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Number 23

Имя Класс Дата

Джексон Поллок, Number 23 (1948). Общественное достояние.

Основные сведения

Автор
Джексон Поллок artsdot.com/ru/artists/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BA_ru/
Даты создания произведения
1912 – 1956
Техника: живопись
1948
Техника исполнения
Acrylic On Canvas
Оригинальный размер
575 x 784 cm
Движение
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Artistic style
Abstract Expressionism
Influences
Regionalism
Notable elements or techniques
Gestural abstraction; Drip method
Subject or theme
Non-representational

В контексте

Number 23 — Джексон Поллок

Каков размер?

Оригинальный размер составляет 575 × 784 см (высота × ширина); здесь он представлен рядом с фигурой взрослого человека среднего роста. Размер произведения слишком велик для отображения в масштабе на этой странице.

Когда это было написано?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Затененная область: годы жизни Джексон Поллок (1912–1956) ▲ эта работа, 1948

Сравнить с

  • Пол Джексон Поллок, 1950 artsdot.com/ru/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BA-%D0%BF%D0%BE%D0%BB-%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BA-8EWJX6-ru/
  • Автономный ритм №30 artsdot.com/ru/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BA-%D0%B0%D0%B2%D1%82%D0%BE%D0%BD%D0%BE%D0%BC%D0%BD%D1%8B%D0%B9-%D1%80%D0%B8%D1%82%D0%BC-no30-8EWJW5-ru/
  • Схождение artsdot.com/ru/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BA-%D1%81%D1%85%D0%BE%D0%B6%D0%B4%D0%B5%D0%BD%D0%B8%D0%B5-8EWJWJ-ru/

Выберите одну из работ выше: назовите две общие черты с этим произведением и одно отличие.

Другие работы, которые дополнят эту: artsdot.com/ru/art/similar/paul-jackson-pollock-number-23-8XYAGE-en/

Цвета

Измерено по изображению

    Основной цвет

    Rosy Brown #9b9fa3

    Каталогизированная палитра

    • #9B9FA3
    • #BDBEC1
    • #373D43
    • #70757A
    Палитра
    Neutrals Преобладающая цветовая гамма на изображении.
    Название основного цвета
    Rosy Brown
    Насыщенность
    Monochromatic Насколько насыщенными и разнообразными являются цвета — от одного приглушенного оттенка до множества ярких.
    Контраст
    Balanced Насколько различаются цвета по светлоте и насыщенности в разных частях картины.
    Гармония
    Balanced Harmony Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Brilliant Насколько светлой или темной кажется картина в целом, от глубокой тени до яркого блика.
    Насыщенность
    Muted Насколько чисты и сильны эти цвета — от почти серых до максимально ярких.

    Об этом произведении

    Number 23 — Джексон Поллок

    Number 23: A Symphony of Chance and Texture

    Jackson Pollock’s “Number 23,” completed in 1948, stands as an undeniable cornerstone of Abstract Expressionism—a movement that fundamentally challenged artistic conventions and prioritized emotional expression over representational accuracy. More than just pigment on paper; it's a visceral embodiment of the artist’s process and a profound meditation on spontaneity and control within chaos.

    Composition & Technique: Pollock famously employed the “drip” technique, applying paint directly from cans onto a canvas laid horizontally on the floor. Gravity became an active collaborator, guiding the flow of pigment and resulting in a mesmerizing network of interwoven lines, splatters, and drips. This method deliberately eschewed traditional brushstrokes, favoring chance and improvisation—a radical departure from academic painting.

    Color Palette & Texture: The artwork’s restrained color palette – primarily black and white accented by subtle grey tones – serves to amplify the textural richness of the piece. Thick impasto layers create dramatic contrasts between smooth areas and densely textured surfaces, inviting viewers to explore the tactile qualities of the painting.

    Historical Context & Influence: Created during the height of the postwar artistic fervor in New York City, “Number 23” reflects the broader anxieties and aspirations of its time. Pollock’s work directly responded to the influence of Surrealism and Gestalt psychology, pushing boundaries on how artists could convey emotion and explore subconscious impulses.

    Symbolic Resonance: While devoid of recognizable imagery, "Number 23" speaks volumes about the artist's inner state. The seemingly random arrangement of lines can be interpreted as a visual representation of thought processes—a deliberate attempt to capture the fluidity and dynamism of consciousness. It’s a celebration of process over product.

    Emotional Impact: Viewing “Number 23” evokes feelings of energy, excitement, and perhaps even unease. The painting's dynamic composition compels contemplation, prompting viewers to consider the relationship between order and disorder—a theme that resonates deeply within the human experience.

    Its current location at Tate Britain underscores its enduring significance as a pivotal work of modern art. A high-quality reproduction captures not only the visual splendor but also the spirit of innovation that defined Pollock’s groundbreaking approach to painting—a legacy that continues to inspire artists and collectors alike.

    Художник и музей

    Автор

    Джексон Поллок

    Родился в Кодий, Соединенные Штаты Америки

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the very beginning. His early life was marked by constant movement; his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West, leading the family on a nomadic journey through Arizona and California. This itinerant existence instilled in young Pollock a deep connection to the natural world – he developed an appreciation for Native American art during these surveying trips, absorbing their visual language and spiritual intensity. Though he never consciously imitated Indigenous styles, these early experiences undoubtedly left an indelible mark on his artistic sensibility, shaping his later exploration of raw energy and primal expression.

    Pollock’s formal artistic training commenced at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. Initially, Pollock absorbed Benton's lessons diligently, learning to create works that depicted scenes of rural America with a sense of dynamism and social commentary. However, his inherent inclination leaned toward more abstract explorations – he was drawn to the expressive potential of color and form, seeking ways to convey emotions and ideas beyond representational accuracy.

    Furthermore, Pollock was profoundly influenced by Mexican muralists like José Clemente Orozco, whose monumental works depicted social struggles and historical events with a powerful emotional intensity. The scale, dynamism, and symbolic language of these murals resonated deeply with Pollock, inspiring him to seek ways to create art that could capture the complexities of human experience on a grander scale.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s witnessed Pollock’s experimentation with various techniques, driven by a desire to move beyond traditional brushwork. He began pouring paint directly onto canvases, exploring its fluidity and unpredictable nature – this was not simply applying color; it was an attempt to capture the very essence of movement and spontaneity. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface – this wasn’t merely about applying paint; it was about embodying the act of creation itself.

    This innovative approach fundamentally altered the way painting was conceived. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    This revolutionary technique positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery – reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    The significance of Pollock's work extends beyond mere aesthetics; it represents an exploration of process over product. He sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

    A Complex Figure and Enduring Influence

    Despite his groundbreaking achievements, Pollock’s life was marked by personal struggles. He battled alcoholism for much of his adult life, a condition that exacerbated his volatile personality and contributed to his untimely death in 1956 at the age of 44. However, it is important to recognize Pollock not just as an artist but also as a complex individual grappling with profound emotional challenges.

    His legacy continues to evolve and inspire artists today. His work remains a subject of intense debate and interpretation, prompting viewers to consider the relationship between art, emotion, and experience. The drip technique he pioneered is still practiced by many contemporary painters, demonstrating the enduring relevance of his innovations. Jackson Pollock’s paintings are not merely decorative objects; they are windows into the artist's psyche, offering a glimpse into the depths of human consciousness.

    Где почитать подробнее

    Найти онлайн

    QR-код, ведущий на страницу загрузки Number 23

    artsdot.com/ru/art/download/paul-jackson-pollock-number-23-8XYAGE-en/

    Как сослаться на это произведение

    MLA
    Поллок, Джексон. Number 23. 1948, https://artsdot.com/ru/art/paul-jackson-pollock-number-23-8XYAGE-en/
    APA
    Поллок, Джексон (1948). Number 23 [Painting]. https://artsdot.com/ru/art/paul-jackson-pollock-number-23-8XYAGE-en/
    Chicago
    Джексон Поллок. Number 23. 1948. https://artsdot.com/ru/art/paul-jackson-pollock-number-23-8XYAGE-en/
    Harvard
    Поллок, Джексон (1948) Number 23. Available at: https://artsdot.com/ru/art/paul-jackson-pollock-number-23-8XYAGE-en/

    Присмотритесь внимательнее

    Number 23 — Джексон Поллок

    Присмотритесь ближе

    Отвечайте своими словами. Здесь нет неправильных ответов — есть только те, которые вы можете объяснить.

    1. Что первым бросается вам в глаза и почему?
    2. Какие цвета или формы создают настроение — и какое это настроение?
    3. В нашем каталоге эта работа классифицирована по тегам: drip painting, black white contrast, geometric lines. Вы согласны? Что бы вы добавили или исключили?
    4. Вспомните работу Пол Джексон Поллок (1950), представленную ранее в этом руководстве. Назовите две общие черты с этим произведением и одно отличие.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Где именно в этой работе это можно увидеть?

    Ваш ответ

    Напишите небольшой абзац об этом произведении искусства. Используйте факты из предыдущих разделов данного руководства и ваши ответы выше.