A Pioneer of Kinetic Books: The World of Susan Joy Share
Susan Joy Share’s artistic journey is a testament to the boundless potential within the humble book – transforming it from a repository of words into a dynamic, sculptural experience. Born in Syracuse, New York, in 1953, her early life was steeped in creativity, nurtured by a family that valued hands-on pursuits and a deep appreciation for craft. This foundation laid the groundwork for an artist who would later redefine our understanding of what a book could be, blurring the lines between art object, performance piece, and architectural structure.
Share’s formal artistic training began at the New York State College of Ceramics at Alfred University, where she honed her skills in ceramics and sculpture. This early exposure to three-dimensional form proved crucial, informing her later explorations into architectonic paper structures – intricate, often monumental creations that defy traditional notions of book design. She continued her studies with Professor John C. Wood, a pivotal figure who ignited her passion for the book as a medium, introducing her to its rich history and potential for innovative expression. This period marked a significant shift, moving beyond purely sculptural pursuits towards a deliberate engagement with the unique qualities of the printed word.
From Conservator to Kinetic Artist
Following graduation, Share moved to New York City, immersing herself in the vibrant art scene while simultaneously pursuing work as an artist and conservator. This dual role proved invaluable, providing her with a deep understanding of both the fragility and enduring beauty of books – a knowledge she would later translate into her own groundbreaking creations. She spent over twenty years working at prestigious institutions like The Metropolitan Museum of Art, the New York Historical Society, and the Brooklyn Museum, meticulously repairing damaged volumes and constructing protective enclosures for valuable artifacts. This hands-on experience with historical texts instilled in her a profound respect for their materiality and form.
However, it was during this time that Share began to experiment with transforming books into dynamic objects – kinetic sculptures that unfolded, shifted, and revealed hidden layers of meaning. Her early performances at Florida Atlantic University showcased this inventive approach, captivating audiences with intricate movements and playful interactions. These performances weren’t merely displays; they were explorations of the book's inherent potential for transformation, mirroring Share’s own artistic evolution.
The Language of Paper: Structures and Performances
Share’s work is characterized by a remarkable synthesis of diverse materials – paper, metals, photographs, textiles, and threads – all meticulously combined to create complex architectural structures. Her creations often resemble miniature cities or fantastical landscapes, inviting viewers to explore their intricate details and discover hidden narratives. She frequently incorporates elements of Japanese origami and Jacob’s ladders, demonstrating her mastery of paper engineering and her fascination with spatial relationships.
Beyond static sculptures, Share is renowned for her immersive performances that seamlessly integrate her book art with movement and sound. These events are often collaborative, involving dancers, musicians, and actors, creating a multi-sensory experience that challenges traditional notions of the book as a passive object. Her 1991 performance at the Hotel Pennsylvania in Manhattan, for example, was a landmark event, drawing large crowds eager to witness her innovative approach to book art.
Legacy and Recognition
Susan Joy Share’s work has garnered widespread recognition within the contemporary art world. Her creations are held in prestigious collections including the Anchorage Museum, The Jaffe Center for Book Arts at Florida Atlantic University Library, and the Victoria and Albert Museum in London. She continues to teach at institutions across North America, sharing her knowledge and inspiring a new generation of artists. Her 2018 exhibition, *InFormal Nature*, showcased her ability to capture the essence of Alaska’s landscape through intricate paper structures, further solidifying her reputation as a visionary artist.
More than just an artist, Susan Joy Share is a pioneer – a sculptor of words, a weaver of stories, and a champion of the book's enduring potential. Her work serves as a powerful reminder that art can be found in the most unexpected places, transforming everyday objects into extraordinary experiences.
