, demonstrating a versatility that allowed him to bridge the gap between fine art and applied design. His membership in the London Group and his status as a Fellow of the Chartered Society of Designers underscore a career that refused to be confined by a single discipline.

    The technical brilliance of Holden’s work often lies in its ability to evoke deep emotion through texture and light. Whether working with the delicate precision of silk-screen printing or the bold, tactile application of acrylics and oils, his pieces possess an enduring vitality. His later works, such as the vibrant Bathers, showcase a mastery of color—utilizing warm yellows and reds to create atmospheres that feel both contemporary and timeless. There is a rhythmic quality to his compositions, where figures and landscapes interact with a sense of movement and energy that draws the viewer into a contemplative state.

    Legacy and Enduring Significance

    The legacy of Cliff Holden is etched into the very fabric of major institutional collections worldwide. His contributions are preserved in the hallowed halls of Tate Britain, the Victoria and Albert Museum, and the Arts Council, ensuring that his role in the development of British abstraction remains a subject of scholarly and aesthetic reverence. Beyond the canvas, his influence as a designer and educator left an indelible mark on the visual culture of the twentieth century.

    Reflecting on a life that spanned an incredible century—from the post-war reconstruction of London to the dawn of the twenty-first century—Holden’s work remains a testament to the power of artistic persistence. His journey from a student of agriculture to a pioneer of the Borough Group serves as an inspiring narrative of intellectual growth and creative courage. Through his eyes, we see a world where abstraction meets structure, and where the boundaries between design and fine art dissolve into a singular, beautiful expression of human experience.

    Muzej

    London South Bank University

    Na razstavi v London, United Kingdom

    A Portal to Post-War Britain: The Borough Road Gallery

    Nestled within the vibrant, pulsing heart of London's South Bank, where the energy of the Thames meets the intellectual rigor of academia, lies a hidden sanctuary for those seeking the soul of a changing nation. The Borough Road Gallery, part of London South Bank University, is far more than a mere repository of canvas and clay; it is a compelling portal into the dynamic, often turbulent world of Post-War British Art. To step inside is to enter a visual narrative of a country grappling with profound transformation, rebuilding its identity amidst the echoes of conflict and the dawn of modernism. The gallery’s very existence is a testament to a long-standing commitment to community and creativity, tracing its lineage back to the Borough Polytechnic Institute founded in 1892. This deep historical root ensures that every brushstroke on display is anchored in a legacy of practical skill and the democratization of knowledge.

    The collection itself serves as a breathtaking mirror to the societal shifts of the mid-twentieth century, offering a curated journey through themes of anxiety, liberation, and reconstruction. Visitors are invited to lose themselves in the bold, sweeping abstract compositions of artists such as Mitchell's Fold and Cliff Holden, where color and form dance to the rhythm of a new era. Yet, the gallery does not shy away from the more visceral, human elements of the period; expressive figurative pieces delve into the psychological depths of the post-war psyche, capturing the tension between lingering shadows of the past and the burgeoning optimism of the future. The works of masters like David Bomberg and Denys Lasdun are particularly poignant here, as their contributions exemplify a commitment to social commentary and an uncompromising pursuit of aesthetic innovation that continues to challenge and inspire.

    Architecturally, the gallery embodies a seamless blend of modern academic functionality and thoughtful preservation, situated within the sprawling LSBU campus. Its location on the South Bank provides an inclusive atmosphere where the boundaries between student life and public exploration dissolve, making high art accessible to all without the barrier of admission fees. This spirit of inclusivity is further enriched by the gallery's active role in the contemporary dialogue; through rotating exhibitions, it champions emerging talents alongside established legends, ensuring that the conversation between historical milestones and current trends remains vibrant and urgent. For the art lover, the collector, or the interior designer seeking pieces with profound narrative weight, the Borough Road Gallery offers a unique encounter with an era that redefined the British aesthetic landscape.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Pietà

    artsdot.com/sl/art/download/cliff-holden-pieta-AQSMT5-en/

    Navodila za citiranje umetniškega dela

    MLA
    holden, cliff. Pietà. 1990, London South Bank University. https://artsdot.com/sl/art/cliff-holden-pieta-AQSMT5-en/
    APA
    holden, cliff (1990). Pietà [Painting]. London South Bank University. https://artsdot.com/sl/art/cliff-holden-pieta-AQSMT5-en/
    Chicago
    cliff holden. Pietà. 1990. London South Bank University. https://artsdot.com/sl/art/cliff-holden-pieta-AQSMT5-en/
    Harvard
    holden, cliff (1990) Pietà. London South Bank University. Available at: https://artsdot.com/sl/art/cliff-holden-pieta-AQSMT5-en/

    Poglejte pozornije

    Pietà — cliff holden

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Two Seated Figures (1948), ki ste ga že videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    4. cliff holden je bil star približno 71, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tej dobi?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.