Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 45 del v našem katalogu avtorja Romanino
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Najbolj znano delo umetnika Romanino je Portrait of a Young Man (1511). Najdete ga v muzeju John and Mable Ringling Museum of Art v mestu Sarasota. Na seznamu sta še Madonna and Child (1507) in Salome with the head of John the Baptist (1516). V našem katalogu imamo 45 del avtorja Romanino; ta vodnik izpostavlja 40 najbolj znanih del, vključno z letom nastanka, muzejem in zgodbojo vsake slike.
In the Portrait of a Young Man by Girolamo Romanino, the sitter is positioned against a dark green curtain that provides a deep, saturated backdrop for the subject. The young man is dressed in a gold brocade coat, the texture of which is rendered with attention to the heavy, woven fabric. Upon his head, he wears a gold-coloured hat. His right hand rests upon the hilt of a sword, a…
The Madonna and Child is an oil painting by Girolamo Romanino. This work emerged from the hand of an artist born in Brescia, Italy, in 1485. The brushstrokes capture a quiet moment of maternal presence, a stillness held within the frame of the Renaissance. Romanino lived until 1562, leaving behind a legacy rooted in the landscapes of his home.
The painting presents a tightly cropped scene set within a shallow, dark space. At the center, a female figure, Salome, is positioned with a pale complexion and a downward gaze. She wears a voluminous, greyish-blue headdress that frames her face, a white chemise with fine pleating, and a green mantle draped over her shoulders. Her hands hold a silver platter, upon which rests the severed head of John the Baptist.…
The Mystic Marriage of St. Catherine is a religious oil painting by Girolamo Romanino. Created about 1540, this work belongs to the Renaissance style. It captures a sacred moment through a careful arrangement of figures and light.
To stand before this depiction of Christ Carrying the Cross is to be confronted by an overwhelming tide of human suffering and divine endurance. The scene, rendered in 1542, transcends mere narrative illustration; it becomes a profound meditation on sacrifice itself. At its heart, we find Jesus, his form burdened under the immense weight of the cross—a physical manifestation of sin and redemption. The artist has masterfully captured not just…
To stand before this self-portrait by Girolamo Romanino is to encounter not merely a likeness, but a profound moment of intellectual and artistic contemplation captured in oil paint. The subject, depicted with meticulous detail, commands attention through his very act: the poised gesture of writing, the pen held ready against the creamy expanse of paper. Clad in the somber dignity of a black robe, he embodies the archetype of the…
Girolamo Romanino's "The Nativity," painted in 1524, isn’t merely a depiction of the biblical birth of Christ; it’s a vibrant window into the heart of Renaissance Venice – a city pulsating with artistic innovation and deeply rooted religious devotion. Housed within the high altarpiece of the church of San Alessandro in Brescia, Italy, this panel transcends simple narrative, offering a complex tapestry of faith, human emotion, and masterful technique. It's…
To gaze upon Girolamo Romanino’s Madonna and Child is to step directly into the luminous heart of the Italian High Renaissance. This painting, executed around 1527, transcends a mere portrait; it is a profound meditation on motherhood, divinity, and enduring grace. The composition immediately draws the eye to the central figures—the Madonna, regal in her blue mantle and adorned with a crown, cradling the infant Christ upon her lap. Romanino…
In the quietude of Girolamo Romanino’s 1524 masterpiece, Saint Gaudioso, one finds more than a mere portrait of a religious figure; one encounters a profound window into the spiritual psyche of the High Renaissance. This evocative work captures the solemnity of Saint Gaudiosus, a revered bishop, in a moment of deep, introspective prayer. As the viewer approaches this painting, they are immediately drawn into the saint's contemplative orbit, guided by…
Alfons II King of Naples Handing over a Banner to Niccolo Orsini1508 · Muzej lepih umetnosti
Pridobite ročno naslikano from $175 →
Christ before Pilate, and Flagellation of Christ1519 · Katedrala v Cremoni
Pridobite ročno naslikano from $175 →
Presentation of Jesus at the Temple1529 · Pinacoteca di Brera
Pridobite ročno naslikano from $175 →
Četiri teme, ki se v teh delih najpogosteje pojavljajo, vsaka z svojim najbolj znanim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Romanino | Slike iz tega seznama |
|---|---|---|---|
 National Gallery |
London | 6 | The Nativity, Saint Gaudioso, Saint Filippo Benizzi |
 Muzej lepih umetnosti |
Budimpešta | 4 | Self-portrait (.), Pope Innocent VIII Handing over a Banner to Niccolo Orsini, Alfons II King of Naples Handing over a Banner to Niccolo Orsini |
 Gemäldegalerie |
Berlin | 3 | Salome with the head of John the Baptist, Mary and child enthroned with two saints, High altarpiece, s. alessandro, brescia |
 Pinacoteca di Brera |
Milano | 3 | Christ Carrying the Cross, Presentation of Jesus at the Temple, Madonna with child |
 Katedrala v Cremoni |
Crema | 3 | Christ Crowned with Thorns, and Ecce Homo, Christ before Pilate, and Flagellation of Christ, Christ before Pilate (detail) |
 John and Mable Ringling Museum of Art |
Sarasota | 1 | Portrait of a Young Man |
 Ermitaž |
Sankt Peterburg | 1 | Madonna and Child |
 Niedersächsisches Landesmuseum |
Hanover | 1 | Ecce Homo |
Izberite desetletje, da si ogledate njegovo najboljše delo.
The Madonna and Child is an oil painting by Girolamo Romanino. This work emerged from the hand of an artist born in Brescia, Italy, in 1485. The brushstrokes capture a quiet moment of maternal presence, a stillness held within the frame of the Renaissance. Romanino lived until 1562, leaving behind a legacy rooted in the landscapes of his home.
In the Portrait of a Young Man by Girolamo Romanino, the sitter is positioned against a dark green curtain that provides a deep, saturated backdrop for the subject. The young man is dressed in a gold brocade coat, the texture of which is rendered with attention to the heavy, woven fabric. Upon his head, he wears a gold-coloured hat. His right hand rests upon the hilt of a sword, a…
Girolamo Romanino's "The Nativity," painted in 1524, isn’t merely a depiction of the biblical birth of Christ; it’s a vibrant window into the heart of Renaissance Venice – a city pulsating with artistic innovation and deeply rooted religious devotion. Housed within the high altarpiece of the church of San Alessandro in Brescia, Italy, this panel transcends simple narrative, offering a complex tapestry of faith, human emotion, and masterful technique. It's…
To stand before this self-portrait by Girolamo Romanino is to encounter not merely a likeness, but a profound moment of intellectual and artistic contemplation captured in oil paint. The subject, depicted with meticulous detail, commands attention through his very act: the poised gesture of writing, the pen held ready against the creamy expanse of paper. Clad in the somber dignity of a black robe, he embodies the archetype of the…
The Mystic Marriage of St. Catherine is a religious oil painting by Girolamo Romanino. Created about 1540, this work belongs to the Renaissance style. It captures a sacred moment through a careful arrangement of figures and light.
Na vrhu liste je Portrait of a Young Man (1511), John and Mable Ringling Museum of Art, Sarasota. Takoj za njim sta Madonna and Child (1507) in Salome with the head of John the Baptist (1516).
Starosti 26 let. Romanino se je rodil(a) leta 1485, njegovo/njino delo Portrait of a Young Man pa izvira iz leta 1511.
Portrait of a Young Man, Madonna and Child, Salome with the head of John the Baptist, The Mystic Marriage of St. Catherine, Christ Carrying the Cross, Self-portrait (.), The Nativity, Madonna and Child, Saint Gaudioso in Pope Innocent VIII Handing over a Banner to Niccolo Orsini. Leto in muzej vsakega dela boste našli v zgornjem seznamu.
V našem katalogu je 45 del umetnika Romanino, datiranih od 1507 do 1550.
Večino njih boste našli v National Gallery (London), Muzej lepih umetnosti (Budimpešta) in Gemäldegalerie (Berlin). Na seznamu muzejev zgoraj je naveden celoten pregled.
V obdobju 1510s, bolj kot koli drugič: 9 od 40 del na tej strani izvira iz tega obdobja, med katerimi je Portrait of a Young Man.
Najstarejše delo tukaj je Madonna and Child (1507); najsodobnejše je Ecce Homo (1550).
Woman (3), Landscape (3) in Religious scene (3) od 40 del na tej strani.
Oil On Canvas, uporano v 6 od 40 del na tej strani.
High renaissance, kot lahko vidite v delih na tej strani.
Na tej strani lahko v muzeju National Gallery, London vidite 6 dela, vključno s作品ami The Nativity, Saint Gaudioso in Saint Filippo Benizzi.
Da. Vsaka slika na tej strani je na voljo kot ročno slikano oljno reprodukcijo ali tiskano kopijo v velikosti, ki vam ustreza. Za naročilo le odprite stran slike.
Girolamo Romanino, often referred to simply as Romanino, stands as a luminous figure within the Italian High Renaissance, serving as a leading light of the Brescia school. Born in Brescia, Italy, his artistic journey was deeply intertwined with the cultural currents of both the Lombardy and Veneto regions. His early life and training remain somewhat shrouded in the mists of history, yet his presence in the art world is undeniably felt through a body of work that captures the profound spiritual and emotional landscape of his era. As an artist, he possessed a unique ability to blend the grounded, humanistic traditions of his home with the vibrant, atmospheric innovations emerging from Venice.
The evolution of Romanino's style is a fascinating study in artistic adaptation and growth. His long career was marked by several distinct phases, reflecting a restless creativity that refused to be confined to a single mode of expression. In his earlier years, one can observe traces of the Quattrocento tradition, particularly in works like his 1510 Pietà for the church of San Lorenzo in Brescia. However, as he moved into his twenties and established himself in Venice by 1513 at the latest, his palette and technique began to absorb the rich, saturated colors and expressive light characteristic of the Venetian masters. This fusion allowed him to create works that were simultaneously monumental and intimately human.
Romanino's oeuvre is profoundly defined by its religious devotion, yet he approached sacred subjects with a remarkable sense of narrative immediacy and psychological depth. He did not merely depict biblical events; he breathed life into them through a masterful command of light and texture. In his 1524 masterpiece, The Nativity, housed in the church of San Alessandro in Brescia, the viewer is invited into a world where the divine meets the earthly. Through the use of deep reds, blues, and golds, he captures the humble adoration of Mary and Joseph with a tactile richness that makes the scene feel both timeless and present.
His ability to convey the spiritual psyche is perhaps most evident in his more contemplative works. In Saint Gaudioso, painted in 1524, Romanino utilizes a heavy, meditative atmosphere to guide the viewer into the saint's introspective prayer. The downward gaze of the figure and the carefully modeled forms create a sense of solemnity that transcends simple portraiture. This capacity for emotional resonance is also found in his secular works, such as Portrait of a Man, where the meticulous detail of opulent attire and an arresting, serious expression suggest the weight of nobility and the grandeur of the sixteenth century.
The historical significance of Romanino lies in his role as a bridge between different regional styles and generations of artists. His work contributed to a vibrant artistic dialogue in Brescia, notably through his participation in "artistic duels" with contemporaries like Moretto, such as the decoration of the Cappella del Santissimo Sacramento. His influence extended beyond his immediate circle; for instance, the prominent painter Girolamo Muziano is said by some accounts to have begun his work under the tutelage of Romanino.
Throughout his life, Romanino's contributions to the Lombard and Venetian landscapes left an indelible mark on the Renaissance. His mastery of several key elements defines his enduring legacy:
