Portrét Daniel Orme

Najznámejšie obrazy umelca Daniel Orme: Všetkých 3, zoradené podľa popularity

Aktualizované október 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 3 dielov umelca Daniel Orme v našom katalógu

Stručne povedané

Najznámejším obrazom, ktorý tvorí Daniel Orme, je Duncan Receiving the Surrender of de Winter at the Battle of Camperdown, 11 October 1797 (1797), ktorý môžete vidieť v galérii National Maritime Museum v meste Londýn. Hneď po nich nasledujú Nelson Receiving the Surrender of the 'San Josef' at the Battle of Cape St Vincent, 14 February 1797 (1799) a Nelson Coming on Deck at the Battle of the Nile, 1 August 1798. Z 3 diel umelca Daniel Orme v našom katalógu je týchto 3 najznámejších. Každá z nich obsahuje rok vytvorenia, názov múzeja a krátku poznámku o tom, čo ju robí výnimočnou.

1766 – 1837, Manchester Najviac diel: National Maritime Museum

Top 10 diel od Daniel Orme: diela, ktoré pozná každý

Kde si môžete pozrieť obrazy od Daniel Orme

Múzeum, ktoré vlastní najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Daniel Orme Obrazy z tohto zoznamu
National Maritime Museum, LondýnNational Maritime Museum Londýn 3 Duncan Receiving the Surrender of de Winter at the Battle of Camperdown, 11 October 1797, Nelson Receiving the Surrender of the 'San Josef' at the Battle of Cape St Vincent, 14 February 1797, Nelson Coming on Deck at the Battle of the Nile, 1 August 1798

Slávne diela umelca Daniel Orme z jednotlivých rokov

Na tejto stránke je len 3 rokov, od 1797 do 1799, ktoré rozdelujú diela umelca Daniel Orme podľa dátovania. Tu sú najvýraznejšie diela pre každý rok.

Diela podľa roku

Vyberte si rok a pozrite si jeho diela.

Obrazy od Daniel Orme: čo si ľudia chcú vedieť zistiť

Akým obrazom je Daniel Orme najznámejší/najznámejšia?Zobraziť odpoveď

Na vrchole zoznamu je Duncan Receiving the Surrender of de Winter at the Battle of Camperdown, 11 October 1797 (1797), National Maritime Museum, Londýn. Hneď za ním nasledujú: Nelson Receiving the Surrender of the 'San Josef' at the Battle of Cape St Vincent, 14 February 1797 (1799) a Nelson Coming on Deck at the Battle of the Nile, 1 August 1798.

Koľko rokov mal(a) Daniel Orme v čase vytvorenia Duncan Receiving the Surrender of de Winter at the Battle of Camperdown, 11 October 1797?Zobraziť odpoveď

31 rokov. Daniel Orme sa narodil/a v 1766 a dielo Duncan Receiving the Surrender of de Winter at the Battle of Camperdown, 11 October 1797 pochádza z roku 1797.

Koľko je diel umelca Daniel Orme?Zobraziť odpoveď

V našom katalógu máme 3 diel od umelca Daniel Orme, datovaných od 1797 do 1799.

V ktorých múzeách sa nachádzajú najznámejšie obrazy umelca Daniel Orme?Zobraziť odpoveď

Väčšinu z nich nájdete v National Maritime Museum (Londýn). Zoznam múzeí vyššie obsahuje podrobný prehľad.

Aké sú najstaršie a najnovšie slavné obrazy od Daniel Orme?Zobraziť odpoveď

Najstaršie dielo je z Duncan Receiving the Surrender of de Winter at the Battle of Camperdown, 11 October 1797 (1797); najnovšie je z Nelson Receiving the Surrender of the 'San Josef' at the Battle of Cape St Vincent, 14 February 1797 (1799).

Čo môžete vidieť od Daniel Orme v National Maritime Museum?Zobraziť odpoveď

Na tejto stránke môžete vidieť 3 diel v múzeu National Maritime Museum, Londýn, vrátane Duncan Receiving the Surrender of de Winter at the Battle of Camperdown, 11 October 1797, Nelson Receiving the Surrender of the 'San Josef' at the Battle of Cape St Vincent, 14 February 1797 a Nelson Coming on Deck at the Battle of the Nile, 1 August 1798.

Môžem si objednať reprodukciu Daniel Orme do svojho domova?Zobraziť odpoveď

Áno. Každý obraz na tejto stránke je dostupný ako ručne maľovaná olejná reprodukcia alebo ako tlač, v rozmeroch, ktoré vám vyhovujú. Pre objednanie stačí otvoriť stránku konkrétneho obrazu.

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Early Life and Artistic Beginnings

Daniel Orme, born in Manchester around 1766, emerged from a family that recognized and nurtured his burgeoning artistic talent. His father, Aaron Orme—a fustian cloth manufacturer with a keen interest in the world beyond textiles—was instrumental in fostering young Daniel’s passion for art. This encouragement proved pivotal, setting him on a path that would lead to recognition as a skilled portraitist, miniaturist, and historical engraver during a dynamic period of British artistic development. The Orme family was not solely focused on Daniel's pursuits; his brothers Edward and William also demonstrated artistic inclinations, creating a supportive environment where creativity flourished. The early years in Manchester provided a foundation, but the true expansion of Orme’s skills began with his entry into the Royal Academy Schools in London in 1785. This marked a significant step, immersing him in formal training and exposing him to the prevailing artistic currents of the time.

A Career Forged in Portraiture and Engraving

London became Orme’s primary base for over two decades, from 1785 until 1814. He diligently studied at the Royal Academy, participating in competitions—including vying for the coveted Gold Medal in 1788—and honing his abilities as both a painter and an engraver. While proficient in oil painting and miniature work, Orme’s true strength lay in the meticulous art of engraving. He quickly established himself as a publisher and historical engraver, catering to a growing demand for visual representations of significant events and prominent figures. His appointment as engraver to George III solidified his position within the artistic establishment and opened doors to commissions from influential patrons. This role wasn’t merely technical; it signified an endorsement of his skill and trustworthiness in capturing the likenesses of those held in high esteem by the monarchy. Orme's work during this period was characterized by a dedication to detail, accuracy, and a growing reputation for producing prints that were both aesthetically pleasing and historically informative.

Patronage, Recognition, and a Return to Manchester

The year 1814 brought a shift in Orme’s life as he returned to his hometown of Manchester. This move didn't signal a retreat from artistic activity but rather a change in focus. He continued to paint portraits, both in oil and miniature, while also offering lessons in drawing and etching—effectively becoming an art instructor within the burgeoning industrial city. His address at 40 Piccadilly became a hub for aspiring artists seeking guidance. While he maintained his connection to London through commissions and exhibitions (he exhibited eleven portraits at the Royal Academy between 1797 and 1801), Manchester provided a different kind of artistic environment—one less centered on courtly patronage and more attuned to the growing merchant class. Orme’s ability to adapt to these changing circumstances speaks to his versatility and entrepreneurial spirit.

Legacy and Historical Significance

Daniel Orme's contribution to British art history rests primarily in his role as a skilled engraver and publisher, documenting an era of significant military and political change. He is particularly remembered for his engravings of naval heroes like Nelson and Howe—images that helped shape public perception of these figures during the Napoleonic Wars. His work wasn’t simply about replicating portraits; it was about disseminating powerful visual narratives to a wider audience. The two paintings he contributed to the National Maritime Museum stand as testaments to his talent and enduring appeal. While perhaps not as widely celebrated as some of his contemporaries, Orme's meticulous craftsmanship and dedication to historical accuracy ensured that his engravings played a vital role in preserving and promoting the cultural memory of his time. He represents a crucial link between artistic skill, royal patronage, and the burgeoning print culture of 18th and 19th-century Britain—a legacy that continues to resonate today through the preservation of his works in museums and private collections.