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Bartolomé Román Najobľúbenejšie obrazy

Najobľúbenejších 2 diel od Bartolomé Román, ktoré si naši návštevníci najčastejšie vyžadujú, usporiadaných podľa popularity a prezentovaných jednotlivo, spolu so špecifikáciou a cenou každej ručne maľovanou reprodukciou.

Vydanie 2026 · 2 diel Každý autorský obraz na mieru
Plátno z ľanového plátna · Certifikát autentičnosti · Globálne doručenie Bartolomé Román · 1587 – 1647

The Archangel Baraquiel scattering flowers, Bartolomé Román

1601 · Museo del Prado, Madrid · originál 207.0 x 141.0cm

Pozrite si najobľúbenejšie dielo umelca Bartolomé Román na 1. mieste: The Archangel Baraquiel scattering flowers

Color Palette: Earthy

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 1 z 2 diel umelca Bartolomé Román
Doprava: Celosvetovo približne 5 týždňov

od$17526 × 38 cm Objednať tento obraz

Rovnaká veľkosť ako originál$995141 × 207 cm Objednať v pôvodnej veľkosti

Archangel Seatiel with a censer od Bartolomé Román

1601 · Museo del Prado, Madrid · originál 207.0 x 142.0cm

Pozrite si najobľúbenejšie dielo umelca Bartolomé Román na 2. mieste: Archangel Seatiel with a censer

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 2 z 2 diel umelca Bartolomé Román
Doprava: Celosvetovo približne 5 týždňov

od$17526 × 38 cm Objednať tento obraz

Rovnaká veľkosť ako originál$1000142 × 207 cm Objednať v pôvodnej veľkosti

Umelec

Bartolomé Román

1587 – 1647

Rýchle fakty

Died1647
Museums on APSMuseo del Prado
Lifespan60 years
Also known asBartolomeo Roman, B. Roman, بارتولومي رومان, バルトロメ・ロマン, 巴托洛美·羅曼
Top 3 worksThe Archangel Baraquiel scattering flowers, Archangel Seatiel with a censer
NationalitySpain

Biografia

The Archangel Specialist

In the bustling workshops of Madrid, a specific kind of devotion takes shape through oil and canvas. Bartolomé Román, born in Montoro, Córdoba, around 1587, moves through the Spanish Baroque not as a generalist, but as a specialist of the celestial. His hands find their rhythm in the depiction of the Seven Archangels, a thematic focus that would define his legacy and carry his imagery across the Atlantic to the Americas. He is a painter of the divine hierarchy, translating the spiritual into the tangible through a style that blends Venetian spatial concepts with the heavy influence of Flemish and Venetian traditions.

His early career is marked by a complex relationship with his supposed teacher, Vicente Carducho. While historical records from 1614 suggest a legal dispute between the two, the brushwork tells a different story. By 1616, his signed works already reveal the shadow of Carducho’s hand, a stylistic debt that he would eventually navigate, perhaps even moving into the orbit of the workshop of Diego Velázquez. This connection to the royal collections and the high circles of Madrid allowed his work to reach the most prestigious religious institutions of the era.

Celestial Iconography

The compositions are structured around the specific functions of the angels, often accompanied by explanatory inscriptions that guide the viewer's prayer. These are not mere portraits but functional tools of devotion. Each figure carries the weight of its specific duty:

San Miguel, wielding a spear and a palm, receiving souls in their final agony.
San Gabriel, holding a lantern and lilies, to inspire obedience to divine inspiration.
San Rafael, identified by the fish in his hand, for those seeking true penance.
San Sealtiel, carrying a censer to aid in prayer.
San Jehudiel, adorned with a crown of flowers and disciplines.
San Baraquiel, scattering flowers across the scene.
San Uriel, characterized by the presence of a sword.

This series of angels, found in locations such as the Monasterio de las Descalzas Reales and the Monasterio de la Encarnación in Madrid, became a successful export. The demand for these specific iconographies was so high that many copies traveled to Lima, Peru, ensuring his visual language became part of the colonial religious landscape.

The Final Years

By the time he drafted his will in May 1647, the reality of Román's life was far from the celestial splendor of his subjects. The documents reveal a man living in a struggling economic situation, a stark contrast to the divine abundance he painted. He leaves behind a wife, Mary of Thebes, and a legacy that includes the training of the next generation, most notably the painter Juan Carreño de Miranda. He died in Madrid in 1647, leaving behind a body of work that remains anchored in the specific, disciplined devotion of the Spanish Baroque.

Otázky a odpovede

Ako si môžem pozrieť všetky diela umelca Bartolomé Román?

Všetky diela umelca Bartolomé Román na táto webstránka si môžete pozrieť na jeho stránke Všetky diela umelcov.

Môžem si prehliadnuť diela umelca Bartolomé Román podľa tém?

Atlas predmetov umelca Bartolomé Román je stránka, ktorá mapuje jeho diela podľa tém.

V akom historickom období tvoril/a Bartolomé Román?

Bartolomé Román tvoril v období Early Modern. Toto obdobie zasazuje umeleckú činnosť umelca do historického kontextu.

Redakcia ArtsDot.com Aktualizované dňa 11. október 2026

Kvapozvuk pre zberateľa

In which Spanish city was Bartolomé Román born?
Which art movement is Bartolomé Román associated with?
According to Palomino, who was the teacher of Bartolomé Román?
For which religious group did Román paint a series of protective archangels?
In which city did Bartolomé Román die?

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Objednajte si svoj Bartolomé Román

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Všetky diela od Bartolomé Román