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Jan Gerritsz van Bronckhorst Najbolj priljubljene slike

Najbolj priljubljena dela umetnika Jan Gerritsz van Bronckhorst, ki jih je naših obiskovalcev zaprosilo 20, razvrščena po popularnosti in predstavljena posamezno, s specifikacijami in ceno vsake ročno slikane reprodukcije.

Edition 2026 · 20 umetnin Vsako delo naslikano po naročilu
Platno z lnenim vlaknom · Certifikat o avtentičnosti · Dostava po vsem svetu Jan Gerritsz van Bronckhorst · 1603 – 1661

Merry Company with a Violinist

1640 · Hermitage Museum, Sankt Peterburg · originalna velikost 120 x 148 cm

Explore Jan Gerritsz van Bronckhorst's 'Merry Company with a Violinist,' a captivating Baroque masterpiece depicting a lively gathering and showcasing the artist’s masterful blend of drama and sensuality.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 1 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$17535 × 29 cm Naročite to delo

Ista velikost kot original$665148 × 120 cm Naročite v originalni velikosti

Bacchanal with Silenus

1600 · Museo de Arte de Ponce, Ponce · originalna velikost 164 x 221 cm

Jan Gerritsz van Bronchorst’s Bacchanal with Silenus captures a lavish 17th-century Dutch family reveling in a Bacchus celebration, showcasing Mannerist style and opulent detail. Explore this dynamic scene and bring home a unique piece of art history.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 2 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$17536 × 28 cm Naročite to delo

Ista velikost kot original$1198221 × 164 cm Naročite v originalni velikosti

A Shepherd's Concert

1670 · Hermitage Museum, Sankt Peterburg · originalna velikost 96.0 x 124.0cm

This serene Baroque pastoral scene by Jan Gerritsz van Bronckhorst captures a musical moment. Shop this timeless masterpiece today.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 3 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$22536 × 28 cm Naročite to delo

Ista velikost kot original$545124 × 96 cm Naročite v originalni velikosti

Portrait of Nicholaes Oetgens van Waveren (1622-1684)

Oglejte si najbolj priljubljeno umetniško delo avtorja Jan Gerritsz van Bronckhorst na 4 mestu: Portrait of Nicholaes Oetgens van Waveren (1622-1684)

1656 · Amsterdam Museum, Amsterdam · originalna velikost 163.0 x 132.5cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 4 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$17528 × 35 cm Naročite to delo

Ista velikost kot original$776133 × 163 cm Naročite v originalni velikosti

Distribution of food

1657 · Amsterdam Museum, Amsterdam · originalna velikost 262.0 x 157.0cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 5 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$35024 × 41 cm Naročite to delo

Young Man Playing a Theorbo

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 6 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$17529 × 34 cm Naročite to delo

Sleeping Nymph and Shepherd

1645 · originalna velikost 85 x 116 cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 7 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$17537 × 27 cm Naročite to delo

Ista velikost kot original$435116 × 85 cm Naročite v originalni velikosti

Melchior

1650

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 8 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$17528 × 36 cm Naročite to delo

Jethro advising Moses

1659 · originalna velikost 465.0 x 450.0cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 9 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$60031 × 32 cm Naročite to delo

The three graces

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 10 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$17532 × 31 cm Naročite to delo

Jupiter Gives Orders to Mercury to Kill Argus

1656 · originalna velikost 275.0 x 168.0cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 11 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$40025 × 39 cm Naročite to delo

Fame

1656

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 12 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$17532 × 31 cm Naročite to delo

Notoriety

1656

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 13 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$17532 × 31 cm Naročite to delo

Time

1656

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 14 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$17532 × 31 cm Naročite to delo

Musical company

1646 · originalna velikost 115.0 x 154.0cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 15 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$30036 × 28 cm Naročite to delo

Ista velikost kot original$788154 × 115 cm Naročite v originalni velikosti

The procuress.

Experience Jan Gerritsz van Bronchorst’s ‘The Procuress.’ A provocative 17th-century Dutch painting featuring a captivating scene of intrigue and desire. Commission a hand-painted replica today.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 16 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$17535 × 28 cm Naročite to delo

Memorial Panel for Lubbert Bolle, Jan Gerritsz. van Bronckhorst (possibly), 1525 - 1574

Oglejte si najbolj priljubljeno umetniško delo avtorja Jan Gerritsz van Bronckhorst na 17 mestu: Memorial Panel for Lubbert Bolle, Jan Gerritsz. van Bronckhorst (possibly), 1525 - 1574

1574 · originalna velikost 75 x 51 cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 17 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$17526 × 38 cm Naročite to delo

Ista velikost kot original$25951 × 75 cm Naročite v originalni velikosti

A Concert

originalna velikost 120 x 154 cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 18 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$17536 × 28 cm Naročite to delo

Ista velikost kot original$685154 × 120 cm Naročite v originalni velikosti

The Wine festival (Allegory of the Autumn).

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 19 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$17543 × 23 cm Naročite to delo

landscape with bathing nymphs

originalna velikost 27.5 x 36.0cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularnost: № 20 od 20 del umetnika Jan Gerritsz van Bronckhorst
Dostava: Po vsem svetu, približno 5 tednjem

od$17533 × 31 cm Naročite to delo

Umetnik

Jan Gerritsz van Bronckhorst

1603 – 1661

Hitri podatki

Lifespan58 years
Art periodEarly Modern
Copyright statusPublic domain
Also known asJan Gerritsz. van Bronchorst, Jan van Bronchorst, Gerritsz. van Bronckhorst, Jan Gerritsz. van Bronkhorst, Jan Bronkhorst
Top-ranked workMerry Company with a Violinist
NationalityNetherlands
Typical colorsespresso

Biografija

Santi di Tito: A Counterpoint to Mannerism

Santi di Tito (1603 – 1661) emerged from the vibrant, tumultuous artistic landscape of late Renaissance and early Baroque Rome, a period defined by intense stylistic debate. His life and career represent a fascinating case study in navigating evolving artistic conventions, ultimately forging a distinctive style that stands as a crucial bridge between Mannerism and the burgeoning naturalism of the Baroque. Born in Sansepolcro, a small town in Umbria, Santi’s early training remains somewhat shrouded in mystery, with accounts suggesting influences from figures like Bronzino and Baccio Bandinelli, though definitive proof is elusive. This lack of clear lineage contributed to his unique artistic trajectory – one that deliberately distanced itself from the established norms of the time.

Early Career and Roman Apprenticeship

Santi’s journey to Rome in 1558 marked a pivotal moment, placing him within the heart of the city's artistic ferment. He spent nearly a decade working alongside Giovanni de’ Vecchi and Niccolò Circignani on monumental frescoes within the Palazzo Salviati and the Sala Grande of the Belvedere at the Vatican – projects that showcased the grandeur and complexity of Mannerist painting. These early commissions exposed Santi to the prevailing stylistic trends, characterized by elongated figures, complex spatial arrangements, and a deliberate emphasis on elegance and refinement. However, rather than simply absorbing these influences, Santi began to subtly reshape them, introducing a greater sense of naturalism and a more restrained palette. The frescoes in the Belvedere, particularly *Homage of the People*, reveal his growing interest in classical forms and a desire for clarity and balance – qualities that would become hallmarks of his later work.

The Studiolo of Francesco I: A Defining Period

Santi’s most significant contribution to the Roman art scene occurred during his tenure at the Palazzo Vecchio, where he was commissioned to decorate the *Studiolo* (a private study) of Francesco I de' Medici, Grand Duke of Tuscany. This project proved transformative, solidifying Santi’s distinctive style and establishing him as a leading figure in the Counter-Mannerist movement. The two paintings created for this space – *Sisters of Phaeton* and *Hercules and Iole* – exemplify his innovative approach. Unlike the crowded, theatrical compositions typical of Mannerism, Santi's works are characterized by a remarkable clarity of form, a carefully considered use of light and shadow, and a focus on idealized beauty. He deliberately avoided the excessive ornamentation and artificiality that had become associated with Mannerist painting, opting instead for a more restrained and harmonious aesthetic. This shift was consciously intended as a reaction against the prevailing *maniera* of artists like Bronzino and Federico Zuccari, whom he viewed as overly elaborate and lacking in genuine naturalism.

A Reformist Style: Embracing Classical Ideals

Santi’s artistic philosophy can be understood within the broader context of the Counter-Reformation. The Catholic Church was actively seeking to reform its image and promote a more accessible form of religious art, one that emphasized clarity, piety, and emotional engagement. Santi's work reflects this desire for renewal, moving away from the complex intellectualism of Mannerism towards a more direct and emotionally resonant style. He drew inspiration from classical antiquity, particularly the works of Raphael, seeking to emulate his sense of grace, harmony, and balance. This commitment to classical ideals is evident in his careful attention to proportion, his use of idealized figures, and his avoidance of excessive detail. As S. J. Freedberg noted, Santi’s style was “Raphaelesque,” a deliberate attempt to recapture the perceived purity and elegance of Raphael's art.

Later Works and Legacy

Following his return to Florence in 1564, Santi continued to produce significant works throughout his career, including altarpieces for Santa Croce and frescoes for Volterra Cathedral. His *Resurrection of Lazarus* and *Supper at Emmaus*, particularly the latter, demonstrate his ability to convey profound emotion through subtle gestures and carefully rendered details. Despite his artistic achievements, Santi faced considerable financial difficulties, ultimately declaring bankruptcy in 1662. He died in poverty in 1661, largely unrecognized during his lifetime. However, his work gradually gained recognition in the 19th century, and today he is considered one of the most important figures in the Counter-Mannerist movement – a pivotal artist who helped to shape the course of European painting. His legacy lies not only in his individual masterpieces but also in his courageous challenge to established artistic conventions and his unwavering commitment to classical ideals.

Vprašanja in odgovori

V katerih umetnostnih smereh je deloval/a Jan Gerritsz van Bronckhorst?

Raziskujte dela umetnika Jan Gerritsz van Bronckhorst po umetniškem slogu na njegovi strani Vsi umetnostni slogi.

Pod kakšnimi drugimi imeni je znan/a Jan Gerritsz van Bronckhorst?

Jan Gerritsz van Bronckhorst je znana tudi pod imenom Jan Gerritsz. van Bronchorst, Jan van Bronchorst, Gerritsz. van Bronckhorst, Jan Gerritsz. van Bronkhorst, Jan Bronkhorst.

Ali lahko raziskujem dela umetnika Jan Gerritsz van Bronckhorst po tematikah?

Delo umetnika Jan Gerritsz van Bronckhorst lahko raziskujete po temah na njegovi strani Atlas motivov.

Uredništvo ArtsDot.com Posodobljeno dne 01. september 2026

Kviz za zbiratelje

In what year was Santi di Tito born?
Which artistic movement is Santi di Tito most associated with?
What was a key characteristic of Santi di Tito's style, as described by S.J. Freedberg?
What type of painting did Santi di Tito contribute to the Sala Grande of the Belvedere in Rome?
Which of the following best describes Aert van der Neer's primary subject matter?

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