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Missing Person (I)

Meno Trieda Dátum

Cordelia Underhillová, Missing Person (I) (1994). Reprodukované len na ilustračné účely; všetky práva si vyhradzuje držiteľ autorských práv.

Základné informácie

Umenec
Cordelia Underhillová artsdot.com/sk/artists/cordelia-underhillova_sk/
Maľované
1994
Pôvodná veľkosť
46 x 46 cm
Pohyb
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

V kontexte

Missing Person (I) — Cordelia Underhillová

Aká je jeho veľkosť?

Pôvodné rozmery sú 46 × 46 cm (výška × šírka), zobrazené tu vedľa dospelého človeka priemerného vzrastu.

Kedy bolo toto vytvorené?

  1. 1990

▲ toto dielo, 1994

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Ďalšie diela, ktoré sa k tomuto hodia: artsdot.com/sk/art/similar/cordelia-underhill-missing-person-i-ARAMDU-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Orange #dea705

    Uložená paleta

    • #DEA705
    • #D7C7A2
    • #C79E45
    • #CFB37E
    Paleta
    Earthy Dominantná farebná skupina na obraze.
    Dominantná farba
    Orange
    Saturácia
    Vivid Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Serene Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Unified Palette Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Brilliant Celkový kontrast obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Vivid Color Aký čistý a silný je farebný rozsah, od takmer sivej až po plne živé tóny.

    O tomto umedení

    Missing Person (I) — Cordelia Underhillová

    The painting Missing Person (I) by Cordelia Underhill is a thought-provoking artwork that has garnered significant attention in the art world. Created in 1994, this oil on canvas painting measures 46 x 46 cm and is a quintessential example of contemporary art. As an expert in art and a salesman at AllPaintingsStore.com, I am delighted to delve into the intricacies of this artwork and explore its significance.

    Artist Background

    Cordelia Underhill is a talented artist known for her unique style and technique. Her work has been exhibited in various galleries, including the Moderna Museum Stockholm, Sweden, which is a state museum for modern and contemporary art. The museum was opened in 1958 by Pontus Hultén, who served as its director until 1973.

    Painting Analysis

    The painting Missing Person (I) features a person's face on a yellow background, partially obscured by the coloring. This gives the artwork a somewhat mysterious appearance, leaving the viewer to ponder the identity of the subject. The use of oil on canvas adds depth and texture to the painting, making it a visually striking piece.

    The painting measures 46 x 46 cm, making it a compact yet impactful work of art.

    The use of yellow as the dominant color creates a sense of warmth and intrigue.

    The partially obscured face adds an air of mystery to the artwork, inviting the viewer to interpret its meaning.

    Contemporary art enthusiasts will appreciate the unique style and technique employed by Cordelia Underhill in Missing Person (I). This painting is a testament to the artist's skill and creativity, making it a valuable addition to any art collection. For those interested in purchasing handmade oil paintings reproductions, AllPaintingsStore.com offers high-quality reproductions of this artwork.

    The Moderna Museum Stockholm, Sweden is a must-visit destination for art enthusiasts, featuring an extensive collection of modern and contemporary art. Visitors can explore the museum's exhibits, including works by renowned artists such as Kazimir Severinovich Malevich and Henri De Toulouse Lautrec.

    Umenec a múzeum

    Umenec

    Cordelia Underhillová

    Cordelia Underhill: Bridging History and Emotion Through Performance Drawing

    Cordelia Underhill’s artistic journey began in Orkney, Scotland, where she absorbed the rugged beauty of the Northern Isles—a landscape that would indelibly shape her vision and inform her creative explorations. Like many artists before her, Underhill found inspiration in Surrealist painters such as René Magritte and Giorgio Morandi, recognizing their ability to distill visual language into its purest form while simultaneously delving into subconscious realms. This early influence instilled a profound appreciation for subtlety and nuance—qualities that permeate throughout her oeuvre.

    Early Influences: Surrealist painters like René Magritte and Giorgio Morandi served as pivotal mentors, emphasizing the importance of exploring inner landscapes alongside meticulous observation of external realities.

    Formal Training: Underhill honed her technical skills at Edinburgh College of Art, specializing in printmaking—a discipline that instilled a lifelong commitment to mastering craft and achieving precision in execution.

    A transformative experience arrived during her participation in the DRAWING WITH PLACE Group Residency in Orkney—an immersive undertaking that solidified her belief in the power of art to engage with its surroundings on a deeply visceral level. Collaborating with fellow artists, Underhill embarked upon a project centered around drawing and performance, demonstrating her willingness to experiment creatively while simultaneously fostering connections within the artistic community. This residency underscored her conviction that true artistic innovation stems from confronting challenges head-on and embracing unconventional approaches.

    Exploring Themes of Absence and Presence

    Underhill’s artwork consistently wrestles with concepts of loss and remembrance—represented by recurring motifs such as obscured faces and solitary figures—which invite viewers to contemplate the complexities of human experience. Her canvases often adopt a muted palette dominated by earthy tones—ochre, umber, and sienna—creating an atmosphere conducive to introspection and contemplation. Texture plays a crucial role in her work, achieved through layering techniques that imbue surfaces with palpable depth and materiality—a deliberate decision reflecting Underhill’s fascination with the tactile qualities of pigment and its capacity to evoke evocative associations.

    Recurring Imagery: The depiction of obscured faces—a stylistic hallmark—represents a conscious rejection of conventional portraiture, prompting viewers to consider questions of identity and perception beyond mere visual representation.

    Color Palette: Her preference for earthy hues—such as ochre, umber, and sienna—mirrors her engagement with geological formations and organic textures—enhancing the expressive power of her compositions.

    Notable among Underhill’s achievements is “Missing Person (I),” completed in 1994—a striking oil painting characterized by bold yellow hues against a textured backdrop—demonstrating her mastery of abstract expressionism and symbolic representation. Similarly, “Thomas Edison at His Ore-Concentrating Works, Ogdensburg, New Jersey, 1897” showcases Underhill’s meticulous attention to detail while simultaneously conveying a palpable sense of atmosphere and emotion—a testament to her ability to capture historical scenes with remarkable sensitivity. Her work has garnered acclaim from curators and critics alike, cementing her position as a distinctive voice within contemporary art—a legacy rooted in unwavering dedication to artistic exploration and pushing creative boundaries.

    Missing Person (I)”: This piece exemplifies Underhill’s stylistic signature—characterized by bold color choices and textural layering—demonstrating her command of expressive visual language.

    Thomas Edison at His Ore-Concentrating Works, Ogdensburg, New Jersey, 1897”: Underhill's meticulous rendering of this iconic image underscores her commitment to historical accuracy while simultaneously conveying a palpable sense of atmosphere and emotion.

    Cordelia Underhill’s enduring artistic vision continues to inspire artists today—reflecting a broader engagement with themes of place, memory, and the transformative potential inherent in creative endeavors. Her unwavering pursuit of innovation—both technically and conceptually—serves as an inspiration for aspiring creatives seeking to forge their own distinctive paths within the realm of visual art—a testament to her legacy as a pioneering artist who bridged history and emotion through performance drawing.

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    Získajte informácie online

    QR kód odkazujúci na stránku na stiahnutie Missing Person (I)

    artsdot.com/sk/art/download/cordelia-underhill-missing-person-i-ARAMDU-en/

    Citácia diela

    MLA
    Underhillová, Cordelia. Missing Person (I). 1994, https://artsdot.com/sk/art/cordelia-underhill-missing-person-i-ARAMDU-en/
    APA
    Underhillová, Cordelia (1994). Missing Person (I) [Painting]. https://artsdot.com/sk/art/cordelia-underhill-missing-person-i-ARAMDU-en/
    Chicago
    Cordelia Underhillová. Missing Person (I). 1994. https://artsdot.com/sk/art/cordelia-underhill-missing-person-i-ARAMDU-en/
    Harvard
    Underhillová, Cordelia (1994) Missing Person (I). Available at: https://artsdot.com/sk/art/cordelia-underhill-missing-person-i-ARAMDU-en/

    Pozrite si bližšie

    Missing Person (I) — Cordelia Underhillová

    Pozrite si bližšie

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. Náš katalóg zaraďuje toto dielo pod: abstract, mystery, face. Súhlasíte? Čo by ste pridali alebo odobrali?
    4. Pozrite sa opätovne na Thomas Edison at His Ore-Concentrating Works, Ogdensburg, New Jersey, 1897, ktorú ste spomínali skôr v tejto príručke. Umením uveďte dve veci, ktoré má spoločné s týmto dielom, a jednu, v ktorej sa líši.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Kde to v tomto diele môžete vidieť?

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