Portrét Max Klinger

Max Klinger's Most Famous Paintings: All 100, Ranked

Aktualizované október 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 281 dielov umelca Max Klinger v našom katalógu

In short

The Max Klinger painting most people know is The death peeing. Right after it come The Isle of the Dead and Presa. Out of 281 works by Max Klinger in our catalogue, these 100 are the best known. Each one comes with its year, its museum and a short note on what makes it stand out.

1857 – 1920, Lipsko Symbolism Najviac diel: Bavarské štátne múzeá výtvarného umenia

Max Klinger's top 10: the pieces everyone knows

1
The death peeing od Max Klinger

The death peeing

Painting

The air hangs heavy near the riverbank where a skeletal figure stands, stripped of the terrifying dignity often assigned to the Grim Reaper. This figure, a personification of death, occupies the shoreline with a startlingly mundane presence. He stands with legs apart, facing the water, engaged in the most basic of biological functions. The act of urination into the stream demystifies the specter, pulling the concept of mortality away from…

2
The Isle of the Dead od Max Klinger

The Isle of the Dead

Painting

The Isle of the Dead emerges from the vision of Max Klinger, a German artist who leaves a profound mark on the landscape of late 19th-century thought. Born in Leipzig in 1857, Klinger moves through a world of shifting aesthetics, eventually passing away in 1920. In this specific work, titled The Isle of the Dead, he captures a moment that feels suspended in a quiet, heavy stillness.

Keep exploring Max Klinger: 11 to 100

11At the Beach (1890) od Max KlingerAt the Beach1890 · Bavarské štátne múzeá výtvarného umenia 12Portrait of a Roman Woman on a Flat Roof in Rome (1891) od Max KlingerPortrait of a Roman Woman on a Flat Roof in Rome1891 · Städel Museum 13Christ in Olympus (1897) od Max KlingerChrist in Olympus1897 14Female Nude (1910) od Max KlingerFemale Nude1910 15Bathing Women (1912) od Max KlingerBathing Women1912 16A legation od Max KlingerA legation 17Plague od Max KlingerPlague 18Workers at a House Construction (1889) od Max KlingerWorkers at a House Construction1889 19Seaside Idyl od Max KlingerSeaside IdylBavarské štátne múzeá výtvarného umenia 20Female Study Head od Max KlingerFemale Study Head 21Portrait of a Gentleman od Max KlingerPortrait of a Gentleman 22Cupid od Max KlingerCupid 23Salvation od Max KlingerSalvation 24The source od Max KlingerThe source 25An Max Klinger od Max KlingerAn Max Klinger 26untitled (336) od Max Klingeruntitled (336) 27untitled (1870) od Max Klingeruntitled (1870) 28untitled (5707) od Max Klingeruntitled (5707) 29untitled (7927) od Max Klingeruntitled (7927) 30untitled (4077) od Max Klingeruntitled (4077) 31untitled (5205) od Max Klingeruntitled (5205) 32untitled (4640) od Max Klingeruntitled (4640) 33untitled (1790) od Max Klingeruntitled (1790) 34untitled (7957) od Max Klingeruntitled (7957) 35untitled (1515) od Max Klingeruntitled (1515) 36untitled (1160) od Max Klingeruntitled (1160) 37untitled (5386) od Max Klingeruntitled (5386) 38untitled (5714) od Max Klingeruntitled (5714) 39untitled (9844) od Max Klingeruntitled (9844) 40untitled (3585) od Max Klingeruntitled (3585) 41untitled (5586) od Max Klingeruntitled (5586) 42untitled (3254) od Max Klingeruntitled (3254) 43untitled (4823) od Max Klingeruntitled (4823) 44untitled (5191) od Max Klingeruntitled (5191) 45untitled (1133) od Max Klingeruntitled (1133) 46Venus in the sea od Max KlingerVenus in the sea 47Cupido od Max KlingerCupido 48untitled (3590) od Max Klingeruntitled (3590) 49untitled (7159) od Max Klingeruntitled (7159) 50Angustias od Max KlingerAngustias 51Old love. initial stamps od Max KlingerOld love. initial stamps 52untitled (5140) od Max Klingeruntitled (5140) 53Scene od Max KlingerScene 54Venus and Mercury od Max KlingerVenus and Mercury 55psyche bathing od Max Klingerpsyche bathing 56Phriam And Thisbe I od Max KlingerPhriam And Thisbe I 57untitled (2692) od Max Klingeruntitled (2692) 58Abduction od Max KlingerAbduction 59Venus and Psyche od Max KlingerVenus and Psyche 60Zephyr carrying his sisters od Max KlingerZephyr carrying his sisters 61The wedding party of Psyche od Max KlingerThe wedding party of Psyche 62Sister jumping from a rock od Max KlingerSister jumping from a rock 63Psyche and Ceres od Max KlingerPsyche and Ceres 64Love, death and extramundos od Max KlingerLove, death and extramundos 65untitled (9745) od Max Klingeruntitled (9745) 66Mother I od Max KlingerMother I 67Pan comforting Psyche od Max KlingerPan comforting Psyche 68untitled (4174) od Max Klingeruntitled (4174) 69Psyche crossing the Acheron od Max KlingerPsyche crossing the Acheron 70Desire od Max KlingerDesire 71Psyche on a rock od Max KlingerPsyche on a rock 72Jupiter and Venus od Max KlingerJupiter and Venus 73Psyche and Arundo od Max KlingerPsyche and Arundo 74Farmer planting misery od Max KlingerFarmer planting misery 75The childhood of Amor od Max KlingerThe childhood of Amor 76Satire od Max KlingerSatire 77Intermezzo 1 od Max KlingerIntermezzo 1 78Phriam And Thisbe II od Max KlingerPhriam And Thisbe II 79Charon od Max KlingerCharon 80untitled (1999) od Max Klingeruntitled (1999) 81Time and glory od Max KlingerTime and glory 82Psyche on the road to Tartarus od Max KlingerPsyche on the road to Tartarus 83Venus presents Psyche the Love od Max KlingerVenus presents Psyche the Love 84Titan od Max KlingerTitan 85Psyche venerated by the people od Max KlingerPsyche venerated by the people 86Psyche and Venus od Max KlingerPsyche and Venus 87Parade od Max KlingerParade 88Death knight od Max KlingerDeath knight 89The priestesses of Venus od Max KlingerThe priestesses of Venus 90untitled (8812) od Max Klingeruntitled (8812) 91Rockfall od Max KlingerRockfall 92Naked woman under a tree od Max KlingerNaked woman under a tree 93Cold Hand od Max KlingerCold Hand 94Captive od Max KlingerCaptive 95violation od Max Klingerviolation 96The great goddess od Max KlingerThe great goddess 97untitled (547) od Max Klingeruntitled (547) 98Psyche and Juno od Max KlingerPsyche and Juno 99Night 1 od Max KlingerNight 1 100untitled (2269) od Max Klingeruntitled (2269)

Max Klinger's paintings, period by period

What Max Klinger painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see Max Klinger's paintings

4 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Max Klinger Obrazy z tohto zoznamu
Bavarské štátne múzeá výtvarného umenia, MníchBavarské štátne múzeá výtvarného umenia Mních 2 At the Beach, Seaside Idyl
Alte Nationalgalerie, BerlínAlte Nationalgalerie Berlín 3 Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz
Národní galerie Praha, PrahaNárodní galerie Praha Praha 1 Evening
Städel Museum, FrankfurtStädel Museum Frankfurt 1 Portrait of a Roman Woman on a Flat Roof in Rome

One famous Max Klinger piece for every decade

Diela podľa dekád

Pick a decade to see its standout piece.

Max Klinger paintings: what people want to know

What painting is Max Klinger best known for?See the answer

Top of the list is The death peeing. Right behind it: The Isle of the Dead and Presa.

Which 10 Max Klinger paintings are the most famous?See the answer

The death peeing, The Isle of the Dead, Presa, Y sin embargo!, Rescue, Mermaid holding a shell up, the philosopher, Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz, Evening a Play in the meadow. You'll find the year and the museum of each in the list above.

How many Max Klinger works are there?See the answer

We have 281 works by Max Klinger in our catalogue, dated 1879 to 1912.

Which museums have Max Klinger's best-known paintings?See the answer

You'll find most of them in Bavarské štátne múzeá výtvarného umenia (Mních), Alte Nationalgalerie (Berlín) a Národní galerie Praha (Praha). The museum list above has the full breakdown.

When were Max Klinger's most famous pieces painted?See the answer

In 1880s, more than any other time: 3 of the 100 pieces on this page date from then, Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz among them.

What are the oldest and newest famous paintings by Max Klinger?See the answer

The earliest piece here is Evening (1879); the most recent is Bathing Women (1912).

What did Max Klinger paint most?See the answer

Gods (7), Symbolic imagery (6) a Water (3), out of the 100 pieces on this page.

What did Max Klinger usually paint with?See the answer

Painting, used in 2 of the 100 pieces on this page.

Which art movement is Max Klinger linked to?See the answer

Symbolism, as you can see in the pieces on this page.

What can you see by Max Klinger at the Bavarské štátne múzeá výtvarného umenia?See the answer

You can see 2 of the pieces on this page at the Bavarské štátne múzeá výtvarného umenia, Mních, including At the Beach a Seaside Idyl.

Can I order a Max Klinger reproduction for my home?See the answer

Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.

Meet Max Klinger

The Shadowed World of Max Klinger: A Pioneer of Symbolism

Max Klinger, born in Leipzig in 1857, wasn’t simply an artist; he was a translator—a translator of the human psyche into visual form. His artistic journey wasn't one of immediate acclaim but rather a gradual unfolding of a unique vision – a descent into the psychological depths that would profoundly influence modern art. Klinger’s early training at the Academy of Fine Arts in Karlsruhe, under Karl Gussow, provided him with a solid foundation in traditional techniques, yet it was his fascination with the etchings of artists like Menzel and Goya—masters who understood how to convey not just visual representation but also narrative complexity and emotional intensity – that truly ignited his imagination. These masters demonstrated the power of printmaking to reveal hidden currents, anxieties, and dreams within the human experience; qualities Klinger would masterfully employ throughout his career. He wasn’t content merely to depict the world as it appeared; he sought to unveil its secrets, its unspoken fears, and its elusive hopes.

From Realism's Embrace to Symbolic Depths

Klinger’s artistic evolution was marked by a deliberate shift away from straightforward realism towards a more subjective and symbolic language. Initially, his work reflected the aesthetic trends of his time – detailed depictions of everyday life, often imbued with a sense of melancholy or quiet observation. However, this phase proved merely a stepping stone. The turning point came with his series of etchings, Paraphrase on the Finding of a Glove (1881). This ambitious project, comprising ten plates, wasn’t a literal illustration of an event but rather a fragmented, dreamlike exploration of desire, loss, and the complexities of human relationships. The glove itself became a potent symbol – a relic imbued with memory and longing, representing forgotten connections and the ephemeral nature of time. This series established Klinger as a leading voice in the Symbolist movement, demonstrating his ability to transform ordinary objects into vehicles for profound psychological insight. He wasn’t interested in simply showing what things looked like; he wanted to convey *what they felt* like – the emotions and associations they evoked within the viewer's mind.

Sculpture, Printmaking, and the Exploration of Myth

Klinger’s artistic output was remarkably diverse, encompassing painting, sculpture, and printmaking—though it’s arguably in the realm of graphic arts that he achieved his most enduring legacy. His prints are characterized by their meticulous technique, dramatic use of light and shadow, and haunting imagery. He wasn't afraid to tackle challenging themes – mortality, sexuality, and the darker aspects of the human psyche. Beyond Paraphrase on the Finding of a Glove, works like his depictions of Faustian bargains and mythological scenes reveal a fascination with archetypal narratives and universal human struggles. His sculptural work, though less prolific than his prints, was equally ambitious. A prime example is his monumental installation in homage to Beethoven at the Vienna Secession in 1902 – a powerful testament to the composer’s genius and a bold statement of artistic innovation. The sculpture depicted Beethoven as a Greek god on a large alabaster throne, conveying both his divine inspiration and his profound human suffering. Klinger's sculptures were often deliberately unsettling, challenging conventional notions of beauty and form.

Influences and Artistic Development

Klinger’s artistic development was shaped by a confluence of influences. His early training at the Karlsruhe Academy instilled in him a solid grounding in traditional techniques, but it was his exposure to the works of Menzel and Goya that truly awakened his imagination. These masters demonstrated the power of printmaking to convey not just visual representation but also narrative complexity and emotional intensity – qualities Klinger would masterfully employ throughout his career. He was deeply influenced by Japanese woodblock prints, which he studied extensively during his time in Paris, incorporating their delicate lines and evocative imagery into his own work. Furthermore, Klinger’s engagement with the writings of Arthur Schopenhauer and Friedrich Nietzsche—philosophers who explored themes of pessimism, irrationality, and the search for meaning – informed his artistic vision, leading him to delve into the darker recesses of the human psyche. He was also a contemporary of Arnold Böcklin, whose Symbolist paintings shared a similar preoccupation with dreamlike imagery and psychological symbolism.

Legacy and Influence: A Bridge to Modernity

Max Klinger’s influence extended far beyond his own lifetime. He paved the way for Expressionism, Surrealism, and other avant-garde movements that sought to explore the inner world of human experience. His emphasis on symbolism, psychological depth, and subjective interpretation resonated with artists grappling with the anxieties and uncertainties of the modern age. The artist’s exploration of dreamlike states and subconscious desires anticipated the work of later Surrealists like Salvador Dalí and René Magritte. Even in more recent times, Klinger's ideas continue to inspire contemporary artists. In 1991, the Moscow art collective Inspection Medical Hermeneutics created “Klinger’s Boxes,” an installation directly inspired by his work – a testament to the enduring power of his vision. He remains a crucial figure in understanding the transition from 19th-century academic traditions to the radical experimentation of the 20th century. His art invites us to confront our own shadows, to delve into the mysteries of the human psyche, and to recognize the profound beauty that can be found even in the darkest corners of existence.

Notable Works & Continued Relevance

Beyond the celebrated Paraphrase on the Finding of a Glove, Klinger’s oeuvre boasts numerous significant pieces. Paintings like “Karl Haberstock,” showcasing his influence on fellow artists, and works reflected in collections at Kunstsammlungen und Museen Augsburg demonstrate his broad impact. His monochrome photographs, such as "Days Of March III," with their intriguing UFO sightings, reveal a willingness to embrace the unconventional and explore the boundaries of perception. Klinger’s art isn't merely historical; it remains strikingly relevant today. In an era defined by uncertainty and rapid change, his exploration of psychological themes – anxiety, alienation, and the search for meaning – continues to resonate with audiences worldwide. His legacy is a reminder that true artistic innovation lies not in simply replicating reality but in revealing its hidden depths and challenging our preconceived notions about the world around us.

Všetky 281 diela od Max Klinger →