obdobie

pohyb

1. Landscape of the Swiss Alps — Ferdinand Hodler, 1918
2. Figure study — Ferdinand Hodler, 1902
3. Lumberjack, study — Ferdinand Hodler, 1910
4. Berthe Hodler-Jacques — Ferdinand Hodler
5. Spring — Ferdinand Hodler

vibe

1. Three nude studies — Paula Modersohn-Beckerová
2. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
3. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
4. Spring — Ferdinand Hodler

témy

kľúčové slová

1. Figure study — Ferdinand Hodler, 1902

tón

1. Three nude studies — Paula Modersohn-Beckerová
2. Valentine Gode Darel, with disheveled hair — Ferdinand Hodler, 1913
3. Lumberjack, study — Ferdinand Hodler, 1910
4. Spring — Ferdinand Hodler

hlavná farba

1. Figure study — Ferdinand Hodler, 1903
2. Lake Silvaplana in Autumn — Ferdinand Hodler, 1907
3. Schynige plate — Ferdinand Hodler, 1909
4. Family idyll (Cain and Abel) — Mica Todorovič, 1933
5. Výsledná štúdia ženy — Ferdinand Hodler, 1901
6. Spring — Ferdinand Hodler
7. Portrét Berthe Hodlerovej — Ferdinand Hodler, 1902
8. Lake Geneva on the evening in Chexbres — Ferdinand Hodler, 1895
9. Figure study — Ferdinand Hodler, 1902
10. The Dents du Midi from Chesieres — Ferdinand Hodler, 1912
11. Page from a sketchbook 42 — George Romney
12. Plávajúca žena s vytočenou rukou (Štúdia k prvému verziálu — Gustav Klimt, 1901
13. Three nude studies — Paula Modersohn-Beckerová
14. Youth with Arms Upraised — hilaire-germain-edgar degas
15. Lumberjack, study — Ferdinand Hodler, 1910
16. Maples and Birches — Thomas Cole
17. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
18. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
19. Výsledná štúdia — Ferdinand Hodler, 1887

iné

1. Nude — Namık İsmail
2. Výsledok: Figura štúdia — Ferdinand Hodler, 1909