Aktualizované október 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 14 dielov umelca Daniel Gran v našom katalógu
Stručne povedané
Najznámejším obrazom, ktorý ľudia poznajú od Daniel Gran, je Allegory of the Dawn (1723). Hneď po nich nasledujú Mary with Child and Saints, Enthroned on Clouds (1730) a Diana's Admission to Olympus (1732). Z 14 diel umelca Daniel Gran v našom katalógu je týchto 14 najznámejších. Každá z nich obsahuje rok vytvorenia, názov múzeja a krátku poznámku o tom, čo ju robí výnimočnou.
3 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Daniel Gran | Obrazy z tohto zoznamu |
|---|---|---|---|
 Národné múzeum vo Varšave |
Varšava | 2 | Greeting of Venus at Mount Olympus, Bacchus and Ceres |
 Szépművészeti Múzeum |
Budapešť | 2 | St Elizabeth Distributing Alms, The Day Driving away the Night |
 Národné múzeum v Krakove |
Krakov | 1 | Apollo with the Muses – Project for a Plafond |
Vyberte si dekádu a pozrite si jej najvýraznejšie dielo.
Na vrchole zoznamu je Allegory of the Dawn (1723). Hneď za ním nasledujú Mary with Child and Saints, Enthroned on Clouds (1730) a Diana's Admission to Olympus (1732).
29 rokov. Daniel Gran sa narodil/a v 1694 a dielo Allegory of the Dawn pochádza z roku 1723.
Allegory of the Dawn, Mary with Child and Saints, Enthroned on Clouds, Diana's Admission to Olympus, Apollo with the Muses – Project for a Plafond, Allegory of the Happy Government of Mähren, Allegory of the Morning, Instruction of Mary by Joachim and Anna, The Holy Family, Madonna and Child a unleserlich. V zozname vyššie nájdete rok vytvorenia a múzeu každého z nich.
V našom katalógu máme 14 diel od umelca Daniel Gran, datovaných od 1723 do 1747.
Väčšinu z nich nájdete v Národné múzeum vo Varšave (Varšava), Szépművészeti Múzeum (Budapešť) a Národné múzeum v Krakove (Krakov). Zoznam múzeí vyššie obsahuje podrobný prehľad.
V období 1730s, viac než v akomkoľvek inom čase: 4 z 14 diel na tejto stránke pochádza z tohto obdobia, pričom Mary with Child and Saints, Enthroned on Clouds z nich.
Najstaršie dielo je z Allegory of the Dawn (1723); najnovšie je z Allegory of the Morning (1747).
Na tejto stránke môžete vidieť 2 diel v múzeu Národné múzeum vo Varšave, Varšava, vrátane Greeting of Venus at Mount Olympus a Bacchus and Ceres.
Áno. Každý obraz na tejto stránke je dostupný ako ručne maľovaná olejná reprodukcia alebo ako tlač, v rozmeroch, ktoré vám vyhovujú. Pre objednanie stačí otvoriť stránku konkrétneho obrazu.
Daniel Gran (1694-1757) was a prominent Austrian Baroque painter who played a crucial role in the transition towards Classicism. His career spanned a period of significant artistic change, and he is remembered for his masterful frescoes, religious scenes, and illusionistic style.
Born in Vienna, Italy in 1694, Daniel Gran came from a family that valued its noble lineage. Successfully asserting his claim to this title was important during his time, as improper use of such distinctions could have severe social consequences. Details regarding his early artistic training remain somewhat scarce, but it is known he developed considerable skill and ambition.
Gran’s initial work firmly rooted in the Baroque tradition, characterized by dramatic compositions, rich colors, and a sense of movement. However, towards the end of his career, his paintings began to exhibit a shift away from purely Baroque aesthetics – particularly in terms of figural dimensions and illusionism. This evolution suggests an increasing interest in the emerging principles of Classicism, emphasizing clarity, balance, and restraint.
While specific influences are not extensively documented, it’s reasonable to assume Gran was impacted by contemporary Italian and Austrian Baroque masters. His later stylistic changes suggest a growing awareness of early Classical art and its emphasis on form and proportion.
Daniel Gran’s significance lies in his role as a bridge between the Baroque and Classical periods. He wasn't merely an imitator of earlier styles but actively contributed to the evolving artistic landscape of 18th-century Austria. His work demonstrates a conscious effort to move beyond the exuberance of the High Baroque towards a more restrained and balanced aesthetic.
Gran’s influence can be seen in the subsequent development of Austrian painting, paving the way for later Classicist artists. In 1894, Vienna honored his legacy by naming the Grangasse street in Rudolfsheim-Fünfhaus (the 15th district) after him. His self-portrait remains a treasured piece within the monastery of Herzogenburg.
Gran’s frescoes continue to captivate viewers with their beauty, technical skill, and historical importance, solidifying his place as a notable figure in Austrian art history.
