Format papirja

Priročnik za študentska dela

Hafod 2

Ime in priimek Razred Datum

Catrin Webster, Hafod 2 (2005). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Catrin Webster artsdot.com/sl/artists/catrin-webster/
Datumi rojstva in smrti umetnika
1966 –
Naslikano
2005
Prvotna velikost
163 x 213 cm

V kontekstu

Hafod 2 — Catrin Webster

Dimenzije

Prvotne dimenzije so 163 × 213 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja, pri čemer se leta od rojstva štejejo od 0 naprej.

Naslikano, ko je bil avtor star 39. 3 od 4 datiranih del tega umetnika v našem katalogu je nastalo prej.

▲ to delo, 2005 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/catrin-webster-hafod-2-AR2D8S-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Espresso #524f43

    Shranjena paleta

    • #524F43
    • #1D1D14
    • #CAC3B2
    • #8C8778

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Naziv primarne barve
    Espresso
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Catrin Webster v zadnjih dvanajst mesecih — skupaj 3 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 50,0%
    2. 2 Združeno kraljestvo 25,0%
    3. 3 Združene države Amerike 25,0%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    4 najbolj gledanih del umetnika Catrin Webster

    1. 1 Aberystwyth 50,0%
    2. 2 Level Playing Fields, 1996 25,0%
    3. 3 Untitled 25,0%
    4. — Hafod 2, 2005 ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 8 del te umetnice, pri čemer je bilo 3 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Catrin Webster

    The Ethereal Landscapes of Catrin Webster

    Born in the vibrant cultural landscape of Cardiff, Wales, in 1966, Catrin Webster has emerged as a profound voice in contemporary British painting. Her artistic journey is not merely a chronicle of technical mastery but a deep, philosophical exploration of how the physical world intersects with the intangible realms of memory and perception. From her formative years at the prestigious Slade School of Fine Art to her distinguished tenure as a Professor of Practice at Swansea College of Art, Webster has consistently sought to bridge the gap between the tangible landscape and the internal psychological state. Her work serves as a meditative dialogue, inviting viewers to reconsider the boundaries between what is seen and what is remembered.

    Webster’s academic foundation provided her with a unique duality of approach, blending rigorous traditional painting techniques with a keen interest in conceptual inquiry. After earning her BA and a Higher Diploma in Fine Art, she embarked on doctoral research titled Intimate Distance at the University of Wales. This period was transformative, as she investigated the complexities of spatial representation and how the act of movement—specifically her experience cycling through the Welsh countryside—could serve as a catalyst for artistic creation. This embodied experience of the landscape became a cornerstone of her practice, allowing her to translate the rhythmic, physical sensation of travel into the layered, textured surfaces of her canvases.

    Texture, Light, and the Symbolism of Nature

    At the heart of Webster’s oeuvre is an exquisite preoccupation with materiality. She does not simply apply paint to a surface; she builds worlds through the meticulous layering of pigments. This technique allows her to achieve a remarkable luminosity, capturing the fleeting atmospheric conditions of the Welsh hills and the subtle, shifting nuances of light that define a moment in time. Her palette often leans into contemplative teal and deep blue hues, creating an immersive environment that feels both serene and enigmatic. Through these cool tones, she evokes the misty, tranquil moods of her native landscapes, drawing the viewer into a space of quiet reflection.

    The imagery within her work often revolves around recurring motifs that carry significant symbolic weight. The pine tree, in particular, appears frequently across her body of work, standing as a sentinel of resilience and an enduring symbol of nature’s presence within the human consciousness. In pieces such as Level Playing Fields, Webster demonstrates her ability to push beyond literal representation. In this 1996 work, she utilizes digital metamorphosis and distortion to transform a familiar botanical silhouette into an abstract vessel of pure emotion. By breaking down solid edges into flowing streaks and amorphous shapes, she mimics the way memory often softens the sharp details of reality, leaving behind only the essence of an experience.

    A Legacy of Perception and Presence

    The historical significance of Catrin Webster’s work lies in her ability to navigate the intersection of tradition and innovation. While her roots are firmly planted in the tactile traditions of painting, her willingness to engage with digital textures and philosophical concepts—such as Immanuel Kant's assertion of "I can"—positions her at the forefront of contemporary conceptual landscape art. Her practice is a continuous interrogation of how we perceive our surroundings and how technology and experience filter our understanding of the natural world.

    As an educator and practitioner, Webster continues to influence the next generation of artists, emphasizing the importance of:

    Embodied Experience: The idea that the artist's physical interaction with their environment is vital to the creative process.

    Materiality: Using the physical properties of paint and texture to simulate depth, light, and memory.

    Philosophical Inquiry: Integrating deep-seated intellectual concepts into visual narratives to challenge the viewer's perception.

    Through her evocative landscapes, Catrin Webster ensures that the beauty of the Welsh terrain is not just documented, but felt, preserved within the enduring layers of art.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Hafod 2

    artsdot.com/sl/art/download/catrin-webster-hafod-2-AR2D8S-en/

    Navodila za citiranje umetniškega dela

    MLA
    Webster, Catrin. Hafod 2. 2005, https://artsdot.com/sl/art/catrin-webster-hafod-2-AR2D8S-en/
    APA
    Webster, Catrin (2005). Hafod 2 [Painting]. https://artsdot.com/sl/art/catrin-webster-hafod-2-AR2D8S-en/
    Chicago
    Catrin Webster. Hafod 2. 2005. https://artsdot.com/sl/art/catrin-webster-hafod-2-AR2D8S-en/
    Harvard
    Webster, Catrin (2005) Hafod 2. Available at: https://artsdot.com/sl/art/catrin-webster-hafod-2-AR2D8S-en/

    Poglejte bližje

    Hafod 2 — Catrin Webster

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Poglejte nazaj na Aberystwyth, ki ste ga prej videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    4. Catrin Webster je bil star približno 39, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Ali je "Hafod 2" avtorja Catrin Webster svetlo ali temno umetniško delo?

    "Hafod 2" avtorja Catrin Webster je zabeležen z jasnostjo deep_shadow in luminanco Soft Shadow.

    Kakšna je oblika in kakšne so dimenzije dela "Hafod 2" avtorja Catrin Webster?

    Format dela "Hafod 2" je Landscape, izvirna velikost pa znaša 163 x 213 cm. Oba podatka sta koristna pri načrtovanju reprodukcije.

    Kje lahko kupim ročno slikano reprodukcijo dela "Hafod 2" avtorja Catrin Webster?

    Ročno slikane kopije dela "Hafod 2" avtorja Catrin Webster so na voljo na spletnem mestu ta spletna stran: ročno slikana oljna reprodukcija na lnenem platnu, in jih lahko naročite preko njihove strani Ročno slikana reprodukcija.