Format papirja

Priročnik za študentska dela

Phebo

Ime in priimek Razred Datum

Beatriz Milhazes, Phebo (2004). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Beatriz Milhazes artsdot.com/sl/artists/beatriz-milhazes/
Datumi rojstva in smrti umetnika
1961 –
Naslikano
2004

V kontekstu

Phebo — Beatriz Milhazes

Kdaj je bilo to naslikano?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja, pri čemer se leta od rojstva štejejo od 0 naprej.

Naslikano, ko je bil avtor star 43. 5 od 16 datiranih del tega umetnika v našem katalogu je nastalo prej.

▲ to delo, 2004 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1997 Glavni delovni leti: 1997–2008 Pozna dela: od 2008

Ti trije pasovi razdelijo dela v tem katalogu na prvo četrtino, srednjo polovico in zadnjo četrtino. Niso popolna celotina umetnikovega dela: tanjka obdobja je lahko praznina v arhivu, ne le obdobje manj intenzivnega ustvarjanja. Iste leta, v katerih se odtisa življenje umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/beatriz-milhazes-phebo-D2DT5F-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Quinacridone Magenta #793d6e

    Shranjena paleta

    • #793D6E
    • #450F20
    • #96241D
    • #C4909C

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Dark Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Quinacridone Magenta
    Intenzivnost
    Vivid Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Clear Color Presence Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Beatriz Milhazes v zadnjih dvanajst mesecih — skupaj 3 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Avstrija 40,0%
    2. 2 Brazilija 40,0%
    3. 3 Kitajska 20,0%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    7 najbolj gledanih del umetnika Beatriz Milhazes

    1. 1 Popeye, 2008 55,6%
    2. 2 Figo, 2006 22,2%
    3. 3 The Kiss, 1995 5,6%
    4. 4 Succulent eggplants 5,6%
    5. 5 Ice Grape, 2008 5,6%
    6. 6 Carambola, 2008 5,6%
    7. — Phebo, 2004 ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 17 del te umetnice, pri čemer je bilo 6 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Beatriz Milhazes

    Rojen v Rio de Janeiro, Brazil

    A Kaleidoscope of Brazilian Modernism

    Beatriz Milhazes stands as a luminous figure in the contemporary art world, a painter whose work vibrates with the rhythmic energy of her native Rio de Janeiro. Born in 1960, Milhazes emerged from a landscape where the transition from military dictatorship to political freedom sparked a profound creative resurgence known as the Geração 80. Her upbringing was steeped in a rich cultural tapestry; with a father who was a lawyer and a mother an art historian, she was raised amidst a deep appreciation for both formal aesthetics and the complex narratives of Brazilian identity. This foundation allowed her to develop a visual language that is simultaneously deeply local and universally accessible, blending the high-minded principles of European modernism with the exuberant, sensory textures of Brazilian life.

    The artist’s early academic journey at the Escola de Artes Visuais Parque Lage provided the fertile ground necessary for her experimentation. It was here that she began to synthesize disparate influences into a singular vision. Her work is a masterful dialogue between the structured geometry of Piet Mondrian and the Bauhaus movement, and the fluid, organic ornamentation found in the works of Henri Matisse and the Brazilian icon Tarsila do Amaral. Milhazes does not merely reference these masters; she reinterprets them through a lens of tropicality, where the sharp edges of abstraction are softened by the swirling motifs of carnaval, samba, and the lush flora of the tropics.

    The Alchemy of Layered Light

    What truly distinguishes a Milhazes masterpiece is her idiosyncratic and mesmerizing technique, a process that defies the traditional boundaries between painting and collage. In the mid-1990s, she perfected a method of "collaging paint" that has become her artistic signature. Rather than applying pigment directly to a canvas in a conventional manner, she paints vibrant, abstract designs onto transparent plastic sheets. These layers are then meticulously transferred to the canvas, a repetitive and rhythmic process that allows her to build complex, multi-dimensional textures while maintaining a deceptively flat surface. This technique creates a sense of temporal depth, as if several moments of creation have been compressed into a single, luminous plane.

    This method serves her broader conceptual goal: to minimize the visible "hand" of the painter and instead focus on the pure interplay of color and form. The resulting compositions are a dizzying array of circles, squares, and floral patterns that evoke the optical dynamism of Op Art. Her palette is famously saturated, reflecting the intense sunlight of Rio de Janeiro and the kaleidoscopic variety of popular Brazilian fabrics, ceramic tiles, and colonial Baroque architecture. In her hands, the canvas becomes a site of "conceptual carnavalesca," where high art and popular culture collide in a celebratory explosion of pattern.

    A Global Legacy and Architectural Vision

    As her career progressed, Milhazes’ reach extended far beyond the confines of the traditional frame. She began to treat space itself as a medium, creating large-scale architectural installations and site-specific interventions that transform institutional environments into immersive experiences. From the Tate Modern in London to the Fondation Cartier in Paris, her work has breathed new life into prestigious global venues, proving that her language of pattern and color is truly international. These projects, such as her reconstructed architectural models for Pinturas Nômades, demonstrate her ability to translate the intimacy of a painting into the grandeur of public space.

    The historical significance of Beatriz Milhazes lies in her ability to navigate the tension between local identity and global modernism. She has successfully reclaimed Brazilian motifs—once viewed through a purely folkloric lens—and elevated them into the realm of sophisticated, high-concept abstraction. Her work remains a testament to the power of synthesis, proving that an artist can be deeply rooted in their own soil while speaking a language that resonates across continents. Through her layered histories and vibrant geometries, Milhazes continues to invite viewers into a world where every stroke is a celebration of life, movement, and the enduring beauty of the unexpected.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Phebo

    artsdot.com/sl/art/download/beatriz-milhazes-phebo-D2DT5F-en/

    Navodila za citiranje umetniškega dela

    MLA
    Milhazes, Beatriz. Phebo. 2004, https://artsdot.com/sl/art/beatriz-milhazes-phebo-D2DT5F-en/
    APA
    Milhazes, Beatriz (2004). Phebo [Painting]. https://artsdot.com/sl/art/beatriz-milhazes-phebo-D2DT5F-en/
    Chicago
    Beatriz Milhazes. Phebo. 2004. https://artsdot.com/sl/art/beatriz-milhazes-phebo-D2DT5F-en/
    Harvard
    Milhazes, Beatriz (2004) Phebo. Available at: https://artsdot.com/sl/art/beatriz-milhazes-phebo-D2DT5F-en/

    Poglejte bližje

    Phebo — Beatriz Milhazes

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si The Beach (A Praia) (1997), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Beatriz Milhazes je bil star približno 43, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kako "Phebo" uravновеža svetlo in temno?

    Zabeležene vrednosti za "Phebo" avtorja Beatriz Milhazes so: svetlina shadow, luminanca Dark.

    Kje lahko kupim tiskanino dela "Phebo" avtorja Beatriz Milhazes?

    Če želite naročiti tiskanino dela "Phebo" avtorja Beatriz Milhazes, jo preprosto naročite na njegovi strani Kakovostna tiskanina: umjetnička grafika na bombažnem platnu ali arhivskem papirju za platno.

    Ali so barve dela "Phebo" avtorja Beatriz Milhazes nasičene ali utemeljene?

    "Phebo" avtorja Beatriz Milhazes je zabeležen z Clear Color Presence saturacijo.