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Priročnik za študentska dela

Self-portrait

Ime in priimek Razred Datum

Antonio Laccabue, Self-portrait (1954), Fondazione - Archivio Antonio Ligabue di Parma. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik
Antonio Laccabue artsdot.com/sl/artists/antonio-laccabue_sl/
Datumi rojstva in smrti umetnika
1899 – 1965
Naslikano
1954
Material
Oil
Prvotna velikost
70 x 65 cm
Gibanje
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Obdobje
Modern
Na lokaciji
Fondazione - Archivio Antonio Ligabue di Parma artsdot.com/sl/museums/fondazione-archivio-antonio-ligabue-di-parma-parma/
Artistic style
Naïve art, Expressionist
Notable elements or techniques
Thick impasto, textured brushstrokes
Subject or theme
Self-portrait and landscape, introspection

V kontekstu

Self-portrait — Antonio Laccabue

Kakšna je velikost?

Originalne dimenzije so 70 × 65 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Osenčeno: življenjsko obdobje Antonio Laccabue (1899–1965) ▲ to delo, 1954

Primerjajte z

  • Lion, 1935 artsdot.com/sl/art/antonio-laccabue-lion-D6639T-en/
  • Panther artsdot.com/sl/art/antonio-laccabue-panther-D6639H-en/
  • Black Widow, 1955 artsdot.com/sl/art/antonio-laccabue-black-widow-D6636A-en/

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: artsdot.com/sl/art/similar/antonio-laccabue-self-portrait-D66374-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Black #161510

    Shranjena paleta

    • #161510
    • #AC7746
    • #23829D
    • #554734
    Naziv primarne barve
    Black
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    O tem umetniškem delu

    Self-portrait — Antonio Laccabue

    A Window into the Soul: The Raw Intensity of Antonio Laccabue

    In the vast tapestry of twentieth-century art, few works capture the visceral intersection of identity and environment as poignantly as Antonio Laccabately’s 1954 Self-portrait. This masterpiece serves not merely as a likeness of the artist, but as a profound psychological landscape. At first glance, the viewer is met with an intense, furrowed brow and a gaze that pierces through the canvas, demanding an emotional reckoning. The subject’s expression, steeped in a sense of melancholy and deep introspection, acts as the anchor for a composition that feels both deeply personal and cosmically vast. It is a work that transcends simple portraiture, inviting collectors and enthusiasts alike to contemplate the fragile boundary between the self and the external world.

    The technical execution of this piece is nothing short of breathtaking, characterized by a heavy, tactile impasto technique that breathes life into the very fabric of the painting. Drawing inspiration from the expressive energy of Abstract Expressionism and the textured grit of Antoni Tàpies, Laccabue employs thick, gestural brushstrokes to create a surface that is as much a sculpture as it is a painting. The paint is applied with such vigor that the canvas becomes a rugged terrain of ridges and valleys, catching the light in ways that shift with every movement of the observer. This physical depth mirrors the emotional complexity of the subject, where the fragmented, geometric shapes of the background landscape—trees and buildings rendered with simplified, almost primitive forms—create a chaotic yet harmonious tension against the central figure.

    Beyond its striking visual presence, the Self-portrait carries a heavy historical and symbolic weight. Born from a life marked by profound tragedy and displacement, Laccabue’s work often reflects a struggle for stability amidst chaos. In this 1954 creation, the integration of the man with the landscape suggests a symbolic fusion; he is not merely standing in front of a setting, but is inextricably woven into it. The flattened perspective and lack of traditional depth cues strip away the distractions of realism, forcing the viewer to focus on the raw, expressive use of color and line. For the interior designer or art lover, this piece offers more than just decoration; it provides a focal point of immense character and narrative depth, making it an incomparable addition to any collection seeking to evoke strength, resilience, and the beautiful complexity of the human spirit.

    Umetnik in muzej

    Umetnik

    Antonio Laccabue

    Rojen v Zürih, Švija

    zgodnje življenje in težave

    antonio laccabue, znan tudi kot antonio ligabue, je bil italijanski slikar, kipar in grafičar, rojen v Zürichu, na Švici, leta 1899. Njegovo zgodnje življenje je zaznamovalo težko obdobje, ko so njegova mati in trije bratje leta 1913 umrli zaradi zastrupitve s hrano. Ta tragičen dogodek je privabil do njegove izglose iz Švije, kasneje pa je bil hospitaliziran v psihiatrični kliniki.

    umetnična pot

    ligabue je začel slikati leta 1920, njegove umetne sposobnosti pa je prepoznal in cenil renato marino mazzacurati, ki ga je naučil tehnike oljne slikarstva. Njegovo delo prepoznavajo živopisne in barvne predstavitve živali in pejzažev, kar mu je prineslo ugled enega najpomembnejših naivnih umetnikov 20. stoletja.

    izpostavljena dela in muzeji

    med ligabuejeva izstopajoča delaSOD veljajo:

    eagles with fox (1944), ki prikazuje njegovo edinstveno zlitje realizma in naivnosti.

    the roar, močan primer njegove sposobnosti zajema bistva živali.

    self-portrait with dog (1957), ki izpostavlja njegovo eksperimentiranje s samoportreti.

    Ta dela lahko najdemo v različnih muzejih, vključno s kunsthaus zürich na Švici, ki ima obsežno zbirko ligabuejevih umetnin.

    dediščina in vpliv

    kljub temu turbulentnemu življenju, je ligabue pustil neizbrisno sled v svetu umetnosti. Njegova naivnost in uporaba barv sta vplinjali na štezne umetnike ter utrdile njegovo mesto v letopisu zgodovine umetnosti.

    raziščite več na AllPaintingsStore

    za globlji vpogled v ligabuejevo umetniško stvarstvo in dela drugih izstopajočih umetnikov obiščite [https://AllPaintings_Store.com/@/antonio-laccabue](https://AllPaintingsStore.com/@/antonio-laccabue) in odkrijte ogromno razstavljeno zbirko umetnosti.

    reference

    [https://www.wikiart.org/en/antonio-ligabue](https://www.wikiart.org/en/antonio-ligabue)

    [https://AllPaintingsStore.com/@/antonio-laccabue](https://AllPaintingsStore.com/@/antonio-laccabue)

    Muzej

    Fondazione - Archivio Antonio Ligabue di Parma

    Na razstavi v Parma, Italy

    A Sanctuary for Expression: Discovering the Fondazione - Archivio Antonio Ligabue in Parma

    Nestled within the historic Palazzo Bentivoglio, a structure that whispers tales of Parma’s rich past with its aged stones and elegant arches, lies an extraordinary institution dedicated entirely to the life and work of Antonio Ligabue – a 20th-century master whose intensely personal expressionist vision continues to resonate with profound emotional power. The Fondazione - Archivio Antonio Ligabue di Parma is more than simply a museum; it’s a portal into the soul of an artist who navigated a tumultuous life, transforming hardship and isolation into a vibrant, often unsettling, body of work. This isn't just viewing art; it’s experiencing a deeply felt narrative, a testament to resilience born from struggle.

    Ligabue’s story is inextricably linked to his art, mirroring its raw vulnerability and haunting beauty. Born in Zurich to an Italian mother and an unknown father, his early years were marked by abandonment and institutionalization – experiences that profoundly shaped his worldview. The Fondazione embraces this complex narrative, offering visitors rare archival materials – sketches, letters, personal artifacts—that illuminate the artist’s journey with startling intimacy. These glimpses into Ligabue's life aren’t mere footnotes; they are crucial context for understanding the emotional intensity that permeates his canvases. His paintings weren’t merely representations of the world around him; they were visceral expressions of his inner landscape, born from a lifetime of searching and quiet contemplation.

    The Power of Expressionism: A Collection Defined by Emotion

    The museum's permanent collection is a breathtaking journey through the breadth and depth of Ligabue’s artistic output. His iconic paintings—expressive portraits that seem to gaze directly into your soul, landscapes teeming with a restless energy, and depictions of animals rendered with both tenderness and ferocity—are presented in a way that invites intimate contemplation. What immediately strikes the eye is Ligabue's masterful use of color; he employed bold, often jarring combinations – fiery reds against muted blues, vibrant yellows juxtaposed with somber greens – to convey emotion with startling directness. He eschewed traditional techniques in favor of a more intuitive approach, layering paint thickly and creating a tactile quality that draws the viewer into the very texture of the work. The impastoed surfaces practically vibrate with energy, reflecting the intensity of his emotional state.

    Beyond the finished canvases, the Fondazione’s dedication to research ensures the authenticity of every piece on display, offering visitors confidence in the integrity of the collection. The museum also houses a significant collection of Ligabue's drawings and sketches, providing invaluable insight into his creative process – revealing preliminary studies alongside finished works, demonstrating how he built up his compositions layer by layer.

    A Living Archive: Preservation and Discovery

    What truly sets the Fondazione - Archivio Antonio Ligabue apart is its dual role as both a museum and a research center. This commitment to scholarly investigation ensures that Ligabue’s legacy will continue to be explored and understood for generations to come. The archive serves as a hub for art historians, scholars, and enthusiasts alike, fostering a deeper appreciation for the artist's contributions to 20th-century art. Rotating exhibitions—often focusing on specific themes or periods within Ligabue’s career—further enhance the visitor experience, presenting fresh perspectives on his oeuvre and highlighting previously unseen works. These dynamic presentations keep the museum vibrant and engaging, encouraging repeat visits and ensuring that there is always something new to discover.

    A Cultural Cornerstone in Parma

    The Fondazione - Archivio Antonio Ligabue di Parma occupies a unique position within Italy’s rich cultural landscape. Unlike larger, more comprehensive museums, this institution offers an unparalleled focus on a single artist, allowing for an immersive and deeply rewarding experience. Located in the artistic city of Parma—a region renowned for its prosciutto, Parmesan cheese, and musical heritage (as evidenced by the thriving local opera scene)—the museum complements other local attractions, making it an essential destination for anyone with a passion for art and history. The Palazzo Bentivoglio itself is a beautiful example of Parma’s architectural heritage, providing a fittingly resonant backdrop for Ligabue's paintings, its aged stones echoing the weight of history and the enduring spirit of artistic creation.

    Beyond the Canvas: Exploring Ligabue’s World

    To fully appreciate Ligabue’s work, consider the context of his life. Parma, a city steeped in tradition yet embracing modernity, provided a backdrop for his struggles and triumphs. The Fondazione often hosts events that delve into this broader cultural landscape, including lectures, workshops, and performances inspired by Ligabue's art. Furthermore, exploring Parma itself—visiting the Camera di San Paolo, a masterpiece of illusionistic fresco painting by Antonio Allegri da Correggio – offers a deeper understanding of the artistic traditions that influenced Ligabue’s unique vision. The Fondazione actively encourages visitors to connect with the city and its history, enriching their experience of Ligabue's art.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Self-portrait

    artsdot.com/sl/art/download/antonio-laccabue-self-portrait-D66374-en/

    Navodila za citiranje umetniškega dela

    MLA
    Laccabue, Antonio. Self-portrait. 1954, Fondazione - Archivio Antonio Ligabue di Parma. https://artsdot.com/sl/art/antonio-laccabue-self-portrait-D66374-en/
    APA
    Laccabue, Antonio (1954). Self-portrait [Painting]. Fondazione - Archivio Antonio Ligabue di Parma. https://artsdot.com/sl/art/antonio-laccabue-self-portrait-D66374-en/
    Chicago
    Antonio Laccabue. Self-portrait. 1954. Fondazione - Archivio Antonio Ligabue di Parma. https://artsdot.com/sl/art/antonio-laccabue-self-portrait-D66374-en/
    Harvard
    Laccabue, Antonio (1954) Self-portrait. Fondazione - Archivio Antonio Ligabue di Parma. Available at: https://artsdot.com/sl/art/antonio-laccabue-self-portrait-D66374-en/

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    Self-portrait — Antonio Laccabue

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Koliko obrazov lahko najdete? ____ (v našem katalogu jih je število 1 — se strinjate?)
    4. Naš katalog to delo uvršča pod: self-portrait, landscape art, expressionist style. Se strinjate? Bi kaj dodali ali odvzeli?
    5. Oglejte si Lion (1935), ki ste ga že videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.

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