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Sweet Peas

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Bessie Davidson, Sweet Peas (1923). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik
Bessie Davidson artsdot.com/sl/artists/bessie-davidson/
Datumi rojstva in smrti umetnika
1879 – 1965
Naslikano
1923
Prvotna velikost
40 x 32 cm

V kontekstu

Sweet Peas — Bessie Davidson

Kakšna je velikost?

Originalne dimenzije so 40 × 32 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950
  10. 1960

Osenčeno: življenjsko obdobje Bessie Davidson (1879–1965) ▲ to delo, 1923

Primerjajte z

  • Interior artsdot.com/sl/art/bessie-davidson-interior-ARD88D-en/
  • Roses artsdot.com/sl/art/bessie-davidson-roses-ARD88F-en/
  • Interior artsdot.com/sl/art/bessie-davidson-interior-ARD88H-en/

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/bessie-davidson-sweet-peas-ARD88B-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Espresso #5c4f4b

    Shranjena paleta

    • #5C4F4B
    • #A6ACAB
    • #807F79
    • #31333A
    Naziv primarne barve
    Espresso
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Balanced V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    Bessie Davidson

    Rojen v Adelaide, Australia

    Early Life and Education

    Born: Bessie Ellen Davidson, May 22, 1879, in North Adelaide, South Australia

    Family Background: Daughter of David Davidson (mining industry) and Ellen Johnson Davidson. Descendant of sculptor William Gowan and painter Frances Gowan.

    Education: Advanced School for Girls (with a strong drawing strand).

    Early Training: Studied art with Rose McPherson (Margaret Preston) from 1899.

    Early Exhibitions: Began exhibiting with the South Australian Society of Arts in 1901.

    European Studies and Artistic Development

    Travel to Europe: Traveled to Europe with Margaret Preston in 1904 after her mother's death.

    Studies in Munich & Paris: Studied at the Künstlerinner Verein, Munich, then Académie de la Grande Chaumière, Paris (under René-Xavier Prinet). Also studied with Raphael Collin, Richard Miller, and Gustave Courtois.

    Artistic Influences: Admired Vincent van Gogh, Pierre Bonnard, Edouard Vuillard, and Paul Cézanne.

    Salon Exhibitions: Exhibited at the Salon de la Société des Artistes Français (1906) and the Société Nationale des Beaux-Arts (1906).

    Membership & Recognition: First Australian woman elected a member of the Société Nationale des Beaux-Arts (1922); Founding member of the Salon des Tuileries.

    Career and Artistic Style

    Return to Australia & Continued Work: Returned to Adelaide in 1907, rented a studio with Preston, and continued painting and exhibiting.

    Evolution of Style: Early works influenced by Rose McPherson; embraced Impressionism and Post-Impressionism after relocating to Paris.

    Characteristic Themes: Focused on intimate domestic interiors, portraits of women, floral arrangements, and landscapes.

    Color Palette & Technique: Known as a bold colorist with confident and spare paint application.

    Travels & Subjects: Traveled extensively through Europe, Russia, and Morocco, painting en plein air and using sketches for later studio works.

    Major Achievements and Historical Significance

    French Legion of Honor: Appointed Chevalier de la Légion d'honneur in 1931 – the first Australian woman to receive this honor.

    Founding Roles: Founding Vice-President of La Société Femmes Artistes Modernes (1930).

    Exhibitions: Exhibited widely in Paris, Australia, England, Scotland, and the United States.

    Recognition by Critics: Frequently praised in French exhibition reviews for her spontanéité, sensibilité, richesse, harmonie and luminosité.

    Legacy: Bessie Davidson is recognized as a pioneering Australian artist who achieved significant success and recognition within the vibrant Parisian art scene of the early 20th century. Her work demonstrates a skillful blend of Impressionistic techniques with a distinctive personal style.

    Later Life and Death

    World War I Service: Served as a nurse with the French Red Cross during World War I.

    Continued Artistic Activity: Continued to paint and exhibit throughout her life, even during World War II when she lived in Grenoble.

    Return to Paris: Returned to her studio in Montparnasse after WWII.

    Death: Died on February 22, 1965, at Montparnasse, France.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Sweet Peas

    artsdot.com/sl/art/download/bessie-davidson-sweet-peas-ARD88B-en/

    Navodila za citiranje umetniškega dela

    MLA
    Davidson, Bessie. Sweet Peas. 1923, https://artsdot.com/sl/art/bessie-davidson-sweet-peas-ARD88B-en/
    APA
    Davidson, Bessie (1923). Sweet Peas [Painting]. https://artsdot.com/sl/art/bessie-davidson-sweet-peas-ARD88B-en/
    Chicago
    Bessie Davidson. Sweet Peas. 1923. https://artsdot.com/sl/art/bessie-davidson-sweet-peas-ARD88B-en/
    Harvard
    Davidson, Bessie (1923) Sweet Peas. Available at: https://artsdot.com/sl/art/bessie-davidson-sweet-peas-ARD88B-en/

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    Sweet Peas — Bessie Davidson

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Poglejte nazaj na Interior, ki ste ga prej videli v tem priročniku. Imejte dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    4. Bessie Davidson je bil star približno 44, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tej dobi?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

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