In short
The Albert André painting most people know is House in the Olive Trees (1897), and you can see it at the The Phillips Collection, Washington, D.C.. Right after it come Woman Reading Before Window (1903) and Lemons and Tangerines (1913). Out of 27 works by Albert André in our catalogue, these 27 are the best known. Each one comes with its year, its museum and a short note on what makes it stand out.
Albert André's top 10: the pieces everyone knows
Keep exploring Albert André: 11 to 27
What Albert André painted most
The four subjects that come up most often in these pieces, each with its best-known example.
Women 3 diel
Roads 3 diel
Where you can see Albert André's paintings
2 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Albert André | Obrazy z tohto zoznamu |
|---|---|---|---|
| Washington, D.C. | 7 | House in the Olive Trees, Lemons and Tangerines, The Concert | |
| Chicago | 3 | Woman Reading Before Window, Place des Batignolles, Paris, By the Sea, Dieppe |
One famous Albert André piece for every decade
Diela podľa dekád
Pick a decade to see its standout piece.
Albert André paintings: what people want to know
What painting is Albert André best known for?See the answer
Top of the list is House in the Olive Trees (1897), The Phillips Collection, Washington, D.C.. Right behind it: Woman Reading Before Window (1903) and Lemons and Tangerines (1913).
How old was Albert André at the time of House in the Olive Trees?See the answer
28 years old. Albert André was born in 1869, and House in the Olive Trees dates from 1897.
Which 10 Albert André paintings are the most famous?See the answer
House in the Olive Trees, Woman Reading Before Window, Lemons and Tangerines, Young woman sewing, (1913), Place des Batignolles, Paris, By the Sea, Dieppe, The Concert, Woman sewing, (1925), The Terrace at Laudun a Renoir in His Studio. You'll find the year and the museum of each in the list above.
How many Albert André works are there?See the answer
We have 27 works by Albert André in our catalogue, dated 1893 to 1921.
Which museums have Albert André's best-known paintings?See the answer
You'll find most of them in The Phillips Collection (Washington, D.C.) a Art Institute of Chicago (Chicago). The museum list above has the full breakdown.
When were Albert André's most famous pieces painted?See the answer
In 1910s, more than any other time: 5 of the 27 pieces on this page date from then, Lemons and Tangerines among them.
What are the oldest and newest famous paintings by Albert André?See the answer
The earliest piece here is Place des Batignolles, Paris (1893); the most recent is Interior, Woman Reading (1921).
What did Albert André paint most?See the answer
Women (3), Roads (3) a Vase (2), out of the 27 pieces on this page.
Which art movement is Albert André linked to?See the answer
Post-impressionism, as you can see in the pieces on this page.
What can you see by Albert André at the The Phillips Collection?See the answer
You can see 7 of the pieces on this page at the The Phillips Collection, Washington, D.C., including House in the Olive Trees, Lemons and Tangerines a The Concert.
Can I order a Albert André reproduction for my home?See the answer
Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.
Meet Albert André
Albert André: A Quiet Master of Intimacy
Albert André (1869-1954) wasn’t a name that frequently echoes through the halls of grand museums, yet his paintings possess a profound and enduring appeal. He was, in essence, a quiet master—a Post-Impressionist painter who eschewed the dramatic gestures of some contemporaries for a deeply personal exploration of domestic interiors, still lifes, and the subtle beauty of everyday Parisian life. Born in Lyon, André’s early artistic training wasn't marked by grand ambition but rather by a practical inclination towards designing patterns for silk—a craft that instilled in him an appreciation for color, texture, and meticulous detail, qualities he would later translate into his paintings.
André’s journey to becoming a recognized artist began with a move to Paris in 1889. He enrolled at the Académie Julian, immersing himself in the artistic currents of the time. Crucially, it was here that he encountered Paul Ranson and the burgeoning group known as Les Nabis—a collective that included figures like Bonnard, Vuillard, and Denis. This association proved pivotal, exposing André to a new approach to painting: one that valued suggestion over explicit representation, prioritizing mood and atmosphere alongside formal elements. The Nabis’ influence is evident in André's later work – his use of muted palettes, flattened perspectives, and an emphasis on capturing the fleeting effects of light.
The Renoir Connection and Early Recognition
A defining moment in André’s career arrived through his close friendship with Pierre-Auguste Renoir. The two artists, separated by a considerable age difference, forged a bond built on mutual respect and artistic admiration. Renoir, recognizing André's talent, became a generous patron, introducing him to the influential art dealer Paul Durand-Ruel, who secured exhibitions for André’s work in Paris and, significantly, in New York City. This connection with Renoir wasn’t merely personal; it profoundly shaped André’s artistic trajectory. He meticulously studied Renoir's techniques—his handling of color, his ability to capture the nuances of light and shadow, and his characteristic approach to portraiture – striving to emulate the master while developing his own distinct voice.
André’s early exhibitions at the Salon des Indépendants in 1894 garnered considerable attention. His paintings, characterized by their intimate scale and evocative atmosphere, were praised for their sensitivity and quiet beauty. The success of these works led to further opportunities, including participation in prestigious salons such as the Salon d'Automne and the Exposition d’Art Nouveau. Notably, André’s 1904 exhibition at the Salon de la Libre Esthétique in Brussels showcased his evolving style—a synthesis of Impressionistic color palettes with Nabis-influenced spatial distortions.
A Life Anchored in Laudun
Following World War I, André sought refuge from the turmoil of Parisian life and relocated to the small village of Laudun in Provence. This move proved transformative, providing him with a sense of peace and stability that profoundly influenced his art. Laudon, nestled amongst vineyards and olive groves, became a constant source of inspiration—a place where he could reconnect with nature and rediscover the simple pleasures of life. It was here, in his family home, that André painted some of his most beloved works – scenes of domestic interiors bathed in the golden light of Provence, still lifes featuring flowers and fruit, and evocative portraits of friends and acquaintances.
André’s approach to painting during this period reflected a shift towards greater introspection. He abandoned the more overtly decorative elements of his earlier work, focusing instead on capturing the essence of everyday life—the quiet moments of contemplation, the subtle beauty of ordinary objects, and the enduring bonds of friendship. His paintings became increasingly characterized by their intimacy and emotional resonance.
Legacy and Artistic Significance
Albert André’s artistic legacy is one of understated elegance and profound sensitivity. He wasn't a painter who sought fame or recognition; his primary motivation was to capture the beauty and complexity of the world around him—particularly the intimate corners of domestic life. His paintings, often overlooked in favor of more flamboyant works by contemporaries, possess a quiet power that continues to resonate with viewers today.
André’s influence extends beyond his own artistic output. His meticulous study of Renoir's work and his dedication to preserving the artist's legacy resulted in one of the most comprehensive and insightful biographies of Renoir ever written—a testament to André’s deep appreciation for his friend and mentor. Today, André’s paintings are held in prestigious collections around the world – including the Musée d’Orsay in Paris, the Art Institute of Chicago, and the Modern Art Museum of New York – ensuring that his quiet yet profound contribution to Post-Impressionism will continue to be appreciated for generations to come.






