Обновлено Ноябрь 2026 · рейтинг на основе нашего показателя популярности (количество поисковых запросов, посещений и заказов для каждой работы) · 8 работ Anders Bergius в нашем каталоге
Вкратце
Самая известная картина, которую знают многие, — это Unknown woman, possibly Anna Charlotta Kruuse af Verchou (1689-1766), married von Salza, Baroness (1750) кисти Anders Bergius, ее можно увидеть в Национальная портретная галерея Швеции, Стреннсе. Сразу за ними следуют Portrait of Anna Siemens (1774) и Portrait of Hulleborg Hielm, born Abel (1780). Из 8 работ Anders Bergius в нашем каталоге эти 8 являются самыми известными. Каждая из них сопровождается указанием года создания, музея и кратким описанием того, что делает её особенной.
4 музеев, в которых находится большинство картин со страницы.
| Музей | Город | Работы Anders Bergius | Картины из этого списка |
|---|---|---|---|
 Национальная портретная галерея Швеции |
Стреннсе | 1 | Unknown woman, possibly Anna Charlotta Kruuse af Verchou (1689-1766), married von Salza, Baroness |
 Trondheim Kunstmuseum |
Тронхейм | 1 | Portrait of Anna Siemens |
 Национальный музей искусства, архитектуры и дизайна |
Осло | 1 | Portrait of Hulleborg Hielm, born Abel |
 Oslo Museum |
Осло | 1 | Portrait of Eleonore Leuch |
Выберите десятилетие, чтобы увидеть его шедевр.
В начале списка — Unknown woman, possibly Anna Charlotta Kruuse af Verchou (1689-1766), married von Salza, Baroness (1750), Национальная портретная галерея Швеции, Стреннсе. Сразу за ней: Portrait of Anna Siemens (1774) и Portrait of Hulleborg Hielm, born Abel (1780).
32 лет. Anders Bergius родился в 1718, а работа Unknown woman, possibly Anna Charlotta Kruuse af Verchou (1689-1766), married von Salza, Baroness датируется 1750 годом.
В нашем каталоге 8 работ Anders Bergius, созданных в период с 1750 по 1780.
Большинство из них можно найти в Национальная портретная галерея Швеции (Стреннсе), Trondheim Kunstmuseum (Тронхейм) и Национальный музей искусства, архитектуры и дизайна (Осло). Полный список музеев представлен выше.
В 1770s — больше, чем в любой другой период: 4 из 8 работ на этой странице относятся к этому времени, Portrait of Anna Siemens из них.
Самая ранняя работа здесь датирована Unknown woman, possibly Anna Charlotta Kruuse af Verchou (1689-1766), married von Salza, Baroness (1750), а самая поздняя — Portrait of Hulleborg Hielm, born Abel (1780).
Да. Каждая картина на этой странице доступна в виде написанной вручную масляной репродукции или в виде печати в подходящем вам размере. Чтобы оформить заказ, просто перейдите на страницу картины.
Born on 4 January 1718 in Kristinehamn, Anders Bergius entered a world shaped by the commerce of the Swedish coast. He was the son of Johan Bergius, a merchant, and Stina Gravall. His early years in Sweden provided a foundation that would eventually lead him toward a life of varied craftsmanship and artistic pursuit. While his lineage was rooted in trade, his own path would be defined by a restless movement across Northern Europe.
His professional life was characterized by a remarkable versatility. In Gothenburg, he operated as a manufactorist and portrait painter between 1748 and 1767. This period of his life saw him experimenting with diverse media, including the production of waxcloth and leather wallpapers. He even developed a specific method for painting on mirror glass, inspired by Chinese techniques, which reflected a curiosity for the decorative arts of the era.
The later years of his life were marked by a series of migrations. After a period in Copenhagen, he moved through Norway, finding work in Bergen, Trondheim, and Kristiania. He functioned as both a portrait painter and a restorer of paintings, a dual role that required both creative vision and technical precision. He eventually returned to Copenhagen, where he remained until his death on 4 June 1793.
The early 1770s marked a significant shift in Bergius's life as he moved from Copenhagen to Norway. His presence in the region was characterized by a versatile approach to his craft, moving between the creation of new images and the preservation of existing ones. In Bergen, where he was active from 1773 to 1776, he balanced his duties as a portrait painter with the technical work of a painting restorer. This dual role required both the creative eye of an artist and the meticulous hand of a technician.
His travels continued through the Norwegian landscape as his professional requirements shifted. Between 1776 and 1778, he established himself in Trondheim, maintaining his practice before moving toward Kristiania. His time in Kristiania was brief, lasting until 1779, before he eventually returned to Copenhagen. Much of his most significant work from this period is preserved within Norwegian collections, reflecting the impact of his years spent navigating these northern cities.
Bergius was a man of varied technical pursuits, often operating at the intersection of fine art and specialized craftsmanship. During his time in Sweden, his portraiture adopted a Rococo character, mirroring the stylistic sensibilities of the era. He was not content with traditional oil on canvas alone; instead, he sought out more unusual surfaces. He developed a method for painting on mirror glass, utilizing a technique inspired by Chinese styles to achieve specific visual effects. This experimentation with light and reflection demonstrated a restless curiosity regarding how pigment interacts with different substrates.
His later years were marked by a deep preoccupation with the preservation of art. While living in Copenhagen, he dedicated much of his time to the study and practice of painting restoration. This technical focus led to a significant achievement in 1771, when he was awarded a silver medal by the Royal Danish Household Society. The honor was granted in recognition of a specific restoration method he had invented. Though he later attempted to present this method to the Danish Academy, his legacy remains tied to this blend of portraiture and the meticulous science of conservation.
