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Priročnik za študentska dela

Self Portrait

Ime in priimek Razred Datum

Brian Robb, Self Portrait (1949). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Brian Robb artsdot.com/sl/artists/brian-robb/
Datumi rojstva in smrti umetnika
1913 – 1979
Naslikano
1949
Prvotna velikost
61 x 26 cm

V kontekstu

Self Portrait — Brian Robb

Dimenzije

Prvotne dimenzije so 61 × 26 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 66 ob smrti.

Naslikano, ko je bil avtor star 36. Umetnik je živel 66. 0 od 2 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Brian Robb (1913–1979) ▲ to delo, 1949 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/brian-robb-self-portrait-ARAL22-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Espresso #634f37

    Shranjena paleta

    • #634F37
    • #DBD5C2
    • #352724
    • #939077

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Espresso
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Brian Robb v zadnjih dvanajst mesecih — skupaj 1 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 100,0%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    2 najbolj gledanih del umetnika Brian Robb

    1. 1 Odalisque, 1949 100,0%
    2. — Self Portrait, 1949 ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 5 del te umetnice, pri čemer je bilo 1 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Brian Robb

    Brian Robb: A Master of Whimsical Camouflage and London Transport Charm

    Brian Robb (1913-1979) wasn’t merely a painter; he was an orchestrator of visual delight, a master of blending the fantastical with the functional. Born in Scarborough, England, into a family steeped in artistic tradition – his father was a renowned architect and his mother an interior designer – Robb inherited a keen eye for detail and a playful approach to design. His career spanned decades, encompassing illustration, painting, and a particularly significant contribution to wartime camouflage, all while maintaining a distinctive style characterized by vibrant colors, charming characters, and a deep affection for London’s iconic transport system.

    Early artistic training at Chelsea School of Art and the Slade School of Fine Art laid the groundwork for his diverse talents. However, it was during the 1930s that Robb truly established himself as a cartoonist for Punch, a publication known for its witty satire and distinctive illustrations. This period honed his ability to capture humor and personality in a single image – a skill he would later apply with remarkable success to his posters and designs for London Transport. His work during this time was marked by a lightheartedness that belied the looming shadow of war, foreshadowing the optimistic spirit that would define much of his wartime output.

    The Camouflage Officer: A Unique Contribution to WWII

    Robb’s most enduring legacy lies in his service as a camouflage officer during World War II. Recognizing his artistic sensibilities and keen eye for detail, Geoffrey Barkas, the head of the Middle East Command Camouflage Directorate, recruited Robb to lead a team tasked with deceiving enemy forces about the movements and strength of British troops in North Africa. This wasn’t simply about blending in; it was about creating elaborate illusions – constructing dummy stores dumps, staging false troop concentrations, and employing deceptive patterns on vehicles and equipment. Robb's contribution was particularly noteworthy because he brought an element of whimsy to a critical military operation. He designed the “Brian” store dump—a massive collection of 700 fake piles of supplies—which became a crucial component of Operation Bertram, the strategic deception campaign that supported the Battle of El Alamein.

    His innovative techniques involved not just visual camouflage but also manipulating light and shadow to create confusing patterns. Robb’s designs were so effective that they played a significant role in the Allied victory at El Alamein. He wasn't just an artist; he was a strategist, using his artistic skills to influence the course of war.

    London Transport Designs: A Celebration of City Life

    Alongside his wartime work, Robb’s designs for London Transport were immensely popular and remain iconic today. He created posters and advertisements that captured the energy and charm of the city – from bustling markets to elegant theaters, from historic landmarks to everyday scenes of urban life. His style was characterized by bold colors, dynamic compositions, and a sense of movement, perfectly reflecting the speed and excitement of London’s transport system. His work for the Underground, buses, and trams became instantly recognizable, contributing significantly to the visual identity of the city.

    These designs weren't merely functional; they were miniature works of art, imbued with a sense of optimism and civic pride. They celebrated London’s vibrancy and its role as a global center of commerce and culture. Robb’s posters are now highly sought after by collectors and are frequently reproduced in books and exhibitions.

    Legacy and Artistic Influence

    Following the war, Robb returned to teaching at Chelsea College of Art and later became head of illustration at the Royal College of Art, where he mentored a generation of talented artists. His influence can be seen in the work of Quentin Blake, one of his most celebrated pupils, who has described Robb’s art as “having a humane, wry, almost teasing character.”

    Brian Robb's legacy extends beyond his individual artworks; it resides in his unique blend of artistic skill, strategic thinking, and whimsical imagination. He demonstrated that art could be both beautiful and effective, contributing not only to the aesthetic landscape but also to the success of a nation during times of conflict. His work continues to delight and inspire, serving as a testament to the power of visual communication and the enduring appeal of his distinctive style.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Self Portrait

    artsdot.com/sl/art/download/brian-robb-self-portrait-ARAL22-en/

    Navodila za citiranje umetniškega dela

    MLA
    Robb, Brian. Self Portrait. 1949, https://artsdot.com/sl/art/brian-robb-self-portrait-ARAL22-en/
    APA
    Robb, Brian (1949). Self Portrait [Painting]. https://artsdot.com/sl/art/brian-robb-self-portrait-ARAL22-en/
    Chicago
    Brian Robb. Self Portrait. 1949. https://artsdot.com/sl/art/brian-robb-self-portrait-ARAL22-en/
    Harvard
    Robb, Brian (1949) Self Portrait. Available at: https://artsdot.com/sl/art/brian-robb-self-portrait-ARAL22-en/

    Poglejte bližje

    Self Portrait — Brian Robb

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Odalisque (1949), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Brian Robb je bil star približno 36, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Katera barvna podloga preteka skozi "Self Portrait" avtorja Brian Robb?

    Golden Yellow Range odtenek prežema celotno skladbo "Self Portrait" avtorja Brian Robb.

    Kdaj je bilo ustvarjeno "Self Portrait"?

    "Self Portrait" izvira iz 1949. Ta datum delo situira v okvir Brian Robbove kariere in obdobja, v katerem je nastalo.

    Ali je "Self Portrait" avtorja Brian Robb svetlo ali temno umetniško delo?

    Splošno je "Self Portrait" zabeleženo kot deep_shadow. Zaznana svetlina opisuje, kako svetlo ali temno delo deluje.