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Artemisia Gentileschi Najbolj priljubljene slike

The 25 artworks by Artemisia Gentileschi our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Platno z lnenim vlaknom · Certifikat o avtentičnosti · Dostava po vsem svetu Artemisia Gentileschi · 1593 – 1653

Susanna in starejšimi

1610 · Schloss Weißenstein, Poppenhausen · original 170 x 121 cm

Živo barvno lepoto Baroka prikazuje Artemisia Gentileschi v sliki Susanna in starejšimi – zgodba o pogumni ženski ter simbolizem čistosti in veročasnosti v zgodovinskem kontekstu.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 1 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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Same size as the original$771121 × 170 cm Commission at original size

Marija Magdalena v ekstazi

1620 · Narodna galerija, London · original 81 x 105 cm

Odkrijte 'Marijo Magdaleno v ekstazi' (1620) Artemisie Gentileschi, čudovito barokno oljno sliko, ki s dramatičnim chiaroscurom in realističnimi detajli zajema duhovni ekstaze. Popolno za zbiratelje umetnosti.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 2 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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Same size as the original$396105 × 81 cm Commission at original size

Jael and Sisera

1620 · Szépművészeti Múzeum, Budimpešta · original 86 x 125 cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 3 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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Same size as the original$461125 × 86 cm Commission at original size

Artemisija Gentilski

1615 · Narodna galerija, London · original 71 x 69 cm

Razkrijte močno samoportret 'Svetnica Katerina Aleksandrijska' od Artemisije Gentilski – mojstrovino baročne umetnosti! Raziskajte njeno simboliko in vpliv Caravaggia v tej ikonični sliki iz leta 1615.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 4 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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Same size as the original$29069 × 71 cm Commission at original size

Samoportret kot svanta Katarina iz Aleksandrije

1615 · Narodna galerija, London · original 71 x 69 cm

Artemisia Gentileschi 'Samoportret kot svanta Katarina iz Aleksandrije' (1615) je močan barokni majstersko delo, ki spaja religijsko ikonografijo z samoreprezentacijo in prikazuje njeno odpornost ter umetniško veščino.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 5 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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Same size as the original$29069 × 71 cm Commission at original size

Samoportret kot alegorija slikarstva (La Pittura)

1639 · Kraljeva zbirka, London

Samoportret kot alegorija slikarstva (1638-9) Artemisie Gentileschi je vrhunsko samopredstavljanje, ki utelja umetniško ustvarjalnost in izziva spolne norme barokne Italije. Odkrijte to ikonično delo!

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 6 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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Judith and Her Maidservant with the Head of Holofernes

1624 · Detroit Institute of Arts, Detroit · original 184 x 142 cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 7 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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Same size as the original$906142 × 184 cm Commission at original size

Danaë

1612 · Narodna galerija, London

Doživite dramatično chiaroscuro in čutne teksture baroknega mojstra Artemisie Gentileschi, Danaë, globoke predstavitve mitologije in intimnosti, ki vas vabijo k vključitvi te brezčasne elegance v vašo zbirko.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 8 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

from$17536 × 28 cm Commission this artwork

Judith Beheading Holofernes

1611 · Palača Capodimonte, Neaplju · original 159 x 126 cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 9 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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Same size as the original$730126 × 159 cm Commission at original size

Portret same kot alegorija slikarstva

1630 · Kraljeva zbirka, London · original 96 x 73 cm

Odkrijte močan avtoportret Artemisie Gentileschi, kjer se umetnica identificira s samo slikarstvom! Delo iz leta 1630 je izjemna priča ženske ustvarjalnosti v baročni dobi.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 10 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

from$17528 × 36 cm Commission this artwork

Same size as the original$35273 × 96 cm Commission at original size

Minerva

1640 · Galerija Uffizi, Florence · original 131 x 103 cm

Doživite dramatično barokno intenzivnost Minerva Artemisie Gentileschi, močan portret modrosti in moči z vrhunskim chiaroscuro, ki vaši zasebni zbirki prinaša brezčasno eleganco.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 11 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

from$17529 × 34 cm Commission this artwork

Same size as the original$541103 × 131 cm Commission at original size

St Catherine of Alexandria

1620 · Galerija Uffizi, Florence · original 77 x 62 cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 12 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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Same size as the original$28662 × 77 cm Commission at original size

Lot in njegove hčerke

1636 · Toledo Museum of Art, Toledo

Odkrijte vrhunsko del Artemisie Gentileschi, ki prikazuje biblijsko realističnost. Ob admirajte njeno kompozicijo in dediščino.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 13 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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Judita odtrga glavo Holofernu

1612 · Galerija Uffizi, Florence · original 199 x 162 cm

„Judita odtrga glavo Holofernu“ Artemisie Gentileschi – dramatično barokno vrhunsko delo! Raziskujte ta močan portret odpornosti in čustev, ki prikazuje chiaroscuro in klasični realizem.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 14 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

from$22529 × 35 cm Commission this artwork

Same size as the original$1132162 × 199 cm Commission at original size

Judita odtrganje glave Holofernu (detajl)

1611 · Palača Capodimonte, Neaplju

Artemisia Gentileschi: »Judita odtrganje glave Holofernu« – dramatično barokno vrhunsko delo! Raziskujte ta močan portret odpornosti in čustev, ki prikazuje tehniko chiaroscuro ter klasični realizem.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 15 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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Self-Portrait as the Allegory of Painting (La Pittura)

1638 · Kraljeva zbirka, London

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 16 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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Clio, muza zgodovine

1632 · Cassa di Risparmio di Pisa, Piza · original 128 x 97 cm

Spoznavajte vrhunsko del Artemisie Gentileschi iz leta 1632. To barokno sliko Clio prikazuje z močjo ženske umetnosti.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 17 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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Same size as the original$50997 × 128 cm Commission at original size

Tarquinius and Lukretia

Slika Galerija Sanssouci, Potsdam · original 226 x 262 cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 18 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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Artemisa Susanna in starci

1622

Doživite dramatično delo Artemisia Gentileschi iz leta 1622. Ta barokno znamenito sliko pridobite kot čudovito ročno naslikano reprodukcijo.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 19 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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Self Portrait as Saint Catherine of Alexandria

1615 · Narodna galerija, London · original 71 x 69 cm

Discover Artemisia Gentileschi's powerful "Self Portrait as Saint Catherine of Alexandria" (1615). This Baroque masterpiece blends self-portraiture with religious iconography, showcasing dramatic lighting & intense emotion. Own a museum-quality repro

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 20 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

from$17531 × 33 cm Commission this artwork

Same size as the original$29069 × 71 cm Commission at original size

Danaë (detail)

1612 · Saint Louis Art Museum, Saint Louis

Dramatic chiaroscuro and intense realism define Artemisia Gentileschi's Danaë, a powerful Baroque masterpiece capturing mythological intimacy and female agency that invites you to explore this timeless work of art.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 21 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

from$17530 × 34 cm Commission this artwork

Birth of St John the Baptist

1635 · Muzej Prado, Madrid · original 184 x 258 cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 22 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

from$17538 × 27 cm Commission this artwork

The Penitent Mary Magdalen

1620 · original 146 x 109 cm

This haunting portrait captures Mary Magdalene's profound sorrow and introspection as she contemplates her past sins. Artemisia Gentileschi skillfully employs Caravaggio’s dramatic chiaroscuro technique, highlighting the woman’s face and emphasizing the emotional weight of her posture.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 23 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

from$17527 × 37 cm Commission this artwork

Same size as the original$611109 × 146 cm Commission at original size

St Cecilia Playing a Lute

1616 · Galleria Spada, Rim · original 108 x 79 cm

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 24 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

from$17527 × 37 cm Commission this artwork

Same size as the original$39679 × 108 cm Commission at original size

Sleeping Venus

1630

Artemisia Gentileschi’s "Sleeping Venus" is a Baroque masterpiece of light and shadow, depicting the goddess of love with defiant beauty and resilience. Explore this iconic 17th-century painting and discover its rich symbolism – a captivating piece to own.

Tehnika: Ročno slikano oljno barvo na platnu
Izdelovano: Naročilo izdeluje usposobljen slikar
Popularity: No. 25 of 104 artworks by Artemisia Gentileschi
Dostava: Po vsem svetu, približno 5 tednjem

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The artist

Artemisia Gentileschi

1593 – 1653

Hitri podatki

Top-ranked workSusanna in starejšimi
Emotional tonedramatično
Typical colorsčrna, espreso
Best occasionsosrednja vrlota, osrednja skladba
Art periodzgodnje moderno obdobje
Also known asArtemissa del Gentileschy, Artemisia Lomi, Artemitia, Gentilesca, Artemizia Gentilesca
Died1653
Top 3 worksSusanna in starejšimi, Marija Magdalena v ekstazi, Jael and Sisera

Biography

Early Life, Family and Training

Artemisia Gentileschi arrived in Rome in 1593, born into a household where the visual arts were the primary language. She was the eldest child of Prudenzia di Ottaviano Montoni and the Tuscan painter Orazio Gentileschi. In the atmosphere of her father's workshop, she received an education that was both practical and rigorous. This environment provided her with a rare opportunity to study the mechanics of composition and the nuances of light, training that was typically reserved for men in the seventeenth century.

Her talent manifested with remarkable speed. By the age of 15, Artemisia Gentileschi was already producing professional work, demonstrating a technical maturity that surpassed many of her contemporaries. This early proficiency allowed her to navigate the competitive artistic circles of Italy, eventually leading to a historic professional milestone. She became the first woman admitted to the Accademia di Arte del Disegno in Florence, a distinction that validated her skill within the formal structures of the art world.

Artistic Style and Technique

Gentileschi’s work is firmly rooted in the traditions of the Italian Baroque, shaped by the revolutionary approach of Caravaggio. She adopted the use of tenebrism, employing a dramatic contrast between light and dark to heighten emotional intensity. This technique directs the viewer's attention toward the essential movements of her subjects, often emerging from deep, impenetrable shadows. Through the careful application of chiaroscuro, she achieved a sense of palpable presence and immediacy in her compositions.

Her technical skill is particularly evident in her naturalistic rendering of the female form. Rather than relying on idealized proportions, she focused on the physical reality of her subjects, capturing the weight and texture of skin and drapery with precision. In her depiction of Susanna and the Elders, she utilized a vertical composition to create a sense of malevolent pressure, emphasizing the psychological tension of the scene. This structural choice, combined with her command of light, allowed her to portray female figures with a distinct sense of agency and physical reality.

Key Works and Masterpieces

Her early career was marked by a departure from the passive depictions of biblical women common in the seventeenth century. In 1610, she produced Susanna and the Elders, a work that introduced a sense of physical discomfort and psychological distress to the scene. This was followed by the visceral 1612–13 version of Judith Slaying Holofernes, where the focus shifted to the active, physical struggle of the act itself. Unlike many of her contemporaries, her Judith is a figure of decisive action and anatomical realism.

As her career progressed, her subject matter continued to explore the complexities of the female experience through a lens of intense emotion. The 1620 completion of The Penitent Mary Magdalen moved away from mere religious representation toward a portrayal of agonizing remorse and spiritual contemplation. Later, in 1636, she turned her attention to Lot and His Daughters, further establishing her ability to render the human form with naturalism and gravity.

In her later years, she turned her gaze toward the concept of the artist herself. Around 1638, she created Self-Portrait as the Allegory of Painting (La Pittura). This work utilized a clever use of mirrors to capture her profile with precision, presenting herself not merely as a subject, but as the embodiment of the art of painting. It remains a significant statement of her professional identity and technical command.

Susanna and the Elders (1610)
Judith Slaying Holofernes (1612–13)
The Penitent Mary Magdalen (1620)
Lot and His Daughters (1636)
Self-Portrait as the Allegory of Painting (La Pittura) (around 1638)

Legacy and Influence

Artemisia Gentileschi is recognized among the most accomplished artists of the 17th century. During her lifetime, she maintained an international clientele, navigating a professional landscape that was almost exclusively the domain of men. Her ability to secure commissions across different regions speaks to a technical command that transcended local boundaries. While her name was often discussed in the context of her personal history, her actual output has undergone a significant reevaluation. Since the 20th century, art history scholarship has turned a focused lens toward her work, moving beyond the biographical to examine her specific contributions to the Baroque era.

Her depictions of biblical and mythological women have left a distinct mark on how gender and agency are interpreted in art. The figure of Judith, in particular, has become a subject of widespread study, often viewed as a symbol of female strength and decisive action. Unlike many of her contemporaries who portrayed the character with a sense of restraint, her versions emphasize the physical reality and the active role of the woman in the narrative. This focus on the psychological and physical agency of her subjects provides a counterpoint to the more passive portrayals common in the period.

Judith Slaying Holofernes (1612–13)
Susanna and the Elders (1610)
Self-Portrait as the Allegory of Painting (La Pittura) (1638)

Where to See the Works Today

The physical presence of her art remains scattered across Europe, a map of her movement and the enduring demand for her vision. In Naples, Italy, the Museo di Capodimonte houses both the visceral Judith Slaying Holofernes and The Annunciation. These works allow for a direct encounter with the dramatic tension and light that defined her career. The intensity of her brushwork is felt most acutely in these halls, where the shadows of her compositions still hold their weight.

Other significant pieces reside in collections that reflect her international reach. Susanna and the Elders is held at Schloss Weißenstein in Pommersfelden, Germany. In London, the Royal Collection maintains her Self-Portrait as the Allegory of Painting (La Pittura). To view her work in these settings is to see how her depictions of female agency have been preserved within the most prominent institutions of the continent.

Judith Slaying Holofernes (1612–13)
The Annunciation
Susanna and the Elders (1610)
Self-Portrait as the Allegory of Painting (La Pittura) (1638)

Vprašanja in odgovori

Ali obstaja časovni prikaz del umetnika Artemisia Gentileschi?

Dela umetnika Artemisia Gentileschi si lahko ogledate v kronološkem vrstnem redu na njegovi strani Kronologija del.

Ali je na voljo 3D virtualni ogled del Artemisia Gentileschi?

Dela umetnika Artemisia Gentileschi si lahko ogledate v 3D galeriji na njegovi strani 3D galerija umetnosti.

V katerem zgodovinskem obdobju je delal/a Artemisia Gentileschi?

Artemisia Gentileschi je deloval v obdobju zgodnje moderno obdobje. To obdobje umetnikovo dejavnost umešča v zgodovinski okvir.

Uredništvo ArtsDot.com Posodobljeno dne 13. oktober 2026

Kviz za zbiratelje

V katerem mestu se je rodila Artemisia Gentileschi?
Kdo je bil oče Artemisie Gentileschi?
Katera institucija v Firenci je bila prva, v katero je bila vstopila ženska Artemisia Gentileschi?
Kateri umetnik Evrokavaggio, ki ga je odlikoval dramatičen uporaba svetlobe in senčanja, je močno vplival na Artemisino izobrazbo?
Katero od teh navedenih del je eno izmed znamenitih del Artemisie Gentileschi, ki je omenjeno v besedilu?

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