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Katalogové dossier: Thomas Evans

Objednať Thomas Evans ako ručne maľovaný olej na ľane

Meno Trieda Dátum

William Bell Scott, Thomas Evans (1840), Treasurer's House, York. Pracovné dielo vo verejnej domäne. Vnímajte toto plátno pri pohyblivom svetle: kresbu, skutočnú farbu pod lakom aj čistý pigment

Fakty

Umenec
William Bell Scott artsdot.com/sk/artists/william-bell-scott-1/
Obdobia tvorby umelca
1811 – 1890
Maľované
1840
Pôvodná veľkosť
49.5 x 42.0cm
Koná sa v
Treasurer's House, York artsdot.com/sk/museums/treasurer-s-house-york/

V kontexte

Thomas Evans — William Bell Scott

Rozmery

Pôvodné rozmery sú 50 × 42 cm (výška × šírka), zobrazené tu vedľa dospelého človeka priemerného vzrastu.

Kedy bolo toto vytvorené?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890

Horný riadok: roky. Dolný riadok: vek umelca na začiatku a na konci každého obdobia — 0 pri narodení, 79 pri smrti.

Namaľované v čase, keď mal umvec 29 rokov. Umenec dožil do veku 79. 0 z 16 datovaných diel tohto umelca v našom katalógu vzniklo skôr.

Shaded: životný príbeh William Bell Scott (1811–1890) ▲ toto dielo, 1840 každý datovaný obraz, dekáda po dekáde

Prvé diela: až do 1857 Hlavné pracovné roky: 1857–1864 Neskoré diela: od 1864

Tieto tri pásma delia diela s uvedeným dátumom v tomto katalógu na prvú štvrtinu, strednú polovicu a poslednú štvrtinu. Ne predstavujú kompletný výsadok umelca: tento úzky úsek môže byť skôr chýbajúc záznam v archíve než obdobie menšej aktivity. Rovnaké roky, v ktorých sa odráža život umelca

Porovnajte s

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: artsdot.com/sk/art/similar/thomas-evans-by-william-bell-scott/

Farby

Zmerané z obrazu

    Hlavná farba

    Walnut #694e2c

    Katalogizovaná paleta

    • #694E2C
    • #B19A71
    • #0E0D09
    • #D6D0B0

    Tieto farby v rámci celej umeleckej palety Nájdite ďalšie obrazy podľa farby

    Paleta
    Earthy Dominantná farebná skupina na obraze.
    Názov hlavnej farby
    Walnut
    Intenzita
    Monochromatic Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Statement Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Balanced Harmony Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Deep_shadow Celková svetlostrávenosť obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Muted Aký čistý a sýty je farebný rozsah, od takmer sivej až po plne živé tóny.

    Umenec a múzeum

    Umenec

    William Bell Scott

    Narodený v Edinburgh, United Kingdom

    A Life of Art and Letters

    William Bell Scott was a Scottish artist, painter, writer, poet, graphic artist, art historian, exlibrist, and print collector. Born in Edinburgh, United Kingdom, he was the son of the engraver Robert Scott and the brother of the painter David Scott. His artistic journey took him from his upbringing in Edinburgh to London, and later to Newcastle upon Tyne, where he served as the principal of the government School of Art from 1843 to 1864. During his tenure in Newcastle, he expanded his repertoire of landscapes and history painting to include industrial subjects, becoming one of the first British artists to extensively depict the processes of the Industrial Revolution.

    Beyond his visual work, Scott was a prolific writer and poet. His literary contributions included:

    Artistic Commissions and Portraits

    Scott's decorative work is notably represented in historical cycles. For Wallington Hall in Northumberland, he produced eight large pictures illustrating Northumbrian history, featuring life-size figures, alongside eighteen pictures on The Ballad of Chevy Chase. He also executed a historical cycle for Penkill Castle in Ayrshire, Scotland, illustrating James I's poem The Kingis Quair.

    While he did not focus heavily on portraiture, his striking portrait of the poet Algernon Charles Swinburne remains an iconic image. His etchings were primarily designed to serve as illustrations for his books. In his later years, after resigning from his appointment under the Science and Art Department in 1885, he focused on his writing until his death in South Ayrshire.

    Múzeum

    Treasurer's House, York

    Súčasne vystavené v United Kingdom

    The History and Origins of the House

    Treasurer's House, York is a Grade I listed historic house located in Minster Yard, directly to the north of York Minster. The site's history is deeply connected to the ecclesiastical administration of the Minster. The office of Treasurer was established by Archbishop of York Thomas of Bayeux, and the first Treasurer for York Minster was appointed in 1091. For several centuries, the building functioned as a grand residence for the Treasurer, providing a space to entertain important guests. This specific function continued until 1547, when the Reformation of the English Church brought the office of Treasurer to an end.

    The physical foundations of the house reflect the long occupation of the site. The structure was built directly over one of the main Roman roads that led out of Roman York to the North. During major structural changes carried out by Frank Green, four Roman column bases were uncovered. One of these remains in-situ in the cellar. The house is currently owned and maintained by the National Trust.

    The Restoration by Frank Green

    In 1897, Frank Green, a wealthy local industrialist, began the process of acquiring the various parts of the house. He purchased each section between 1897 and 1898, aiming to unify the subdivided properties into a single residence. To achieve this, he appointed Temple Moore to oversee the restoration. The architectural work involved removing numerous earlier additions to return the structure to a more cohesive state. This extensive project was largely completed by 1900.

    Green intended the house to function as a setting for his personal collection of antique furniture, paintings, and objets d’art. He was an exacting man who maintained the house with strict attention to order and tidiness. The resulting interior reflects his specific vision for a grand town house. In 1930, Green donated both the house and his entire collection to the National Trust, ensuring the property and its contents remained intact.

    The Architecture and Interior Rooms

    Located in Minster Yard directly to the north of York Minster, the house possesses a layered architectural character. The structure features a symmetrical front that was added during the early 17th century. While the building's origins reach back to medieval times, the current configuration reflects the extensive transformations undertaken at the end of the 19th century. By 1900, the property had been converted into an elaborately decorated town house.

    The interior is composed of thirteen period rooms. These spaces represent a variety of different styles and eras, creating a specific domestic arrangement. The layout reflects the transition from a subdivided set of tenements back into a unified residence. The arrangement of these rooms was intended to display a curated collection of antique furniture and objects.

    Mrs Halliwell as an Old Woman, 1840 - William Bell Scott

    Thomas Evans, 1840 - William Bell Scott

    'Frisk' a Skye Terrier, 1875 - Richard S. Moseley

    Lady Charlotte Harley - Richard Westall

    Landscape with a Lake, Cattle and a Figure on Horseback, 1801 - Charles Towne

    Mr Halliwell on Horseback, 1794 - Charles Towne

    Exhibitions and Visiting Information

    The house is open to the public for an admission fee. Visitors may access the garden and the café without charge. During certain periods, the site hosts specific displays to examine the history of the property. The exhibition titled 'Demolition and Restoration' opened on May 6 and remains available until the end of the year.

    Daily opening hours are from 11am to 4.30pm. The house is located in Minster Yard, directly to the north of York Minster. Access to the interior is managed through the National Trust. The site remains open to the public throughout the year, though specific tour availability may vary by season.

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    Nájdite si toto online

    QR kód odkazujúci na stránku na stiahnutie Thomas Evans

    artsdot.com/sk/art/download/thomas-evans-by-william-bell-scott/

    Citovať toto dielo

    MLA
    Scott, William Bell. Thomas Evans. 1840, Treasurer's House, York. https://artsdot.com/sk/art/thomas-evans-by-william-bell-scott/
    APA
    Scott, William Bell (1840). Thomas Evans [Painting]. Treasurer's House, York. https://artsdot.com/sk/art/thomas-evans-by-william-bell-scott/
    Chicago
    William Bell Scott. Thomas Evans. 1840. Treasurer's House, York. https://artsdot.com/sk/art/thomas-evans-by-william-bell-scott/
    Harvard
    Scott, William Bell (1840) Thomas Evans. Treasurer's House, York. Available at: https://artsdot.com/sk/art/thomas-evans-by-william-bell-scott/

    Pozrite si bližšie

    Thomas Evans — William Bell Scott

    Pozrite si bližšie

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. Koľko tvárí dokážete nájsť? ____ (náš katalóg ich počíta na 1 — súhlasíte?)
    4. Späť sa pozrite na dielo Una and the Lion (from Spenser's 'The Faerie Queene') (1860), o ktorom ste čítali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, ktorá je odlišná.
    5. William Bell Scott mal pri tvorbe tohto diela približne 29 rokov. Čo v ňom odzrkadľuje umelecký štýl umelca v tomto období života?

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umeleckom diele. Využite informácie z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.

    Otázky a odpovede

    Sú farby diela „Thomas Evans“ od William Bell Scott sýte alebo tlmené?

    Saturácia palety diela „Thomas Evans“ je na úrovni Muted.

    Obsahuje „Thomas Evans“ výrazné svetlo-tmavé kontrasty?

    „Thomas Evans“ od William Bell Scott vykazuje Statement kontrast medzi svetlými a tmavými časťami diela.

    Ako môžem získať digitálnu verziu diela „Thomas Evans“ od William Bell Scott?

    Ak si chcete kúpiť digitálnu verziu diela „Thomas Evans“ od William Bell Scott, objednajte si stiahnutie digitálneho obrázka vo vysokom rozlíšení na jeho stránke Digitálna fotografia.