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Number 14

Имя Класс Дата

Джексон Поллок, Number 14 (1951). Общественное достояние.

Основные сведения

Автор
Джексон Поллок artsdot.com/ru/artists/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BA_ru/
Даты создания произведения
1912 – 1956
Техника: живопись
1951
Оригинальный размер
146 x 269 cm
Движение
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Notable elements
Drip technique, black and white contrast, gestural lines, textural variations, layering
Style
Expressionism, Action Painting
Subject
Stylized landscape with implied figures or forms

В контексте

Number 14 — Джексон Поллок

Каков размер?

Оригинальный размер составляет 146 × 269 см (высота × ширина); здесь он представлен рядом с фигурой взрослого человека среднего роста.

Когда это было написано?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Затененная область: годы жизни Джексон Поллок (1912–1956) ▲ эта работа, 1951

Сравнить с

  • Пол Джексон Поллок, 1950 artsdot.com/ru/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BA-%D0%BF%D0%BE%D0%BB-%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BA-8EWJX6-ru/
  • Автономный ритм №30 artsdot.com/ru/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BA-%D0%B0%D0%B2%D1%82%D0%BE%D0%BD%D0%BE%D0%BC%D0%BD%D1%8B%D0%B9-%D1%80%D0%B8%D1%82%D0%BC-no30-8EWJW5-ru/
  • Схождение artsdot.com/ru/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BA-%D1%81%D1%85%D0%BE%D0%B6%D0%B4%D0%B5%D0%BD%D0%B8%D0%B5-8EWJWJ-ru/

Выберите одну из работ выше: назовите две общие черты с этим произведением и одно отличие.

Другие работы, которые дополнят эту: artsdot.com/ru/art/similar/paul-jackson-pollock-number-14-8XYAFY-en/

Цвета

Измерено по изображению

    Основной цвет

    Phthalo Green #12152a

    Каталогизированная палитра

    • #12152A
    • #95919A
    • #DBD4DA
    • #4F4D5B
    Название основного цвета
    Phthalo Green
    Насыщенность
    Monochromatic Насколько насыщенными и разнообразными являются цвета — от одного приглушенного оттенка до множества ярких.
    Контраст
    Statement Насколько различаются цвета по светлоте и насыщенности в разных частях картины.
    Гармония
    Balanced Harmony Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Shadow Насколько светлой или темной кажется картина в целом, от глубокой тени до яркого блика.
    Насыщенность
    Muted Насколько чисты и сильны эти цвета — от почти серых до максимально ярких.

    Об этом произведении

    Number 14 — Джексон Поллок

    A Tempestuous Vision: Decoding Jackson Pollock’s ‘Number 14’

    Jackson Pollock's ‘Number 14’, created in 1951, is a monumental work embodying the raw energy and innovative spirit of Abstract Expressionism. Measuring an impressive 146 x 269 cm, this painting isn’t merely viewed – it’s experienced. It represents a pivotal moment in Pollock's career, falling within his celebrated “black pourings” period, a departure from the more colorful compositions that preceded it.

    Style and Technique: The All-Over Composition

    Number 14’ exemplifies Pollock’s revolutionary technique of action painting. Abandoning traditional easel work, he placed the canvas directly on the floor, then dripped, splashed, and poured paint from all sides using sticks, knives, and even hardened brushes. This method allowed for an unprecedented level of physical involvement and spontaneity. The result is a dense, interwoven network of black lines against a stark white ground – an “all-over” composition devoid of focal points or traditional perspective. The absence of recognizable forms invites viewers to engage with the painting on a purely visceral level, responding to its rhythm and energy rather than seeking representational meaning.

    Historical Context: A Post-War Aesthetic

    Created in the aftermath of World War II, ‘Number 14’ reflects the anxieties and existential questioning prevalent during that era. Abstract Expressionism emerged as a distinctly American artistic response to European philosophical currents and the trauma of global conflict. Pollock's work rejected traditional notions of beauty and representation, instead prioritizing subjective experience and emotional expression. It signaled a shift in the art world, moving away from figuration towards abstraction as a means of conveying profound psychological states.

    Symbolism & Interpretation: Beyond Representation

    While Pollock vehemently denied any intentional symbolism in his work, ‘Number 14’ resonates with powerful emotional undertones. The chaotic interplay of lines can be interpreted as representing the complexities and contradictions of the human psyche. The dark palette evokes feelings of melancholy, isolation, or even turmoil. However, within this darkness, there are moments of light and energy – suggesting a struggle between opposing forces. Some scholars suggest connections to Native American sand painting traditions, which Pollock encountered during his youth with his father, though he never explicitly confirmed such influences.

    Emotional Impact & Interior Design

    Number 14’ is not a passive artwork; it demands attention and evokes strong reactions. Its scale and intensity create an immersive experience, capable of transforming any space. In interior design, this piece serves as a powerful statement – ideal for modern or minimalist settings where its dramatic presence can be fully appreciated. Its monochrome palette offers versatility, complementing a range of color schemes while adding depth and sophistication. The painting’s energy is best showcased in large, open areas allowing viewers to step back and absorb the entirety of the composition. Consider pairing it with understated furniture and neutral tones to allow the artwork to take center stage.

    Pollock's Legacy

    Jackson Pollock’s brief but prolific career fundamentally altered the course of modern art. His innovative techniques, coupled with his uncompromising artistic vision, continue to inspire artists today. ‘Number 14’ stands as a testament to his enduring legacy – a powerful and evocative work that challenges our perceptions of painting and invites us to explore the depths of human emotion.

    Художник и музей

    Автор

    Джексон Поллок

    Родился в Кодий, Соединенные Штаты Америки

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the very beginning. His early life was marked by constant movement; his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West, leading the family on a nomadic journey through Arizona and California. This itinerant existence instilled in young Pollock a deep connection to the natural world – he developed an appreciation for Native American art during these surveying trips, absorbing their visual language and spiritual intensity. Though he never consciously imitated Indigenous styles, these early experiences undoubtedly left an indelible mark on his artistic sensibility, shaping his later exploration of raw energy and primal expression.

    Pollock’s formal artistic training commenced at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. Initially, Pollock absorbed Benton's lessons diligently, learning to create works that depicted scenes of rural America with a sense of dynamism and social commentary. However, his inherent inclination leaned toward more abstract explorations – he was drawn to the expressive potential of color and form, seeking ways to convey emotions and ideas beyond representational accuracy.

    Furthermore, Pollock was profoundly influenced by Mexican muralists like José Clemente Orozco, whose monumental works depicted social struggles and historical events with a powerful emotional intensity. The scale, dynamism, and symbolic language of these murals resonated deeply with Pollock, inspiring him to seek ways to create art that could capture the complexities of human experience on a grander scale.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s witnessed Pollock’s experimentation with various techniques, driven by a desire to move beyond traditional brushwork. He began pouring paint directly onto canvases, exploring its fluidity and unpredictable nature – this was not simply applying color; it was an attempt to capture the very essence of movement and spontaneity. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface – this wasn’t merely about applying paint; it was about embodying the act of creation itself.

    This innovative approach fundamentally altered the way painting was conceived. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    This revolutionary technique positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery – reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    The significance of Pollock's work extends beyond mere aesthetics; it represents an exploration of process over product. He sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

    A Complex Figure and Enduring Influence

    Despite his groundbreaking achievements, Pollock’s life was marked by personal struggles. He battled alcoholism for much of his adult life, a condition that exacerbated his volatile personality and contributed to his untimely death in 1956 at the age of 44. However, it is important to recognize Pollock not just as an artist but also as a complex individual grappling with profound emotional challenges.

    His legacy continues to evolve and inspire artists today. His work remains a subject of intense debate and interpretation, prompting viewers to consider the relationship between art, emotion, and experience. The drip technique he pioneered is still practiced by many contemporary painters, demonstrating the enduring relevance of his innovations. Jackson Pollock’s paintings are not merely decorative objects; they are windows into the artist's psyche, offering a glimpse into the depths of human consciousness.

    Где почитать подробнее

    Найти онлайн

    QR-код, ведущий на страницу загрузки Number 14

    artsdot.com/ru/art/download/paul-jackson-pollock-number-14-8XYAFY-en/

    Как сослаться на это произведение

    MLA
    Поллок, Джексон. Number 14. 1951, https://artsdot.com/ru/art/paul-jackson-pollock-number-14-8XYAFY-en/
    APA
    Поллок, Джексон (1951). Number 14 [Painting]. https://artsdot.com/ru/art/paul-jackson-pollock-number-14-8XYAFY-en/
    Chicago
    Джексон Поллок. Number 14. 1951. https://artsdot.com/ru/art/paul-jackson-pollock-number-14-8XYAFY-en/
    Harvard
    Поллок, Джексон (1951) Number 14. Available at: https://artsdot.com/ru/art/paul-jackson-pollock-number-14-8XYAFY-en/

    Присмотритесь внимательнее

    Number 14 — Джексон Поллок

    Присмотритесь ближе

    Отвечайте своими словами. Здесь нет неправильных ответов — есть только те, которые вы можете объяснить.

    1. Что первым бросается вам в глаза и почему?
    2. Какие цвета или формы создают настроение — и какое это настроение?
    3. В нашем каталоге эта работа классифицирована по тегам: abstract, dynamic, lines. Вы согласны? Что бы вы добавили или исключили?
    4. Вспомните работу Пол Джексон Поллок (1950), представленную ранее в этом руководстве. Назовите две общие черты с этим произведением и одно отличие.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Где именно в этой работе это можно увидеть?

    Ваш ответ

    Напишите небольшой абзац об этом произведении искусства. Используйте факты из предыдущих разделов данного руководства и ваши ответы выше.

    Арт-викторина

    Number 14 — Джексон Поллок

    Насколько хорошо вы знаете это произведение искусства?

    Отметьте по одному варианту ответа для каждого из 5 вопросов ниже. У каждого вопроса есть только один правильный ответ.

    1. 1. To which art movement does 'Number 14' by Jackson Pollock most closely belong?

      • A Impressionism
      • B Abstract Expressionism
      • C Surrealism
    2. 2. What is a defining characteristic of Pollock’s technique, prominently displayed in 'Number 14'?

      • A Precise brushstrokes and realistic depiction
      • B Dripping and pouring paint onto the canvas
      • C Use of vibrant, contrasting colors
    3. 3. The description notes a strong contrast in 'Number 14'. What color palette dominates the artwork?

      • A Red and Yellow
      • B Blue and Green
      • C Black and White
    4. 4. Considering Pollock's broader artistic period, when was 'Number 14' created in relation to his most famous 'drip paintings'?

      • A Before the start of his drip period
      • B During the peak of his drip period (1947-1950)
      • C After his main drip painting phase, during his 'black pourings'
    5. 5. The artwork’s composition is described as lacking traditional perspective. What does it rely on to create depth?

      • A Linear Perspective
      • B Chiaroscuro
      • C Layering and Density

    Мой результат: ____ из 5

    Ключ к ответам — для преподавателя

    Этот раздел начинается с новой печатной страницы, поэтому его можно просто не включать в копии.

    1B · 2B · 3C · 4C · 5C