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Cubi vi, (1963)

Meno Trieda Dátum

David Smith, Cubi vi, (1963). Reprodukované len na ilustračné účely; všetky práva si vyhradzuje držiteľ autorských práv.

Základné informácie

Umenec
David Smith artsdot.com/sk/artists/david-smith/
Životné obdobia umelca
1906 – 1965

V kontexte

Cubi vi, (1963) — David Smith

Kedy mohlo byť toto dielo namalované?

  1. 1900
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  7. 1960

Shaded: životný príbeh David Smith (1906–1965)

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Farby

Zmerané z obrazu

    Hlavná farba

    Steel Blue #5d8cd1

    Uložená paleta

    • #5D8CD1
    • #C7BCB7
    • #363A38
    • #747579
    Paleta
    Neutrals Dominantná farebná skupina na obraze.
    Dominantná farba
    Steel Blue
    Saturácia
    Balanced Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Bold Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Strong Color Unity Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Bright Celkový kontrast obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Subtle Color Aký čistý a silný je farebný rozsah, od takmer sivej až po plne živé tóny.

    Umenec a múzeum

    Umenec

    David Smith

    David Smith: Pioneer of Geometric Sculpture

    Roland David Smith (1906 – 1965) stands as a monumental figure in the history of American abstract sculpture, reshaping perceptions of form and materiality during the mid-century modern era. Born in Decatur, Indiana, his artistic journey began modestly, marked by formative experiences at Ohio University and Notre Dame before he found his true vocation amidst the burgeoning avant-garde movement of New York City. This city became his creative crucible, fostering collaborations with fellow artists like John Graham and nurturing connections to influential figures such as Picasso and Mondrian—artists who profoundly impacted Smith’s artistic vision.

    Early Influences: Smith's initial exposure to modernist art came through Jan Matulka, a Czech sculptor who championed the ideas of Hans Hofmann, introducing him to the groundbreaking explorations of Picasso and Mondrian.

    The Depression Years & The WPA Project: During the Great Depression, Smith participated in the Works Progress Administration’s Federal Art Project, honing his skills and gaining invaluable experience working with industrial materials – a crucial step toward developing his signature style.

    Collaboration & Exploration: His friendship with Stuart Davis, Arshile Gorky, and Willem de Kooning fueled experimentation and broadened his artistic horizons. Notably, Smith’s encounter with Julio González and Pablo Picasso ignited an enduring fascination for welded steel sculpture, pushing him to synthesize painting and construction.

    Smith's sculptural output is characterized by a radical simplification of form—primarily geometric shapes like cubes, spheres, and cylinders—constructed from industrial steel. Rejecting traditional representational art, he sought to express fundamental concepts of space and structure through pure abstraction. His method involved meticulously cutting steel plates into precise segments and welding them together, resulting in monumental sculptures that convey both visual dynamism and intellectual rigor. The artist’s exploration of materiality was equally significant; Smith deliberately utilized the inherent qualities of steel—its coldness, its strength, its capacity for reflection—to communicate ideas about balance, tension, and transformation.

    Notable Works: Among his most celebrated pieces are ‘Suspended Cube,’ a testament to Constructivist principles and dynamic geometric form; ‘Ancient Household,’ (2) which exemplifies Smith’s masterful manipulation of steel and explores the interplay between solidity and emptiness; and ‘5 ½ (Use Half Sign)’—a striking example of Geometric Abstraction featuring bold colors and linear precision.

    Legacy & Influence: David Smith's sculptures continue to inspire artists today, cementing his place as a pivotal figure in the development of postwar American art. His pioneering approach to abstraction challenged conventional artistic norms and established a new aesthetic vocabulary for expressing complex ideas through minimalist forms.

    Smith’s contribution extends beyond individual artworks; he championed the use of industrial materials in sculpture, elevating steel from mere utilitarian substance to expressive medium. He profoundly impacted subsequent generations of sculptors who embraced geometric abstraction and explored the possibilities inherent in manipulating raw materials—a legacy that resonates powerfully within contemporary art discourse. His unwavering commitment to artistic innovation ensured his enduring significance as a visionary artist who reshaped the landscape of modern sculpture.

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    QR kód odkazujúci na stránku na stiahnutie Cubi vi, (1963)

    artsdot.com/sk/art/download/david-smith-cubi-vi-1963-A26HDW-en/

    Citácia diela

    MLA
    Smith, David. Cubi vi, (1963). n.d., https://artsdot.com/sk/art/david-smith-cubi-vi-1963-A26HDW-en/
    APA
    Smith, David (n.d.). Cubi vi, (1963) [Painting]. https://artsdot.com/sk/art/david-smith-cubi-vi-1963-A26HDW-en/
    Chicago
    David Smith. Cubi vi, (1963). n.d. https://artsdot.com/sk/art/david-smith-cubi-vi-1963-A26HDW-en/
    Harvard
    Smith, David (n.d.) Cubi vi, (1963). Available at: https://artsdot.com/sk/art/david-smith-cubi-vi-1963-A26HDW-en/

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    Cubi vi, (1963) — David Smith

    Detailný pohľad

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. Pozrite sa opätovne na Cubi iv, (1963), ktorú ste spomínali skôr v tejto príručke. Uveďte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, v ktorej sa líši.
    4. Čo by vás umelec mohol chcieť vyvolať v pocitoch?
    5. Keby ste mohli položiť umelcovi o tomto diele jednu otázku, čo by to bolo?

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