obdobje

gibanje

1. Dutch Landscape — Salomon Van Ruysdael

vibe

1. Joseph Racontant Ses Songes, louvre — Rembrandt, 1638
2. Merry Company — Gerard Van Honthorst
3. The Concert — Gerard Van Honthorst, 1626
4. Poklicanje svetega Mateja — Caravaggio, 1599
5. Tavern Scene with a Lute Player — Bartolomeo Manfredi, 1621
6. Prodajna ženska — Gerard Van Honthorst, 1625
7. Supper Party (detail) — Gerard Van Honthorst, 1619
8. Priljubljeniki na Emausu — Rembrandt
9. Dutch Whalers near Spitsbergen - Nizozemski lovci na spermje pri Špitsbergu — Abraham Storck, 1690
10. Večina na Obidu — Caravaggio, 1606

teme

1. The concert — jean leclerc

ključne besede

ton

1. Joseph Racontant Ses Songes, louvre — Rembrandt, 1638
2. Merry Company — Gerard Van Honthorst
3. The Concert — Gerard Van Honthorst, 1626
4. Poklicanje svetega Mateja — Caravaggio, 1599
5. Supper Party (detail) — Gerard Van Honthorst, 1619

glavna barva

1. Joseph Racontant Ses Songes, louvre — Rembrandt, 1638
2. The concert — jean leclerc
3. Malle Babbe — Frans Hals, 1635
4. View of Haarlem with Bleaching Grounds — Jacob Isaackszoon Van Ruisdael
5. Večina na Obidu — Caravaggio, 1606
6. Poklicanje svetega Mateja — Caravaggio, 1599
7. Evening Interior — wolfgang heimbach, 1651
8. The Denial of St Peter — Theodoor Rombouts
9. Prodajna ženska — Gerard Van Honthorst, 1625
10. Priljubljeniki na Emausu — Rembrandt
11. Supper Party (detail) — Gerard Van Honthorst, 1619
12. Merry Company — Gerard Van Honthorst
13. Supper with the minstre and his lute / Merry company with a Lute Player — Gerard Van Honthorst, 1619
14. Christ among the Doctors — serodine giovanni, 1625
15. Dutch Whalers near Spitsbergen - Nizozemski lovci na spermje pri Špitsbergu — Abraham Storck, 1690
16. A Dutch Hoeker at Anchor near a Pier — Willem Van De Velde Starejši, 1655

drugo

1. LE DUO CHANTEUSE ET JOUEUR DE LUTH THEORBE — Gerard Ter Borch
2. Room in a Dutch House — Pieter Janssens Elinga, 1668
3. Coenraad boats on a dutch canal — jan jacob spohler
4. Fisherfolk By A Village On The Dutch Coast — carl eduard ahrendts