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      Surface 213

      Writing, alphabet, glyphs, the teeth of a comb, forks, segmented tears, locks, chains, claws: the graphic figures of Capogrossi’s signic language express themselves on the canvas in ever-changing modulations. The sign is never repeated as an end unto itself, but is developed in a series of variations, which, as Argan noted in 1967, find a literary parallel in Raymond Queneau’s Exercises in Style, published in 1947, in that, using the same words, the French writer stages narrative situations whose content changes each time it is told. Surface 213 and its counterpart Surface 231 (1957, Simeoni Collection, Florence) are an example of this modulation, in that the variable consists in the positive-negative effect of the colour and the partitioning of the canvas like a card index.

      Vprašanja in odgovori

      Ali lahko uporabim augmented reality (proširjeno stvarnost), da vidim "Surface 213" avtorja Giuseppe Capogrossi v svoji sobi?

      Delo "Surface 213" avtorja Giuseppe Capogrossi si lahko ogledate na svoji steni s stranjo AR predogled, z uporabo augmented reality tehnologije na združljivi napravi.

      Kako "Surface 213" uravновеža svetlo in temno?

      "Surface 213" ima v celoti bright, njegova luminanca pa znaša Bright Balance.

      Katera je prevladujoča barvna tonina dela "Surface 213" avtorja Giuseppe Capogrossi?

      Prevladujoča barva dela "Surface 213" avtorja Giuseppe Capogrossi je Ochre to Sepia. Ta barva predstavlja osnovni ton palete.

      Avtorji ArtsDot.com

      Giuseppe Capogrossi (1900 – 1972)

      Discover Giuseppe Capogrossi: Italian painter blending Renaissance & modernism. Bold brushstrokes, abstract art, & key figure in Venetian & Roman art scenes.

      Galleria Civica di Arte Moderna e Contemporanea Torino (Turin, Italija)

      GAM Torino: odkrijte znamenito zbirko sodobne umetnosti v Turinu, ki vključuje futuristična dela, skulpture Arte Povera, portrete Modiglianija in pop art Andyja Warhola.

      O tem umetniškem delu