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Number 3

Имя Класс Дата

Джексон Поллок, Number 3 (1948). Общественное достояние.

Основные сведения

Автор
Джексон Поллок artsdot.com/ru/artists/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BA_ru/
Даты создания произведения
1912 – 1956
Техника: живопись
1948
Техника исполнения
Acrylic On Canvas
Оригинальный размер
77 x 57 cm
Движение
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Период
Modern
Artistic style
Action Painting
Influences
Surrealism, De Kooning
Notable elements or techniques
Drip Technique
Subject or theme
Abstraction

В контексте

Number 3 — Джексон Поллок

Каков размер?

Оригинальный размер составляет 77 × 57 см (высота × ширина); здесь он представлен рядом с фигурой взрослого человека среднего роста.

Когда это было написано?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Затененная область: годы жизни Джексон Поллок (1912–1956) ▲ эта работа, 1948

Сравнить с

  • Пол Джексон Поллок, 1950 artsdot.com/ru/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BA-%D0%BF%D0%BE%D0%BB-%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BA-8EWJX6-ru/
  • Автономный ритм №30 artsdot.com/ru/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BA-%D0%B0%D0%B2%D1%82%D0%BE%D0%BD%D0%BE%D0%BC%D0%BD%D1%8B%D0%B9-%D1%80%D0%B8%D1%82%D0%BC-no30-8EWJW5-ru/
  • Схождение artsdot.com/ru/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BA-%D1%81%D1%85%D0%BE%D0%B6%D0%B4%D0%B5%D0%BD%D0%B8%D0%B5-8EWJWJ-ru/

Выберите одну из работ выше: назовите две общие черты с этим произведением и одно отличие.

Другие работы, которые дополнят эту: artsdot.com/ru/art/similar/paul-jackson-pollock-number-3-8XYAGF-en/

Цвета

Измерено по изображению

    Основной цвет

    Espresso #363b32

    Каталогизированная палитра

    • #363B32
    • #D7D3AC
    • #0C0E10
    • #A58551
    Название основного цвета
    Espresso
    Насыщенность
    Monochromatic Насколько насыщенными и разнообразными являются цвета — от одного приглушенного оттенка до множества ярких.
    Контраст
    Statement Насколько различаются цвета по светлоте и насыщенности в разных частях картины.
    Гармония
    Discordant Palette Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Deep_shadow Насколько светлой или темной кажется картина в целом, от глубокой тени до яркого блика.
    Насыщенность
    Subtle Color Насколько чисты и сильны эти цвета — от почти серых до максимально ярких.

    Об этом произведении

    Number 3 — Джексон Поллок

    Jackson Pollock: A Revolutionary in Abstract Expressionism

    Jackson Pollock (1912-1956) stands as a monumental figure within the abstract expressionist movement, forever altering the trajectory of modern art. His groundbreaking approach to painting—characterized by spontaneous gesture and unconventional materials—challenged established artistic conventions and cemented his place among the most influential artists of the 20th century. Pollock’s legacy continues to inspire contemporary creatives, demonstrating the enduring power of innovation and emotional resonance in visual art.

    Early Life and Influences

    Paul Jackson Pollock was born January 28, 1912, in Cody, Wyoming—a formative experience that instilled a restless spirit within him. His upbringing involved frequent relocations due to his father’s profession as a land surveyor, fostering an environment of instability which arguably fueled his artistic inclination. Despite pursuing formal studies at NYU and the Art Students League, Pollock's initial artistic explorations were shaped by regionalist painters like Thomas Hart Benton and David Alfaro Siqueiros—artists who championed depictions of American landscapes and social realities. Furthermore, he absorbed significant inspiration from Surrealism, particularly the techniques of automatism and dreamlike imagery, alongside Native American art forms that emphasized ritualistic patterns and symbolic representations.

    Artistic Development & Technique

    Pollock’s artistic journey began with representational works reflecting his teachers' stylistic sensibilities—scenes rendered in a regionalist style imbued with meticulous detail. However, he swiftly transitioned toward experimentation, delving into diverse mediums and approaches. During the 1930s, Pollock honed his skills in watercolor and gouache, mastering tonal gradations and blending techniques—skills that would prove invaluable as he developed his signature drip technique. This method involved pouring or splashing liquid household paint onto a horizontal surface, allowing Pollock to engage with the canvas from all angles and creating an immersive artistic experience for both himself and the viewer. The resulting paintings are characterized by dynamic compositions, vibrant colors, and intricate patterns that seem to dance across the surface—a deliberate departure from traditional painting methods.

    “Number 3” – An Emblematic Work

    Number 3,” created in 1948, exemplifies Pollock’s revolutionary drip technique and embodies his artistic philosophy. This monumental canvas—measuring 77.2 by 57.2 centimeters—is a testament to his unwavering commitment to spontaneity and process-based artmaking. The painting's palette is dominated by shades of blue, red, yellow, and orange, interwoven with black lines that contribute to the artwork’s textural complexity. Pollock meticulously applied paint using a drip method, resulting in an astonishing array of shapes and textures—a visual manifestation of his inner turmoil and a bold assertion of artistic freedom. The painting was showcased at the Betty Parsons Gallery in New York City during 1948, marking a pivotal moment in Pollock’s artistic career and establishing him as a leader within the burgeoning abstract expressionist movement.

    Historical Context & Legacy

    Number 3” emerged against the backdrop of a period marked by profound social and intellectual upheaval—the postwar era witnessed an explosion of creativity fueled by anxieties about nuclear war and a yearning for new forms of artistic expression. Pollock’s work resonated deeply with fellow artists like Willem de Kooning, fostering a collaborative spirit that propelled the abstract expressionist movement forward. His innovative technique not only challenged conventional notions of beauty but also fundamentally altered the way artists approached their craft—inspiring generations of creatives who followed in his footsteps and shaping the landscape of contemporary art. The painting’s enduring influence is undeniable, serving as a bridge between traditional painting traditions and modern abstraction.

    Exhibitions & Recognition

    Number 3” gained considerable acclaim upon its debut at the Museum of Modern Art (MoMA) retrospective exhibition in New York City in 1956—a recognition that underscored Pollock’s impact on the art world and solidified his status as a visionary artist. This monumental undertaking showcased the breadth of Pollock's oeuvre, demonstrating his mastery across various mediums and styles. The painting continues to captivate audiences today, reflecting the timeless appeal of abstract expressionism and its capacity to evoke profound emotional responses.

    Jackson Pollock - A major figure in the abstract expressionist movement.

    Number 3 - A painting that exemplifies Pollock’s drip technique and artistic philosophy.

    Painting by 'Jackson Pollock' | Jackson Pollock:Number 3 (77 x 57 cm,Abstract Expressionism,Enamel,)

    Museum of Modern Art - Hosted a memorial retrospective exhibition for Pollock in 1956.

    AllPaintingsStore.com offers high-quality, handmade oil painting reproductions of “Number 3” and other works by Jackson Pollock. These reproductions capture the essence of his original paintings, providing art enthusiasts with an opportunity to own a piece of history. For more information on Jackson Pollock and his works, visit Jackson Pollock:Number 3 at AllPaintingsStore.com.

    Художник и музей

    Автор

    Джексон Поллок

    Родился в Кодий, Соединенные Штаты Америки

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the very beginning. His early life was marked by constant movement; his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West, leading the family on a nomadic journey through Arizona and California. This itinerant existence instilled in young Pollock a deep connection to the natural world – he developed an appreciation for Native American art during these surveying trips, absorbing their visual language and spiritual intensity. Though he never consciously imitated Indigenous styles, these early experiences undoubtedly left an indelible mark on his artistic sensibility, shaping his later exploration of raw energy and primal expression.

    Pollock’s formal artistic training commenced at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. Initially, Pollock absorbed Benton's lessons diligently, learning to create works that depicted scenes of rural America with a sense of dynamism and social commentary. However, his inherent inclination leaned toward more abstract explorations – he was drawn to the expressive potential of color and form, seeking ways to convey emotions and ideas beyond representational accuracy.

    Furthermore, Pollock was profoundly influenced by Mexican muralists like José Clemente Orozco, whose monumental works depicted social struggles and historical events with a powerful emotional intensity. The scale, dynamism, and symbolic language of these murals resonated deeply with Pollock, inspiring him to seek ways to create art that could capture the complexities of human experience on a grander scale.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s witnessed Pollock’s experimentation with various techniques, driven by a desire to move beyond traditional brushwork. He began pouring paint directly onto canvases, exploring its fluidity and unpredictable nature – this was not simply applying color; it was an attempt to capture the very essence of movement and spontaneity. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface – this wasn’t merely about applying paint; it was about embodying the act of creation itself.

    This innovative approach fundamentally altered the way painting was conceived. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    This revolutionary technique positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery – reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    The significance of Pollock's work extends beyond mere aesthetics; it represents an exploration of process over product. He sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

    A Complex Figure and Enduring Influence

    Despite his groundbreaking achievements, Pollock’s life was marked by personal struggles. He battled alcoholism for much of his adult life, a condition that exacerbated his volatile personality and contributed to his untimely death in 1956 at the age of 44. However, it is important to recognize Pollock not just as an artist but also as a complex individual grappling with profound emotional challenges.

    His legacy continues to evolve and inspire artists today. His work remains a subject of intense debate and interpretation, prompting viewers to consider the relationship between art, emotion, and experience. The drip technique he pioneered is still practiced by many contemporary painters, demonstrating the enduring relevance of his innovations. Jackson Pollock’s paintings are not merely decorative objects; they are windows into the artist's psyche, offering a glimpse into the depths of human consciousness.

    Где почитать подробнее

    Найти онлайн

    QR-код, ведущий на страницу загрузки Number 3

    artsdot.com/ru/art/download/paul-jackson-pollock-number-3-8XYAGF-en/

    Как сослаться на это произведение

    MLA
    Поллок, Джексон. Number 3. 1948, https://artsdot.com/ru/art/paul-jackson-pollock-number-3-8XYAGF-en/
    APA
    Поллок, Джексон (1948). Number 3 [Painting]. https://artsdot.com/ru/art/paul-jackson-pollock-number-3-8XYAGF-en/
    Chicago
    Джексон Поллок. Number 3. 1948. https://artsdot.com/ru/art/paul-jackson-pollock-number-3-8XYAGF-en/
    Harvard
    Поллок, Джексон (1948) Number 3. Available at: https://artsdot.com/ru/art/paul-jackson-pollock-number-3-8XYAGF-en/

    Присмотритесь внимательнее

    Number 3 — Джексон Поллок

    Присмотритесь ближе

    Отвечайте своими словами. Здесь нет неправильных ответов — есть только те, которые вы можете объяснить.

    1. Что первым бросается вам в глаза и почему?
    2. Какие цвета или формы создают настроение — и какое это настроение?
    3. В нашем каталоге эта работа классифицирована по тегам: drip painting, color field, geometric abstraction. Вы согласны? Что бы вы добавили или исключили?
    4. Вспомните работу Пол Джексон Поллок (1950), представленную ранее в этом руководстве. Назовите две общие черты с этим произведением и одно отличие.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Где именно в этой работе это можно увидеть?

    Ваш ответ

    Напишите небольшой абзац об этом произведении искусства. Используйте факты из предыдущих разделов данного руководства и ваши ответы выше.

    Арт-викторина

    Number 3 — Джексон Поллок

    Насколько хорошо вы знаете это произведение искусства?

    Отметьте по одному варианту ответа для каждого из 5 вопросов ниже. У каждого вопроса есть только один правильный ответ.

    1. 1. What artistic technique is prominently featured in Jackson Pollock’s ‘Number 3’?

      • A Oil Painting
      • B Watercolor Painting
      • C Drip Technique
    2. 2. In what year was ‘Number 3’ created?

      • A 1928
      • B 1948
      • C 1965
    3. 3. Which art movement heavily influenced Pollock's style and approach to painting?

      • A Renaissance Art
      • B Impressionism
      • C Abstract Expressionism
    4. 4. Where was ‘Number 3’ exhibited during Pollock’s lifetime?

      • A Louvre Museum
      • B Museum of Modern Art (MoMA)
      • C British National Gallery
    5. 5. What is the predominant color palette used in ‘Number 3’?

      • A Primarily Greens and Yellows
      • B Dominantly Blues and Purples
      • C A Vibrant Mix of Reds, Yellows, and Blues

    Мой результат: ____ из 5

    Ключ к ответам — для преподавателя

    Этот раздел начинается с новой печатной страницы, поэтому его можно просто не включать в копии.

    1C · 2B · 3C · 4B · 5C