Aktualizované október 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 18 dielov umelca Robert Tournières v našom katalógu
Stručne povedané
Ak poznáte jedno dielo od Robert Tournières, je to pravdepodobne Pomona (1739), ktoré visí v Národné múzeum, Stockholm. Portrait of an Old Man (Guillaume de Lisle?) (1700) a Michel Corneille l'Aîné (1642-1708) (1702) dopĺňajú trojicu diel, ktoré ľudia okamžite rozpoznajú. Náš katalóg obsahuje 18 diel od umelca Robert Tournières. Nižšie nájdete 16 najznámejších diel, z ktorých každé obsahuje rok vzniku, informáciu o tom, kde sa nachádzajú, a to, čo ich robí výnimočnými.
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
A Glimpse of Aristocratic Life: Robert Le Vrac de Tournières’ “Count Ferdinand Adolf von Plettenberg and His Family” Robert Le Vrac de Tournières' 1727 painting, "Count Ferdinand Adolf von Plettenberg and His Family," is more than just a portrait; it’s a meticulously crafted window into the refined world of 18th-century European aristocracy. The scene unfolds within a richly appointed interior – likely a salon or drawing room – dominated by…
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
Štyri témy, ktoré sa v týchto díelach najčastejšie vyskytujú, každá s jej najznámejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Robert Tournières | Obrazy z tohto zoznamu |
|---|---|---|---|
 Národné múzeum |
Stockholm | 1 | Pomona |
 Opera House |
Versailles | 1 | Michel Corneille l'Aîné (1642-1708) |
 Birmingham Museum and Art Gallery |
Birmingham | 1 | Portrait of Richard (Dicky) Bateman |
 Musée des Beaux-Arts de Dijon |
Dijon | 1 | Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) |
 Szépművészeti Múzeum |
Budapešť | 1 | Count Ferdinand Adolf von Plettenberg and his Family |
 Louvre |
Paríž | 1 | Concert |
 Hermitáž |
Petrohrad | 1 | Portrait of Unknown Woman as Hebe |
 Musée d'Arts de Nantes |
Nantes | 1 | Portrait of the Maupertuis family |
Vyberte si dekádu a pozrite si jej najvýraznejšie dielo.
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
Na vrchole zoznamu je Pomona (1739), Národné múzeum, Stockholm. Hneď za ním nasledujú: Portrait of an Old Man (Guillaume de Lisle?) (1700) a Michel Corneille l'Aîné (1642-1708) (1702).
72 rokov. Robert Tournières sa narodil/a v 1667 a dielo Pomona pochádza z roku 1739.
Pomona, Portrait of an Old Man (Guillaume de Lisle?), Michel Corneille l'Aîné (1642-1708), Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain, Portrait of Richard (Dicky) Bateman, Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727), Dibutade Drawing, by the Light of a Lamp, the Portrait of His Lover, Count Ferdinand Adolf von Plettenberg and his Family, Concert a Pierre Louis Moreau de Maupertuis. V zozname vyššie nájdete rok vytvorenia a múzeu každého z nich.
V našom katalógu máme 18 diel od umelca Robert Tournières, datovaných od 1690 do 1750.
Väčšinu z nich nájdete v Národné múzeum (Stockholm), Opera House (Versailles) a Birmingham Museum and Art Gallery (Birmingham). Zoznam múzeí vyššie obsahuje podrobný prehľad.
V období 1700s, viac než v akomkoľvek inom čase: 2 z 16 diel na tejto stránke pochádza z tohto obdobia, pričom Portrait of an Old Man (Guillaume de Lisle?) z nich.
Najstaršie dielo je z Concert (1690); najnovšie je z Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) (1750).
Portraits (3) a Portraiture (2), z celkového počtu 16 kusov na tejto stránke.
Oil On Canvas, použité v 3 z 16 dielov na tejto stránke.
Rococo, ako môžete vidieť na dielach na tejto stránke.
Áno. Každý obraz na tejto stránke je dostupný ako ručne maľovaná olejná reprodukcia alebo ako tlač, v rozmeroch, ktoré vám vyhovujú. Pre objednanie stačí otvoriť stránku konkrétneho obrazu.
Robert Le Vrac de Tournières was born in Caen, France, in 1667. His artistic journey began with studies under Lucas Delahaye, a respected painter of the time. He further honed his skills under the tutelage of Bon Boullogne and Rigaud, both prominent figures in French painting, setting the stage for a successful career.
Tournières’ artistic style reflects a fascinating transitional period within French art. He skillfully blended elements of Dutch intimacy – particularly evident in his genre scenes – with the emerging lightness and elegance that would come to define the Rococo style. His palette was noted for its delicate coloring, and he demonstrated a keen talent for capturing both pose and drapery. While not considered among the most powerful painters of his era, critics acknowledged his careful technique and refined execution.
Tournières achieved significant recognition during his lifetime, being received into the Académie royale de peinture twice. The first acceptance in 1702 was based on his portraiture skills, specifically portraits of fellow artists Pierre Mosnier and Michel Corneille. His second reception in 1716, as a history painter, came with his work Invention of Drawing (1716), depicting a romantic scene illuminated by candlelight. Although many of his large-scale paintings have been lost to time, numerous smaller works survive, showcasing his mastery of detail and character portrayal.
Tournières was deeply influenced by Dutch masters such as Godfried Schalken and Gerard Dou, dedicating considerable study to their techniques. This influence is visible in his attention to light, shadow, and the intimate portrayal of everyday life. He also drew inspiration from his teachers, incorporating elements of their styles into his own unique approach.
In 1737, Tournières was promoted to professeur auxiliaire, further solidifying his position within the artistic community. He continued to exhibit successfully at the Salon of 1742. However, he returned to Caen in 1749 and ceased painting. His father, an engraver, had familial connections through marriage to François Lemoyne. Despite fading from active practice, Tournières left behind a considerable body of portraits that remain highly regarded and are found in notable collections today.
Robert Le Vrac de Tournières occupies an important place as a transitional figure in French art. He embodies the shift from the more formal Baroque style towards the lighter, more decorative Rococo aesthetic. His ability to synthesize Dutch realism with emerging French sensibilities makes his work particularly valuable for understanding the evolution of 18th-century painting.
