Stručne povedané
Najznámejším dielom umelca Mingering Mike je GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972). Ďalšími v zozname sú THE FREEDOM STOMPERS (1969) a 3 FOOTSTEPS away from the altar, mingering mike the big D (1969). V našom katalógu máme 151 diel od umelca Mingering Mike; tento sprievodca vyberá 100 najznámejších s uvedením roku, múzeí a príbehu každého diela.
10 obrazov Mingering Mike, ktoré spoznáte ako prvé
Čísla od 11 do 100: viac obrazov od Mingering Mike
Obrazy umelca Mingering Mike podľa jednotlivých období
Late Period
1969 – 1972 · 5 diel v tomto zoznameContemporary
1968 – 1972 · 5 diel v tomto zoznameČo najčastejšie mal Mingering Mike
Štyri témy, ktoré sa v týchto díelach najčastejšie vyskytujú, každá s jej najznámejším príkladom.
Social commentary 8 diel
Music memorabilia 4 diel
Vintage vinyl 4 diel
Rok od roku: najznámejšie diela od Mingering Mike
Tu je dekáda tvorby Mingering Mike, v podstate: 8 rokov od 1968 do 1975, zobrazených rok po roku prostredníctvom najznámejších diel.
Diela podľa roku
Vyberte si rok a pozrite si jeho diela.
MOTHER GOOSE IT'S A BOYS LIFE (MINGERING MIKE) TWO WAY TRAFFIC
Viac od 1968
A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS
Viac od 1970
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON
Viac od 1972
Mingering Mike: rýchle odpovede o obrazoch
Ktorý obraz je najznámejším dielom umelca Mingering Mike?Zobraziť odpoveď
Na vrchole zoznamu je GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972). Hneď za ním nasledujú THE FREEDOM STOMPERS (1969) a 3 FOOTSTEPS away from the altar, mingering mike the big D (1969).
V akom veku vzniklo dielo GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON od umelca Mingering Mike?Zobraziť odpoveď
22 rokov. Mingering Mike sa narodil/a v 1950 a dielo GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON pochádza z roku 1972.
Akých je 10 najznámejších obrazov umelca Mingering Mike?Zobraziť odpoveď
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON, THE FREEDOM STOMPERS, 3 FOOTSTEPS away from the altar, mingering mike the big D, THE MINGERING MIKE SHOW LIVE FROM THE HOWARD THEATER, 3 FOOT STEPS DUET CLOSE, EAT MYSELF SILLY (M. MIKE), Gold Pot Records LIVE, FROM PARIS, MINGERING MIKE REVUE (C), PIANOMAN, MINGERING MIKE, MING · WAR ARRANGES AND DIRECT ARRANGES AND DIRECTS, A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS a DON'T TRY AND TAKE IT ALL IN (MINGERING MIKE) MIKE THE MONITORS LOVE COMES AND GOES (JUST LIKE A RAINBOW) M. MIKE Y, RIGHT OF WAY MINGERING MIKE. V zozname vyššie nájdete rok vytvorenia a múzeu každého z nich.
Koľko diel umelca Mingering Mike sa nachádza vo vašom katalógu?Zobraziť odpoveď
V našom katalógu máme 151 diel od umelca Mingering Mike, datovaných od 1968 do 1975.
Kedy vytvoril/a Mingering Mike svoje najznámejšie diela?Zobraziť odpoveď
V období 1972, viac než v akomkoľvek inom čase: 45 z 100 diel na tejto stránke pochádza z tohto obdobia, pričom GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON z nich.
Aké sú prvé a posledné známe diela umelca Mingering Mike?Zobraziť odpoveď
Najstaršie dielo je z MOTHER GOOSE IT'S A BOYS LIFE (MINGERING MIKE) TWO WAY TRAFFIC (1968); najnovšie je z MERCY LET THE MUSIC TAKE YOUR MIND (1975).
Aké témy mal(a) Mingering Mike najčastejšie na svojich plátnoch?Zobraziť odpoveď
Social commentary (8), Music memorabilia (4) a Vintage vinyl (4), z celkového počtu 100 kusov na tejto stránke.
Akým štýlom alebo smerom je známy/á Mingering Mike?Zobraziť odpoveď
Pop art a Contemporary realism, ako môžete vidieť na dielach na tejto stránke.
Príbeh umelca Mingering Mike
The Genesis of a Dream: Mingering Mike’s Constructed Reality
Mingering Mike, born in Washington, D.C., in 1950, wasn't simply an artist; he was the architect of his own elaborate and entirely self-contained universe. From roughly 1968 to 1977, this young man meticulously crafted a career as a soul singer and songwriter, producing over fifty “albums” – each a painstakingly assembled cardboard record complete with intricate gatefolds, handwritten liner notes, and simulated vinyl grooves. This wasn’t mere performance art; it was the embodiment of a teenage fantasy, a deeply personal project born from the vibrant, often turbulent, landscape of his youth.
The genesis of this singular endeavor lies in a potent blend of influences – the burgeoning soul music scene of the era, fueled by artists like Aretha Franklin and Otis Redding; the social unrest simmering within American cities during the Civil Rights Movement; and perhaps most crucially, the imaginative world of a young man seeking an outlet for his emotions and aspirations. Mingering Mike’s work wasn't about replicating reality; it was about constructing an idealized version of it, one where he held the microphone, commanded sold-out stadiums, and expressed profound truths through carefully crafted lyrics and soulful melodies.
The Art of the Constructed Album
What distinguishes Mingering Mike’s work is not just its scale – over fifty albums! – but the sheer dedication to detail in each piece. He didn't simply draw album covers; he built entire worlds within them, meticulously crafting cardboard records that resembled authentic vinyl releases. The liner notes were handwritten, often filled with biographical details about his “band,” tour dates, and personal reflections on the songs. This level of commitment transformed a simple artistic project into a fully realized, immersive experience.
The albums themselves are remarkable feats of miniature engineering. They’re layered constructions, incorporating elements like simulated album jackets, meticulously drawn grooves on the “vinyl,” and even tiny photographs depicting concert scenes. The process involved an obsessive attention to detail, reflecting a deep understanding of the music industry and a desire to replicate it with painstaking accuracy. This wasn't about creating art; it was about recreating a career – a career entirely within his own imagination.
Rediscovery and Recognition
For decades, Mingering Mike’s work remained largely unknown outside a small circle of collectors. It wasn’t until 2003 that the world began to take notice when record collectors Dori Hadar and Frank Beylotte stumbled upon his collection at a flea market in Washington, D.C. This serendipitous discovery sparked an intense interest in Mingering Mike's unique project, leading to exhibitions, publications, and widespread recognition within the art world.
The Smithsonian American Art Museum acquired his entire collection in 2015, solidifying his place as a significant figure in contemporary art. The museum’s exhibition, “Mingering Mike’s Supersonic Greatest Hits,” offered visitors a rare glimpse into this extraordinary artist's constructed reality – a testament to the power of imagination and the enduring appeal of a dream realized.
Themes and Legacy
While seemingly fantastical, Mingering Mike’s work resonates with profound themes. It explores ideas of identity, ambition, performance, and the construction of self. His albums often touch upon social issues – civil rights, political upheaval, and personal struggles – reflecting the realities of his youth while simultaneously offering a utopian vision of success and fulfillment.
Mingering Mike’s legacy lies not just in his unique artistic practice but also in challenging our understanding of art itself. He demonstrated that an artwork doesn't need to be “real” to be meaningful, and that the act of creation can be as important as the final product. His work continues to fascinate and inspire artists and collectors alike, reminding us of the boundless possibilities of the human imagination.





